Acclaimed filmmaker gives us life, the universe and Sean Penn
Terrence Malick is an artist of singular abilities. Over the course of his distinguished, nearly 40-year career, he’s directed exactly five films (Badlands, Days of Heaven, The Thin Red Line, The New World and The Tree of Life). Each one is easily identified as an incredibly languid, highly ruminative period drama. With voice-over narration. And trees. His films are frequently described as “painterly,” in that they are beautifully composed and often consist of very long static shots in which nothing moves. There are few filmmakers I am as impressed with or as bored by.
“Falling Skies” on TNT
Aliens are the new zombies. A lingering fear of foreign terrorists and a growing mistrust of undocumented aliens have turned Americans into full-fledged xenophobes. Hence, the most timely metaphorical monster we can imagine right now is the flying-saucer-piloting, death-ray-shooting invader from outer space.
In our Super Summer Film Guide, we asked readers to submit their best “high concept” film suggestions at alibi.com. We thumbed through the entries to find the most ridiculous “Hollywood summer blockbuster” film pitches you folks were able to compose in a single sentence. Our first-place winner (scoring 15 free passes to a Regal Cinema theater) is Dominic Wingfield for Oh God, I Love You. In it, “Suzie Fungirl (Julia Roberts) is killed in a car accident, and on entering Heaven, falls in love with God (Owen Wilson), and has to convince him that, although he may love everybody, she is something special.” Second place (10 free passes) goes to Clay Beckner for Elizaborg. “In a last-ditch effort to restore the relevance of the British monarchy, Queen Elizabeth II (Helen Mirren) is transformed into a svelte, robotic, time-traveling killing machine (Angelina Jolie), who hunts down critics of extravagant royal pageantry throughout history, along the way teaming up with (or supplanting) other royal figures such as Elizabeth I (Judi Dench), Henry VIII (Zach Galifianakis) and Prince Charles (Paul Reubens).” Todd Quinn locks down third place (five film passes) with The Saturday Morning. “After leaving his wild bachelor party in Las Vegas early, thirtysomething Tom wakes early on Saturday (after eight hours of sleep), goes for a run, has a quiet breakfast alone, and calls his fiancée.”
The Week in Sloth
Highlights from around the dial. Except no one has dials anymore.