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Weekly Alibi
 Dec 4 - 10, 2008 
Amateur fighter Jason Quintana emerges from a five-year prison term with a renewed desire to become a professional kickboxer.
NEWS/OPINION
The city wants to expand recycling in Albuquerque with a new recycling transfer facility. Spend the night with an emergency vet. And how much does our state pollute? It depends on who you ask.
MUSIC
With his mask on, NOBUNNY is a boozed-up, fearless wrecking ball. Without it, he's an ultra-shy singer-songwriter. And Girl Talk's frenetic mashup Feed the Animals is a super-condensed "up yours" to copyright law.
FOOD
Buck the seasonal trend and enjoy a cup of Itsa Italian Ice. And Oskar Blues' "Ten Fidy" is Colorado's snow-scorched earth in a can.
FILM & TV
Sean Penn has another Academy Award nomination locked up for his exceptional work in the biopic Milk. Plus, Charlie Kaufman's latest existential experiment Synecdoche offers up a dose of pure, undiluted Kaufmania.
ARTS/LIT
Designer's Lounge is out to prove sewing isn't antiquated. Meanwhile, best-selling author Haruki Murakami's career is based on the answers to two questions: What if I tried to write a novel? And what if I went for a jog?

RSSRaw posts and updates from our writers with info too timely or uncategorizable for print. What, we said something stupid? Chime in, buddy.

news

The Daily Word: in real life vampires and delicious ice cream

The Daily Word

death of the fringes

life imitating art

human evolution 2: electric boogaloo

50 shades of doin it

we all scream for ice cream

nuclear accidents happen

I vant to ve a vampire

bad dog! and pigs and rats. and humans

ready your pitchforks. or just forks. whatever

art is anything you can get away with

NOT THE BEES!!!!!

PRINT IS NOT DEAD!

Alibi Picks

Disco, Glitter and Roller Skates: Xanadu Jr. at N4th Theater

A Greek muse inspires love, laughter and the world's first Roller Disco in this 1980s glitter explosion of a play. Runs through 6/7.
Mandee Johnson

arts

Comedy Matters

Chris Thayer on dry humor and being in the moment

I think every comedian has that moment when they watch a stand-up set from a particular comic and think, “This is my life now.” “I always had an interest in comedy when I was growing up, but I never thought of it as something I could or would do,” says comedian Chris Thayer. “When I was 18, I heard David Cross' album Shut Up You Fucking Baby!, which was conversational in a way that made me think that maybe I could do stand-up too.” Thayer, who will be at The Guild (3405 Central Avenue NE) on June 1, moved to San Francisco, a city that has spawned such comedy legends as Robin Williams at Margaret Cho, at the age of nineteen but waited three whole years before trying comedy. He finally sat down one night and began to write; a week later he did an open mic, and “within a year I had done over 200 sets,” says Thayer. “Now I’ve been doing comedy for seven years.”

It’s this dedication that got him a writing gig on the Pete Holmes show. Thayer has a dry sense of humor and often talks about his life on stage. His uncompromising style is reflected in his ideas on comedy. “The thing that terrified me most when I started performing was the fear that an audience would hate me,” says Thayer. With time this slowly abated and Thayer began to focus more on what he thought was funny rather than appealing to any given crowd. “I'd like as many people as possible to like me without having to compromise myself or what I think is funny. I would drive myself crazy if I were trying to change my stuff to get 100% of people to love me, so if only maybe 67% of people are into me, I'm totally okay with that,” says Thayer. “Not sure if that number sounds too high or too low. I'm trying to be modest without sounding unambitious.”

It’s not an unwavering ambition though. Thayer sees comedy as something that needs to avoid stagnation. “My favorite parts of performing are the times when I'm present enough and comfortable enough to try or add new stuff,” says Thayer. “I enjoy doing my material that I've been working on, but there's always a danger of feeling like you're on autopilot when you're doing stuff that you've memorized and said hundreds of times before. Thinking of new stuff for old jokes or trying to talk out new bits lets me know that I'm engaged in the moment and makes it fun for me.” Thayer has a way of balancing his strong and steadfast ideas on comedy with being open and present in the moment so he can engage with the live audience. “I want the audience to think, ‘Wow that guy is really funny despite being boringly sincere in interviews.’”

Chris Thayer: No One Asked for this Tour
The Guild (3405 Central Avenue NE)
Monday June 1 10:30 pm $5
guildcinema.com

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