Gus Pedrotty—Gus, as he likes to be known—stopped by Alibi Headquarters to discuss a bid for mayor that began as idealistic—and some would say unlikely—but has since been transformed into one of the more vital and remarkable candidacies that have passed through this high desert city in ages.
What caused the fire at the Golden West? How many Whole Foods does Burque have? Who gets Journal profits? What did jokers do to anger Albuquerque police?
New Mexico’s elected leaders have begun to sound ominously like the drunk asking for just a little “hair of the dog” to get him through the roughest hours of the day: those when the sun is shining.
Dateline: Romania--Cops have closed their investigation of a vandalism case that left local houses in ruins by concluding ghosts were to blame. Families living in the town of Lilieci reported broken windows, bicycles flying through the air, objects moving on tables and candles blown out when there was no wind. At first, police scoffed at a supernatural source for the damage, but a police spokesperson concluded, “There were bottles and things flying around. I did not know what to dodge first. We can find nothing to suggest it was anything other than what the people claim.” A priest has been called in to exorcise the homes in question.
Honestly, it’s an exciting time to be a filmmaker in New Mexico. Even if you aren’t going to be one of the rare few industry pros employed by Terminator Salvation: The Future Begins (shooting in and around Albuquerque this May, June, July and August--get used to it), you’ve still got plenty of opportunities in this town.
The Perpetual Art Machine (also known as [PAM]) started as an open source Web 2.0 research and archive project. The creators—artists Aaron Miller, Chris Borkowski, Lee Wells and Raphaele Shirley—programmed [PAM] for Scope New York in 2006. Just a few years later, [PAM] has traveled around the continental U.S. and throughout Europe, featuring the video art of more than 300 creative minds from more than 50 countries.
Sometimes kooky fusion combos are better, more soulful, when improvised on the spot rather than premeditated. This one was borne from us being too tired, lazy, brain-dead and starving on a weekday night to be pithy or political with our pairings.