When it comes to grilling, there’s a tendency to eschew anything that involves plates. The usual suspects (hot dogs, burgers and kebabs) are fine for finger-foodin’ it—especially if you need to have one hand free for drinking, smoking, tossing a Frisbee or getting into a fistfight—but sometimes it’s worth splurging on a stack of paper plates.
A big thanks to Showcase participants and attendees
Winners and nominees—23 of them— rocked over a thousand attendees at five venues on March 24, 2018. It was a blast and we’ll see you at next year’s shindig. Here for posterity (and your browsing pleasure) are the winners and runners-up.
Albuquerque’s animal shelters strive to clean up their act
By Christie Chisholm
Nine years old and blind: a prime candidate for euthanasia. That’s how Debbra Colman found her. The sign read: German Shepherd, female, 9 years, blind, spayed. When Colman rescued Ladybug from the Eastside Animal Care Center and brought her to a veterinarian, the verdict was a little different: German Shepherd, female, 5 years, not blind, un-spayed. She was so “not blind,” in fact, that when Colman tossed a ball 30 feet away, the cloudy-eyed dog would run and fetch it easily, eager for another round.
They're shiny and black and about the size of a tennis ball. They hang in a white casing, usually hidden and innocuous. They can see in the dark. If you're on one of Downtown's main fairways, they can probably see you.
iPods, BlackBerries, satellite radio. The boom in new technology media and communication products has transformed the way we interact as humans. It has also created a modern equivalent of the Cro-Magnon man called techno-interruptus, which is a guy like me who doesn’t understand how to use most of this new stuff.
Who? Me?—Defensive. High-minded. Timid. They're the three steps of receiving criticism in this industry. For example, on the letters page of our Aug. 24-30 issue, John Krone wrote to us that he isn't fond of "the sort of cynical, urban hipster tone" presented in our paper, and he also doesn't like the "do-gooder activist stories."
Some powerful testimony was given during the day-long Town Hall meeting on Aug.31 concerning “Kendra’s Law.” It mostly came during the final two hours when more than 35 members of the audience voiced their views during public comment on legislative proposals for the city and state to require psychiatric treatment for some severely mentally ill patients.
A proposed Westside land use resolution riles area property owners
By Mark Sanders
City Councilor Michael Cadigan wants Volcano Heights property owners to understand: He doesn’t want to take away their right to build homes. Yet that was the prevailing sentiment among some local homeowners at the Aug. 21 City Council meeting.
Dateline: Canada--The pilot of a Canadian airliner found himself locked out of the cockpit after going for a bathroom break last Saturday. The incident occurred aboard a flight from Ottawa to Winnipeg. A spokesperson for Air Canada’s Jazz subsidiary said that with 30 minutes of the flight to go, the pilot went to the restroom, leaving his first officer in charge. But when he tried to get back into the cockpit, the door would not open. A report in the Ottawa Citizen newspaper said that, for about 10 minutes, “passengers described seeing the pilot banging on the door and communicating with the cockpit through an internal telephone, but being unable to open the door.” Eventually, the plane’s crew had to remove the door from its hinges to get the pilot back into the cockpit. The airline spokesperson stressed that at no time were the plane or passengers in any danger.
The GIFF That Keeps on Giving--Later this month, the city of Gallup and the newly formed Gallup Film Foundation will sponsor the Gallup Intercultural Film Festival. The theme of this debut festival is “Shining Light on the Bridges Between Cultures.” According to organizers, a short-term goal of GIFF is to provide “a showcase of culturally diverse motion pictures.” Longer-term goals include promoting filmmaking in the local community and establishing the festival as an annual Gallup event. Right now, the festival is looking for submissions in the following categories: narrative feature (longer than 60 minutes), narrative short (up to 60 minutes), documentary feature (longer than 50 minutes), documentary short (up to 50 minutes), experimental (any length), music video, advocacy/activism, children/family, animation, gay/lesbian, regional (Gallup area), Native American, international and the all-inclusive category of “other.” Submission fee is $20 per film. Log on to www.gpac.info/giff or call (505) 879-9409 for submission information. Deadline is Sept. 15. The film festival itself will take place at Gallup’s historic El Morro Theater Sept. 29-Oct. 1.
Indie drama explores culture clash on the streets of L.A.
By Devin D. O’Leary
A quinceañera is a very special time in a girl’s life. It is the day she turns 15, the day she becomes a woman. In Mexican culture, it is a time for celebration, a time to show off your daughter in all her womanly beauty. It is a time to buy huge white dresses, rent limousines and hire DJs. It is also, apparently, the age at which a girl becomes eligible for her own angst-heavy indie drama.
Fame seems to bestow a kind of invulnerability on people. Celebrities like Marilyn Monroe, Elvis, Princess Diana and JFK are immune to the ravages of time and mortality because they have been forever enshrined on film, television and record. Their youth and vitality remains as it ever was thanks to the freeze frame of pop culture. Also, there is that segment of the population that refuses to believe in the ordinary circumstances of their deaths, concocting elaborate conspiracy theories for the simple reason that celebrities can’t expire like mere mortals.
Where's Jenny?—I'd been trying to contact local music promoter Jenny Gamble all week. E-mails and phone calls went unanswered and nobody had seen her around. She had, effectively, disappeared. Then one morning I found a note on my desk. “I'm leaving town. Call me. Jenny Gamble.” So I called.
The globe’s only known 10-man hip-hop orchestra (or, Breakestra, if you will) will step to the Sunshine Theater on Tuesday, Sept. 12. The all-ages show starts at 8 p.m. and costs $10. Conduct yourself accordingly. (LM)
Salt Lake City’s The Brobecks aren’t what you might expect of a band from one of the most conservative parts of the country. They ooze free-floating choruses and danceable hooks. The vocals are buoyant and brazen, and the keyboard never loses its grasp of the melody.
Musicians with a cause aren't rare in the industry. Any hipster with a guitar can belt out tunes decrying the government or warning of impending nuclear fallout, but it takes something more to make change rather than just call for it—like courage, conscience, resolve, cause and, not least of all, desire. Craig Minowa brings these things to Cloud Cult, an indie-rock band with songs that depict the best and worst of human nature and actions that try to preserve humankind. The Alibi caught him mid-tour to ask a few questions about the band and their green ways.
Marisol—Class is back in session, and UNM's Department of Theatre and Dance is pulling back the curtain on an exciting new season. Jose Rivera's award-winning Marisol is playing one more weekend in Theatre X, located downstairs in the University's Center for the Arts. Set in a surrealistic Bronx, the play tells the story of an Everywoman named Marisol Perez who attempts to find meaning in a world on the brink of self-destruction. With the looming apocalypse on everyone's brain these days, this show should be a serious thought provoker. Directed by JoRae Taylor, Marisol runs Thursday, Sept. 7, through Saturday, Sept. 9, at 7:30 p.m. $10 general, $8 seniors, $7 students. 925-5858, unmtickets.com.
It's a cliché to say tragedy brings out both the best and the worst in people. We know this instinctively. When the attacks of 9/11 happened, we heard a lot about people at their best. Firemen, policemen and ordinary citizens selflessly risking their lives to save others. A nation and a world coming together—if only for the space of a few short breaths—collectively vowing to defend civilization against its barbaric enemies.
A series of myth-inspired pictographs by Rory Coyne will be hanging at the Yale Art Center throughout the month of September. The show explores the use of myths as a response to everyday life, embellishing certain details to express a greater truth. Enjoy refreshments during the reception to be held this Friday, Sept. 8, from 6 to 9 p.m. The Yale Art Center (1001 Yale SE) is open Monday, Wednesday and Friday from 1 to 6 p.m. and Saturday from 11 a.m. to 3 p.m. To learn more about the exhibit or the Yale Art Center, visit www.yaleartcenter.org or call 242-1669.
Becki Smith has been creating her unique art boxes for eight years, and during that time she has examined such subjects as gender identity, domesticity, the environment and spirituality. Within these metaphorical boundaries, Smith builds three-dimensional collages using new, old, found and recycled objects made of natural materials, metal, glass, fabric and paper. Little Alters Everywhere opens this week at the Harwood Art Center (1114 Seventh Street NW) in the main gallery and runs throughout the month. A reception for the show will be held on Friday, Sept. 8, from 5 to 8:30 p.m. For more information, call 242-6367.
Jennifer James Walks Away from Graze!—Hours before the Alibi went to press, it was announced that Chef Jennifer James is leaving her Nob Hill restaurant for good. She and business partner Michael Chesley have decided to end their six-year-long collaboration, which included two acclaimed restaurants--Restaurant Jennifer James and Albuquerque’s popular small-plates restaurant, Graze. Graze won’t close in James’ absence—it will continue to operate under the eye of remaining partner Michael Chesley.
Who knew meatballs were such a cosmopolitan food? Through a little webbing, I discovered that almost every culture has their own version of our much-adored spaghetti topper. In Norway, they are called kjøttkaker ("meat cakes") and are served with peas and potatoes. Indonesian meatballs are served in a bowl with eggs, tofu and noodles, and are called bakso. There are more than 80 types of regional meatballs made in Turkey, and in Italy, the forebear of our own American meatball, they are known as polpette, and are served as a course unto themselves.
Let me start this off by stating that I love me some bad movies. In fact, I adore them. Pop The Beastmaster into the ol’ DVD player, slap me down on the sofa with a big-ass bag of Orville Redenbacher and my lady at my side, and I’m one happy sonuvabitch. What I don’t like, however, are shitty movies. What’s the difference? you might ask. Well, the way I see it, a bad movie shows some heart--you can have some fun watching it. Sure, the acting sucks and the effects are crap, but they still manage to be entertaining. Shitty movies, on the other hand, are mind-numbingly dull and pointless. The only fun you get out of these is when you pop ’em out of the player and fling ’em into the ceiling fan. Basically, if you aren’t entertained on some level--what’s the friggin’ point, right?
If you've ever wondered what goes on inside the mind of a Rush Limbaugh fan, let us introduce you to Jim Derych. For more than a decade, Derych was a loyal, self-assured Limbaugh follower—a so-called dittohead—who uncritically accepted the ideas Rush advocated on his syndicated national radio program. But by the time George W. Bush took office in 2001, Derych found himself questioning the wisdom of Rush's ideology, ultimately concluding that Limbaugh's social, economic and political principles sounded better in theory than they worked in practice. In 2004, Derych deserted Limbaugh and the Republicans and switched his allegiance to the Democratic Party.
The term frequently kicked around is “hundred-year flood,” but if you can remember more than three such inundations in your own lifetime, that’s probably an inaccurate label to put on what Martineztown went through a couple of weeks ago. It might be more apt to call it a “12-year” flood.
How many churches do you figure we have in Albuquerque?
Our Yellow Pages list 553 churches (I counted them). Every one owns a building, be it a sprawling mega-church with a roller park or a plain cinder block chapel, inconspicuous on a residential street. It all adds up to a lot of real estate, and a lot of dry, safe, empty rooms between Sunday school classes.
At the same time, Albuquerque has an estimated 4,000 homeless people, many of them families with children. Shelters won’t let fathers or teenage boys live among women and girls. Consequently, the price of keeping a homeless family together can mean living out of a car, or worse.
Dateline: Austria--A misguided bank robber was arrested after he tried to hold up his local town hall, thinking the historic building was a bank. Wearing a mask and waving a toy pistol, the unemployed man burst into the town hall in the village of Poggersdorf and shouted, “Hold up! Hold up!” The robber realized his mistake when an employee explained to him where he was, police said in a statement. The robber fled into some nearby woods but was arrested when he came back later to pick up his motorbike, which he had left parked outside the town hall.
Duuuuuuude--Take a bong hit for our homies! Two Albuquerque bands have been invited to play in The Stoner Hands of Doom, the largest festival of stoner-rock in the Southwest. Devil Riding Shotgun and SuperGiant were selected to appear with more than 40 bands near Phoenix, Ariz., this Labor Day Weekend. Unfortunately, Devil Riding Shotgun won't be able to attend due to a work scheduling conflict. “It would have been great to go and represent Albuquerque. We'll just have to wait for the next opportunity and play around town, [which] is great to play in,” says DRS bassist Neb. “Well, that's my excuse and I'm sticking to it.” So now it’s down to SuperGiant, who’ll perform alongside the likes of Graves at Sea, Super Heavy Goat Ass, Acid King and Sasquatch. “A lot of bands have gotten discovered at this festival,” says Jeremy, Alibi webmonkey and nimble-fingered lead guitarist of SuperGiant. En route to the festival, SuperGiant will make a pit stop in Flagstaff on Friday, Sept. 1, where they'll knock the plaster off the Hotel Monte Vista. It's an unlikely venue, but the venerable old hotel is reputed to be haunted by 10 different ghosts. So that's kind of rocking. Learn more about the ghosts at www.hotelmontevista.com. Details about the festival can be obtained at the event's crappy website, www.cherylsweb.com/shod/index.html.
Get yer learn on! The League of Young Voters presents an all-ages hip-hop event to usher you back into academia. Engage in emcee- and b-battles, plus jams from Garbage Pail Kidz and Audiobots. Friday, Sept. 1, from 6-10 p.m. at the UNM SUB Ballroom. Info at email@example.com. (LM)
When talking to Will Johnson of Denton Texas’ Centro-matic, you get the feeling that, as thoughtful and succinct as his comments are, there’s something else going on inside the mind of this man who’s been the driving force behind eight albums produced in 10 prolific years. Johnson admits he’s inundated with melodies. They constantly run through his head, often accompanied by lyrics that sometimes even he doesn’t completely comprehend. The indie-Americana identity that Centro-matic has forged is a tender confection of alt.country riffs, faintly haggard vocals and meticulously thought-out melody that paints a vague but still tangible sonic picture. About to embark on the West Coast leg of the band’s tour, Johnson talks with the Alibi about songwriting, musical influences and coming of age.
DJ Ginger Dunnill found herself on the fast-track from tomboy to temptress. On a normal day, the pretty, petite Dunnill sports baggy hip-hop gear in an attempt to take a pin to the balloon of stereotypes inflated around women in the hip-hop world. She wants respect for her work, her emceeing, her DJing, her artistry—not for her body.
Drive-In Movie?--This Friday and Saturday night, Sept. 1 and 2, Albuquerque-based filmmaker Rob Kellar (co-director of Collecting Rooftops) will be screening his new film Carjacked at the Guild Cinema in Nob Hill. The screening will take place at 10 p.m. on both nights. Kellar’s feature-length thriller follows the story of a man (Chris Payne) who has been carjacked at gunpoint and forced to do harmful things to himself and others in order to save his own life. Carjacked was shot on 16mm color film for a penny-pinching $20,000. Kellar will be on hand both nights to discuss his experiences shooting low-budget films here in New Mexico. Tickets are $7 at the Guild Cinema (3405 Central NE).
Perhaps I'm being a bit culturally insensitive, but I've never thought of the British Isles as a source of movie action heroes. Sure, Scotland gave us Bond Man Numero Uno Sean Connery—but even Connery was a bit more of a suave gadget man than a Sylvester Stallone, strip-to-the-waist-and-rip-out-someone's-esophagus type. When I think about the island of Hong Kong, I think of Jackie Chan. When I think about the island of Britain, I think of John Cleese. That's just not a fair fight. But in 2002, London-born tough guy Jason Statham flipped the script, delivering a knockout performance in the dim-witted, but thoroughly entertaining martial arts flick The Transporter.
When United Paramount Network and The WB closed up shop at the end of last season, uniting their efforts to create the singular “CW” network, it left a lot of television stations pondering their fate. Locally, for example, KWBQ-19 became the new CW standard-bearer. But where did that leave sister network KASY-50, the former UPN affiliate? Out in the cold, it would seem.
At the Donkey—In this case, it's perfectly OK to be an ass. The Donkey Gallery (1415 Fourth Street SW) is picking up the pace in preparation for the fall season. A new group of gallery collaborators made up of David Leigh, Larry Bob Phillips, Elena Agustin and Karl Hofmann will unveil an installation called Change Up this week. It will consist of site-specific drawings on the walls by the three dudes along with an architectural rendering by the lady. The installation won't be completed until right before the opening reception on Friday, Sept. 1, from 6 to 9 p.m. Also on display that evening will be city bus photographs by Donkey intern Maxwell Krivitzky. As always, expect some chow and live music at the opening. The show runs through Sept. 24. 242-7504, www.donkeygallery.org.
It's a well-known fact that some of the best contemporary art in the city is created by current or former students of UNM. The new school year just started, of course, and with it comes an exhibit of work from the freshest faces in the Art and Art History Department. A reception will be held this Friday, Sept. 1, from 5:30 to 7:30 p.m., and the show will run through Oct. 6 at UNM's Jonson Gallery (1909 Las Lomas NE). For further immersion, take part in a panel discussion with the artists on Tuesday, Sept. 5, at 5:30 p.m. Museum hours are Tuesday through Friday, 10 a.m. to 4 p.m. Admission and events are free. For more information, call 277-4967 or visit www.unm.edu/~jonsong.
Question: What do cultural luminaries such as Paul Simon, Madonna and Demi Moore all have in their private collections? Answer: A piece of art crafted by Albuquerque native Cynthia Cook. Cook’s work has a unique style that incorporates tin work, Native American silversmithing, medieval chasework and repoussé to create haunting fabricated boxed worlds filled with nests, bones, insect wings and shells. Cook has exhibited her organic montages internationally but she is bringing her masterpieces back home for the month of September. The one-woman show will kick off with a reception on Friday, Sept. 1, from 5 to 8 p.m. at the Mariposa Gallery (Amherst and Central). The exhibit will run through the end of the month. For details, call 268-6828.
In the beginning, my brothers and I imagined they were as rare as Ferrari Testarossas, just as unlikely to turn up in our small Pennsylvania town. Yet we knew they existed. There was a whisper about the magazine racks at the slushy stand that said so. Playboy magazines were printed and bound and distributed to happy men all across America. We just weren’t allowed to see one. Until we did.
A couple weeks ago, we ran a guide to Albuquerque theater that left out several of the best and brightest movers and shakers on our local scene. You can place the blame for these omissions entirely on the bowed shoulders of Alibi Arts Editor Steven Robert Allen. If your theater or company isn't in this week’s supplemental theater guide, please feel free to e-mail your angry complaints directly to Steve at firstname.lastname@example.org. If you already made a complaint and are still not in either theater guide, send those complaints to Steve as well.
From Russia, With Love—Once people find out what I do for a living (you're looking at it), it's almost certain that a funny, sometimes emotional conversation about food will follow. It happens a lot, but no two are identical. Food is the great connector, intrinsically bound up in the fabric of every person's life, no matter what their background. Everyone's got to eat, after all.
I am amazed by how many truly great sushi restaurants there are in Albuquerque. Our fair city is strikingly cosmopolitan when it comes to cuisine, and nothing pleases me (and my raw fish-loving palate) more than the rumor of yet another place to get a good caterpillar roll, or a hot, salty bowl of miso soup sprinkled with green onions. Somebody should write Miso Soup for the Soul, because I’m buying, and I know you’re with me, fellow foodies.
Behind the scenes during harvest on a Napa Valley Vineyard
By Ashley Gauthier
“It takes a lot of beer to make wine.” I heard this expression at least a dozen times during my visit to a winery in Napa Valley, Calif. My friend Amy lived and worked on the vineyard, and I had a trip to San Francisco scheduled at the end of October. I thought it would be fun to take a few extra days to visit her in Napa.
We’d like to think that when Marlon Brando was getting ready to emerge on the set of Apocalypse Now he started gorging himself on something that was regionally specific. He wanted something that would keep him cool and satiated in the jungle, something that would soothe and excite his sizable abdomen when Francis Ford Coppola pumped him full of drugs after butchering cows and freaking out in front of Playboy Bunnies. “I don’t need to read the script,” he thought. “I just need another goddamn sandwich.”
Citizens of Earth! Nowhere in the great state of New Mexico do some many local and national music acts converge in one bustling metropolitan hub, on a single heroic night. We call it "crawling," and its never been more action-packed! Buy one flat-rate wristband ($10 in advance, $15 day-of-show) and you'll gain access to six hours of original, live performances this Saturday, Aug. 26.
Popcorn and Pop Rock--On Thursday, Aug. 24, at 10:15 p.m., the Guild Cinema will host a special premiere screening of two locally shot music documentaries, “Welcome to Wherever You Are: Albuquerque” and “The Oktober People: Spring Crawl 2006.” The films feature live concert footage of Albuquerque bands The Oktober People, Scenester, Skinnyfat and much more. They also arrive just in time to give a sneak preview of the Alibi’s Fall Crawl 2006 (taking place this Saturday). There is a small cover charge of $3 at the door to help support future films and future music gigs here in Albuquerque.
Indie fright-fest opens the door on a chilly homecoming
By Devin D. O’Leary
A psychological drama with an emphasis on the “psycho,” Head Trauma is the second film from ultra-indie auteur Lance Weiler. Weiler’s first film was 1998’s The Last Broadcast. That no-budget horror flick received a brief hiccup of publicity for being: A) the first feature to be shot, edited and screened (via satellite) using solely digital technology, and B) a major influence on 1999’s The Blair Witch Project. Honestly, the first designation is the more significant. The Last Broadcast was assembled on home computers for a mere $900, making it an impressive precursor to today’s rampant digital filmmaking scene. (Both Last Broadcast and Blair Witch borrowed a healthy dose of inspiration from 1980’s Cannibal Holocaust, rendering that “who made who” debate a bit moot.)
I’m guessing kids have always liked gross things. I don’t recall too many fart jokes in Peter Pan oran abundance of snot references in the works of Charles Dickens. But that isn’t to say kids in the Victorian era and earlier didn’t appreciate a good gross-out. Boys, after all, are made of “snips and snails and puppy dog tails.” (The original Mother Goose compilation, published in 1916, used the phrase “snaps and snails.” Common variations include “snips,” “slugs,” “snakes” and “frogs.” I don’t know what a “snip” is supposed to be, but most of the other stuff is pretty slimy.)
Does anyone really care about the Emmy Awards? I mean, if you’re a castmember of “Desperate Housewives” you probably do. But is the life of the average American actually affected by who wins Outstanding Guest Actor in a Drama Series? I doubt it.
The American public's widespread support of the death penalty is a badge of shame for multiple reasons. One of the most poignant is the irrefutable fact that innocent people are all too often imprisoned—and in some cases even murdered—by the state.
The Wonderful Ice Cream Suit, a story by Ray Bradbury, revolves around a conman named Gomez and his desire for a $60 white suit. Gomez and five other men pool their money to buy the suit. They then take turns wearing it, and it magically transforms each into the man he dreams of being. The Wonderful Ice Cream Suit will be playing at the National Hispanic Cultural Center, 1701 Fourth Street SW, Aug. 31 to Sept. 2, at 8 p.m. A free community outreach performance will be performed on Wednesday, Aug. 30, at 2 p.m. Tickets are $15, $20, $25. 883-7800, ticketmaster.com.
Rebecca Salazar’s movie-like childhood is rolling around inside her head, giving her a case of extreme nostalgia. She expresses her skewed sentimentality through painting. Her canvases are hanging at the Sol Arts Performance Space and Gallery (712 Central SE), and a reception will be held on Saturday, Aug. 26, from 6 to 8 p.m. Also at Sol Arts this weekend is Loose Women of Low Character, a theatrical collaboration between Brandy Slagle and Tifanie McQueen that will run through Sept. 17. Fridays and Saturdays at 8 p.m., Sundays at 2 p.m. $10 general, $8 students. A performance on Thursday, Aug. 31, at 8 p.m. will be a pay-what-you-can show. (There will be no performance on Sunday, Sept. 3.) For more information on either of these events, call 244-0049.
Shortly after moving back to his native Missouri Ozarks, novelist Daniel Woodrell realized he might need to give his wife, who hails from Cleveland, a few social pointers. “You are going to go into the store and try to write a check to pay for the groceries,” he recalls telling her. “And somebody is going to look at you and say, ‘Who are your people?’ I told her who to say—my grandparents—and her checks were always cleared.”
The Return of La Crêperie Roulante--In addition to running Café Gee out of Atomic Cantina in the evenings, Richard Agee is reviving his La Crêperie Roulante cart for streetside lunch services. Richard plans to be back in his mobile kitchen with the original Crêperie Roulante menu from around 11 a.m.-3 p.m. weekdays, starting immediately. “Yeah, and no drunk-people sandwiches!” he says, referring to the fact that “some people” can't wrap their heads around what a panini is during bar hours. So he's returning to the perennial favorites while he can, in sober daylight. That means savory and sweet crêpes, a soup or two and, yes, those impossibly flat, pressed sandwiches. (Don't worry, drunk people. You can still get a Burque turkey inside the Atomic when the Café Gee kitchen is open.) When hunger strikes at lunch, look for his supercharged, shiny black food cart on Gold between Third and Fourth Streets.
Who the #@%* was Marco Polo? As we here at the Alibi are all about education, let’s do a historical sneaky peak. The famed name belonged to a globe-trotting Venetian merchant who went to China, met Kublai Khan, wrote a book, got kidnapped, got released and retired while sitting on a proverbial pile of cash. Then, of course, he lent his name to a fun pool game. It is reputed that our boy returned to Venice from China and was going around to his friends and neighbors bragging about his travels, only to have few believe his seemingly tall tales.
Tom Udall’s been around the block a few times. Starting his nearly 30-year political career in New Mexico in 1978, he climbed the proverbial ladder as quickly as any aspiring politico possibly can. It started with an appointment as the assistant United Stated attorney for our state, followed by two terms as attorney general. In 1999, he landed himself a spot in the U.S. Congress, where he has remained ever since. This November, he plans on holding onto that seat.
A Thing Called Delusion--The untimely demise of two New Mexico soldiers last week, Leroy Segura and Jose Zamora, gave the local media a chance to lay down a thick layer of schmaltz similar to that of their big-city counterparts in those “Fallen Heroes” segments.
A gated community in the Northeast Heights found resolution to one chapter of its epic tale. Some residents consider it a victory for free speech. To others, it's rampant solicitation, the kind the people who live in the 485 houses of Towne Park pay to keep out.
APD Chief Ray Schultz finds police officer guilty of racial profiling
By Jerry Ortiz y Pino
Sometimes the most important news in a community doesn’t arrive with trumpets and a splashy press conference in front of television cameras. Sometimes the most important shifts in a society almost slip past us, virtually unnoticed.
New Mexico candidates reveal themselves … and it ain’t pretty
By Christie Chisholm
Last month, we announced in these pages that we were partnering this election season with one of the nation’s biggest and most respected voter-awareness organizations, Project Vote Smart [News Bite, “Vote Smart,” July 13-19].
Que lastima. What a shame. Three-term United States Senator and one-time Vice Presidential candidate Joe Lieberman made history again this month. In 2000, he became the first Jewish-American at the top of the American political ticket. Last week, he became one the few senators in modern U.S. politics to lose his seat in a primary. In Connecticut, like much of Democratic America, the natives were restless.
Dateline: Germany--A seven-member family is facing eviction from their east Berlin apartment after neighbors complained about the family’s loud prayer sessions, which are keeping the entire building awake at night. Neighbors told the German newspaper Bild the screams and singing that emanate from the family’s second-floor apartment sometimes begin as late as 2:30 a.m. and can be heard as high as the building’s fifth floor. “We have our work in the morning and need our sleep,” said taxi driver Horst Berghahn, who lives on the third floor. Berghahn said he has asked the family to lower the volume several times since they moved into the building 10 months ago, but has seen no result. “I really don’t want to disturb the neighbors, but the high volume is needed in the battle against the devil,” Pierre D., the 42-year-old father of the Christian family, told the newspaper. He is fighting the eviction in court.
In the business of music writing, it’s easy to get inundated with information. CDs are shipped in, electronic press kits arrive for bands passing through town on tour and publicity reps clog up the phone lines with requests for review. Whether the music is any good, though, is anyone’s guess. Last week, someone plunked a DVD on my desk, ready for my viewing pleasure. The accompanying press kit was my first introduction to the Asylum Street Spankers.
It’s easy to see how bands from Albuquerque, and bands in general, can fall into a niche and stay there. Like contented fish swimming in a sea of local talent, they keep their day jobs, practice on weekends and play the bars when they have a free night.
Sunday, Aug. 27, Bandito Hideout (all-ages); 8:30 p.m., $6: Ruby Dee and the Snakehandlers are a band because, plain and simple, they enjoy each other's company. "You can hear that we like each other and that we’ve been working together for a long time," says Ruby Dee. She and the Snakehandlers have been playing roots, rockabilly and genuine country for the past four years. Ruby may write all the lyrics, she says, but the band is what really makes the songs come to life. "We all add something to the mix, and that's important," Ruby says. For this quintet, the "and" might be the most significant part of their name.
Monday, Aug. 28, Launchpad (all-ages); $8-$10: You needn't throw out your conceptions of emo, screamo and pop-punk when attempting to comprehend what Seattle's The Classic Crime brings to the table ... but your definitions might need some updating.
Sunday, Aug. 27, Bandito Hideout (all-ages); 8:30 p.m., $6: Ruby Dee and the Snakehandlers are a band because, plain and simple, they enjoy each other’s company. "You can hear that we like each-other and that we have been working together for a long time," says Ruby Dee. She writes all the lyrics, but the band writes the songs, she says.