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Alibi Picks

Get Your Beep-Boop On: Play Yars' Revenge at the Tannex

Do you get misty for those halcyon days of 1982, when you were a giant space wasp hell-bent on picking your way through the enemy’s defenses and destroying their cannon before it destroyed you? Even if you weren’t born yet, the game Yars’ Revenge kindles this need within you.

Luckily, tomorrow night, the Tannex is hosting a Yars’ Revenge event. Swing by 1417 Fourth Street SW after 8pm. For $5 you get to manhandle the joysticks of two Atari Flashback systems in any of 64 classic games, including Asteroids, Centipede, Pitfall!, Breakout and possibly the single most embarrassing video game of all time, Video Checkers. (Kidding, of course; E.T. the Extra-Terrestrial has that “honor.”)

Live electronica completes the evening, courtesy of local acts Huron Valley Listening Club, Lenn Cicada and Meta Vaux. While waiting your turn to settle that 30-year Galaga grudge match with your sister, you can fight over who has to be P2 next time, or plan a field trip to the Atari landfill excavation we hear is launching in Alamogordo on April 26.  Tannex • Sat Apr 19 • 8pm • $5 • ALL-AGES! • View on Alibi calendar

sports

University of Connecticut Women's Team Destroys Notre Dame in NCAA Final

But does basketball matter if few people watch?

UConn Huskies’ head coach Geno Auriemma
UConn Huskies’ head coach Geno Auriemma

A week ago, the NCAA Division I basketball tournament reached its apex. And the University of Connecticut won. Nope, not the men's game, which was fantastic, sure, but the women's game. It was truly historic, and not just according to the wonks at 538, the newly minted sports blog from famed statistician Nate Silver. While there have been undefeated teams ostensibly playing for a national championship before—in college football at least—that's never been the case in basketball.

Many say the latest victory for the UConn women represents an endorsement of their coach, Geno Auriemma. With long-time rival Pat Summitt retired, it seems as though almost no one can stand in the way of the Huskies and their long-running records. Notre Dame fought valiantly for their place as the spoiler, and maybe if they'd had Natalie Achonwa or Ace playing alongside her senior teammates, things could have gone differently.

There's no shame in losing to this UConn team, but there are definitely columnists who have wondered if all those Husky wins piling up are leading to Geno and Co. fatigue. While Mechelle Voepel argues that UConn's winning ways are good for women's basketball overall, there's definitely room for disagreement. Kate Fagan reasons that games are better when they're truly competitive and if Notre Dame represents the best team that UConn had to face, things are getting into a bad place. The bottom line: We need a multitude of better teams, not just UConn.

The takeaway a week later, with almost no one talking about the women's game, despite the WNBA Draft already occurring, is that NCAA Division I basketball is still all about the men's game. March Madness, to most people, means men's games exclusively. Even if—or rather, when—two undefeated teams play, something that has never happened in the sport before, there's very little attention for the women. Something needs to change.

Film

This Week at Guild Cinema

We screwed up! We didn’t get Guild Cinema’s regular ad in this week’s print edition of Weekly Alibi. Here, now, is the ad that should have run, in all its glory. We’re sorry, movie fans!

news

The Daily Word in V.23 No.16, H&M and Neutral Milk Hotel

The Daily Word

The latest issue of your favorite alt.weekly—that's us, the Alibi—is chock-full of rad content. To wit, test your New Mexico news savvy with our weekly pop quiz, Crib Notes.

Read, critique and even comment on—as Facebook commenting is now live on alibi.com—an editorial, "Department Corrections," about the DOJ's findings in its investigation into APD, many unanswered questions and the future of our city.

Check out Alibi Film Editor Devin D. O'Leary's review of Jonathan Glazer's Under the Skin, you know, that experimental sci-fi flick starring Scarlett Johansson as a predatory alien siren.

Four Up delivers deets on Zimbabwean electric protest songs by Thomas Mapfumo & the Blacks Unlimited—this one's tonight!—and poptastic electro, pop-punk, alt.folk, and bilingual feminist hip-hop concerts. (Live music is one of the finest anodynes available.)

Genevieve Mueller reports on Albuquerque's growing, thriving improv scene in "Yes and ... Where Do We Go From Here?"

Gail Guengerich gets her French-American fusion on in "Ouvrez La Bouche."

In search of new tuneage? Read our micro reviews of new releases from NEEDTOBREATHE, The Tower and Todd Terje in Sonic Reducer.

From Nuevo Mexicano artist/architect William Lumpkins serigraphs and felt-tip pen drawings to bibliophile pr0n, an urban renewal keynote and hangs with famous authors in a Fe movie theater, stay art-smart with Culture Shock.

Are you getting your RDI of Pulitzer Prize-winning feature writing?

Hip Swedish fashion empire H&M is coming soon to Burque.

Catch the Neutral Milk Hotel reunion tour tonight in Burque.

dreams

Rowdy’s Dream Blog #343: Chili Powder Miniaturizes My Friend

Against our advice, my friend B consumes an entire package of red chili powder, rendering him microscopic. I can still hear his tiny voice, but I can't see him.

View/Add Comments [ 1 ]
  • Very Alice-in-Wonderland-goes-Neuvo-M... (Lisa Barrow) [ Wed Apr 16 2014 05:04 PM ]
Weekly Alibi
 V.19 No.50 | December 16 - 22, 2010 
cover
¡Lucha libre lives! The Alibi is ringside as Mexican wrestling shoves Albuquerque into the national spotlight.
Video evidence released by the city raises more questions about a July traffic stop that resulted in two immigrants' expulsion from the country.
Q: What do Western swing, Pluto, dinosaurs and ukuleles have in common?

A: The wonderfully sick mind of Jared Putnam.

Mexican markets can be a delectable symbiosis between butcher shop and restaurant. El Mezquite Market shows us how it's done.
Black Swan could be one of the best films of the year—but will audiences know what to make of a "ballet thriller”?
The Normal Gallery is anything but average in an exhibition of of four arresting figures.

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