The “farm to table” movement—or “field to fork,” or “farm to plate,” and so on—has been gaining traction in every corner of the country, and Albuquerque’s newest member of this growing club didn’t mince words when deciding on its name. After a long winter of teasing us via its Facebook page, Farm & Table finally opened on Fourth Street between Paseo and Alameda. The setting is gorgeous, inside and out. The food walks the walk and is reasonably priced for what you get. And the chef, Ka’ainoa Ravey, is a freaking genius.
It took tens of thousands of votes from our readers to determine the things that reign supreme in Burque. Read about why you adore Lynette, what nightlife spots take top honors and why Mayor Berry is both the most loved and hated politico in the Duke City.
With a name like Glitter Dick, a band isn’t likely to get much commercial airplay. However, as Albuquerque’s newest glam-trash group, Glitter Dick is on everyone’s lips. Figuratively speaking, of course.
As Tiny Victim, Justin Mitschelen employs a keyboard, effects rack, oscillator, drum machine and three reverb tanks. Mitschelen hesitates to categorize his output. “It really spans a lot of styles,” he says.
On Saturday, April 7, the 2bers shares its fourth studio album, DIG, with the world, but it’s not merely a release party. The hip-hop duo—BlesInfinite (Luke Hale) and Eph’Sharpe (Collin Troy)—has been a Burque mainstay since its creation in 1999. With DIG the songwriters/MCs/producers wanted to mark the occasion with something beyond the typical celebratory function.
Across the Midwest, New England and Canada, high-temperature records are being broken by the thousands—3,125 between March 12 and 18 alone. Meteorologists are scrambling to find anything comparable to weather that has been dubbed “summer in March.” Two days before the official end of winter, temperatures of 94° were recorded in South Dakota.
Visually quirky French drama finds love, humor and drama in a child’s battle for life
By Devin D. O’Leary
A young mother holds her son’s hand as he’s fed into an MRI machine. The camera zooms in on her eye. As the mournful orb begins to fill the screen, the image is intercut with shots of a loud house party. The mother, even younger, hangs out in a crowded living room—a beer in her hand, raucous punk rock blaring around her. You wouldn’t think a despondent drama about a terminally ill child would be an excuse to make with the visual razzle-dazzle. But writer-director-actress Valérie Donzelli takes a number of unexpected paths with her involving feature, Declaration of War.
It must be hard filling 24 hours a day, seven days a week with a particular type of programming. Which is probably why Syfy Channel hardly has any science fiction on it anymore. And when you try your damnedest to stick to a limited topic, you’re bound to come up with some pretty odd iterations on the theme. Which is why, I suspect, “Sweet Genius” exists on the Food Network.
Green the Scene: A Practical Guide to Sustainable Film Production is a three-hour workshop designed to teach filmmakers how to shoot a movie without harming the environment. Everything from energy management to environmentally friendly set construction will be discussed in this practical “how to” session. The free class is being taught by Holly Roach, a local location manager and founder of Green Production Resource, and Lauren Selman of Reel Green Media. Combined, these ladies have worked on more than 20 “green” films. Their workshop will be held at the Center for Progress and Justice in Santa Fe (1420 Cerrillos) on Saturday, April 7, from 1 to 4 p.m. Space is limited. To sign up, email firstname.lastname@example.org.
City documents massive collection of public works with mobile app
By Blake Driver
You’re waiting for your hair appointment at a Downtown salon, and as usual, you’re staring at your iPhone. You open the Museum Without Walls application you just downloaded and hit the “search using current location” button. A list of nearby works of public art pops up, and your heart flutters.
Meta play evokes savagery in Adobe’s Is Life Worth Living?
By Christie Chisholm
The sleepy Irish town of Inish suddenly bursts with the grotesque. Where hotel clerks and housewives once salivated at the thought of a scandal for the simple fact that they had never witnessed one, the streets are rampaged with suicide pacts, attempted murder and the unearthing of old wounds.
We have just passed the anniversary of the Fukushima cataclysm, but in its aftermath, the issues it raises about nuclear safety have only drawn minor attention from national press and the energy czars who set U.S. policy.
Although only around for a year and a half in its original 1964 permutation, The Skatalites is an institution. Its musicians formed the backbone of ska, as well as offshoots rocksteady and reggae, and developed many of the playing styles associated with the genres.
The Alibi’s Spring Social takes place Friday, March 30 at Launchpad with performances by Roo (post rock), Tall Boys (ABQ Boys Choir on stilts), Hyperland (cosmic electro), Tropical Girls (lo-fi beach synth) and DJ Mello (psych-n-soul).
A dynamic show—Post War Germany (indie rock) and beatboxers Zack Freeman and Saywut?!—comes to pass on Friday, March 30, at 512 Yale SE, brought to you by Synchro Studio. This all-ages show begins at 8 p.m. Admission is $5. (Jessica Cassyle Carr)
Apparently, there is a place in France where the naked ladies dance
By Devin D. O’Leary
What do mental institutions, schools, hospitals, law enforcement, military training, the court system, social security, legislature, public housing, sports, the arts and erotic entertainment have in common? Well, one could reasonably argue that they’re fundamental cultural institutions endemic to nearly every society on Earth. Or you could just say that they’re all subjects that have attracted the attention of prolific documentary filmmaker Frederick Wiseman. Since his notorious (if rarely seen) 1967 documentary Titicut Follies, the law-professor-turned-filmmaker has become America’s most passionately dispassionate observer of basic social constructions.
Television is a vast wasteland filled with discarded husks of sitcoms, endless reality shows and the occasional oasis of entertainment. It’s a lot of territory to cover. As a result, I can’t always be there on the ground floor to alert people about the coolest, hippest shows about to premiere. I have, for example, only recently discovered the joy and wonder that is Cartoon Network’s “Adventure Time.” I’d browsed the occasional episode since its debut in 2010 and found it interesting enough—but I recently hit some sort of critical mass and am now a rabid, proselytizing fan.
The about-to-shoot local indie horror feature Encased is looking to fill a couple of lead roles. First up is “Daisy,” a mid-20s Caucasian female with tattoos and piercings (described as a “Fairuza Balk American History X” look). Next up is “Xavier,” a mid-20s male Japanese rocker, also with tattoos and piercings (described as a “Gackt” look for you J-pop fans out there). Both roles are paid and will be covered under SAG ultra-low contracts. If you think you fit the bill, send a résumé and headshots to email@example.com. According to the producers, SkyeView Productions, Encased will be a horror/slasher film about four college students battling an ancient Japanese demon trapped in an old video game. The film will begin production in the summer and is expected to release Halloween 2013. The film will employ approximately 35 New Mexican crew members along with 16 principal roles. In the meantime, you can scope out the film’s Facebook page.
At a conference in Las Vegas, Nev., a few weeks ago, I snuck off to the city’s fabulous Chinatown at every opportunity. Intrigued by all the “tofu houses” I saw, I assumed there were a lot of vegetarians in town. But no, the presence of tofu does not mean the absence of meat. Soon tofu (also spelled soon dubu) is a spicy Korean soup loaded with curdles of extra-silky tofu and meat—and often a raw egg that quickly cooks in the steaming bowl.
Turning chewy, cheap cuts into lusciously flavorful food
By Ari LeVaux
Coffee and red wine are two of my favorite beverages to drink with meat. Given how much braising I do, it was only a matter of time until I tried braising meat in a mixture of coffee and wine. The results are exceptional: a browned, flavorful exterior and spoon-tender, succulent interior.
At 40 years young, First Choice’s network of community clinics is in tip-top shape
By Whitny Doyle
Most 40-year-olds are done growing. But First Choice Community Healthcare—a network of nine clinics across three counties in underserved areas—is more like a gangly teenager at the peak of his growth spurt. “We’ve outgrown our space,” says Patient Services Director Michelle Melendez.
Protesters being beaten in the Middle East. North Koreans fleeing across the Demilitarized Zone. That’s what we think of when we envision a “police state.” But the world’s largest police state that suppresses freedom of speech is the country we call home.
A typical art publication made by teenagers comes off a Xerox machine, is bound by a Swingline and has an alternating blank page for every page of off-toned black and white print. When Amy Biehl High School students Mikala Sterling and Sofia Resnik took an elective class freshman year, their teachers encouraged them to aim for a more professional and focused aesthetic.
It makes sense to showcase an exhibit on artistic and religious preservation in a state steeped so historically in those traditions. And since that exhibit involves work that took 13 years to complete—and is rooted in an order that's been synonymous with preservation for more than a millennia—it’s fitting that the minds behind that display would extend its run.
First, humankind loses its sense of smell. The disease comes like a tidal wave, sweeping across the globe but without any known point of origin. Perhaps it’s a pathogen that’s caused this pandemic anosmia, released by terrorists or by a Darwinian mutation. Perhaps it’s a sign of some cosmic expiration date. Whatever the strange phenomenon, the people it’s disabling can’t figure it out, and all the unaffected can do is wait their turns.
Apparently, all-knowing elderly black people (sorry, Morgan Freeman) have gone the way of wisecracking over-muscled cops (sorry, Arnold Schwarzenegger) and crazy bearded prospectors (sorry, Gabby Hayes). Hollywood’s favorite manufactured stereotype is now, officially, the super-powered autistic kid.
Just in time for the film’s 20th anniversary and ... something else I can’t seem to recall, Fathom Events and Warner Bros. are presenting a special, one-night-only screening of The Bodyguard. On Wednesday, March 28, at 7:30 p.m., more than 400 theaters nationwide will screen the 1992 romantic drama starring Kevin Costner and Whitney Houston. (... Oh, right.) If you’re interested in re-experiencing the soundtrack-selling classic, Rio 24, Downtown 14 and Cottonwood 16 will be participating here in Albuquerque. Get your advanced tickets online now.
This year’s John Donald Robb Composers' Symposium presents 55 contemporary composers with meaningful connections to New Mexico. Themed with the state's centennial celebration in mind, all the featured artists live here, studied at UNM or lived in New Mexico for at least a year.
Vocalist and songwriter Susan Abod has been working hard on her upcoming Anita O’Day tribute concert, but her commitment goes only so far. She’s immersed herself in O’Day’s recordings and videos, read her autobiography, been rehearsing the material night and day, and even gone in search of a wide-brimmed hat and white gloves to recall the singer’s iconic appearance at the 1958 Newport Jazz Festival. She has, however, steadfastly refused to tour the country in dance marathons, marry her drummer, have her uvula excised by a sloppy surgeon, or explore heroine and alcohol addiction—all of which marked the life of O’Day.
A trio of underground hip-hop artists—Sole, Ceschi and Bleubird—stops in Albuquerque to play at Synchro Studios (512 B Yale SE) on Saturday, March 24. Locals Summon and Sapience Christ & Omen20012 open the show starting at 8 p.m. Admission is $7. (Jessica Cassyle Carr)