¡Ask a Mexican! columnist Gustavo Arellano talks taco shop with the Alibi’s restaurant critic
By Ari LeVaux
The Mexican will be in Burque to sign copies of his new book, Taco USA: How Mexican Food Conquered America, at an outdoor Alibi fiesta on Wednesday, April 18, at El Pinto. Here, we catch up with Gustavo Arellano to get the skinny—if there is such a thing—on Mexican food in America.
Indonesian action flick cranks the martial arts genre up to 11
By Devin D. O’Leary
The Republic of Indonesia leaps, feet first, into the Asian action film biz with the absolutely insane export The Raid: Redemption. The filmmakers take a bit of Die Hard, a bunch of New Jack City and toss them both into a stewpot filled with kerosene. Then somebody drops a match. The result is, to quote every Facebook post these days: “Wow. Just ... wow.”
Rick Reichman will conduct another one of his patented free screenwriting workshops on Thursday, April 12. The event will take place from 7 to 8:15 p.m. at Bookworks (4022 Rio Grande NW). Participants will get a crash course in how to script gripping film scenes. Reichman is the author of 20 Things You Must Know to Write a Great Screenplay and Formatting Your Screenplay. For more information, contact Bookworks at 344-8139 or Mr. Reichman at 984-2927.
The Alibi is honored to have the legendary Al Hurricane playing at the ¡Taco USA Party! on Wednesday. If you’re not familiar with el hombre, get to know him from facts compiled with the help of Al Hurricane Jr.
Albuquerque’s L.M. Dupli-cation reissues John Jacob Niles’ iconic home recordings
By Mel Minter
The voice—reedy, urgent, ethereal and strong—summons centuries of memory and suspends time in the space of a song. Love, jealousy, longing, fear and remorse take on an almost physical presence, and fabled characters first conjured in song ages ago, in hovels choked with peat smoke, crowd the imagination.
As countless sci-fi flicks illustrate, messing with the space-time continuum often leaves a traveler in a place they don't recognize as their desired destination. The Time Machine, Shoulder Voices' fourth full-length album, was catalyzed by Little Bobby Tucker's desire to move past a decade-old heartache.
Young folks who have a way with words can have their way with the mic on Saturday, April 14, at Warehouse 508 (508 First Street NW). Admission to witness this lyrical competition is $5, or $8 for two, while it’s $10 to get into the battle. Winners earn a $300 cash prize. Festivities commence at 5 p.m. Call 410-2938 for more info. (Jessica Cassyle Carr)
Doctors seek clarity in New Mexico's assisted suicide law
By Marisa Demarco
The statute on the books makes it a fourth-degree felony to help someone take his or her life. A lawsuit brought by two doctors argues that the law doesn't apply to a licensed physician providing aid to a dying person who's mentally competent.
The Broncos’ budding wideout talks game time, overtime and Tebow time
By Adam Fox
Eleven seconds and 80 yards later, a perfectly threaded pass from Tim Tebow completed the shortest OT period in National Football League history. It also thrust 24-year-old Denver Broncos wide receiver Demaryius Thomas into the sporting spotlight with his swift sprint to the orange- and blue-shaded end zone.
UNM fest lights up the stage with two weeks of performances
By Christie Chisholm
Words Afire! presents a rare opportunity. Audiences not only glimpse budding works from the next generation of playwrights but, in a way, also have an impact on their evolution. The festival kicks off this weekend at UNM’s Theatre X.
To properly honor Gustavo Arellano’s visit to Albuquerque and his new book, Taco USA: How Mexican Food Conquered America, there was really only one option: an upscale tequila bar that serves gringo tacos, chips and salsa, and leafy salads.
I mean, what better way to pay tribute to Señor ¡Ask a Mexican! himself than getting buzzed on organic mescal in a place named after the Arellano family's home state, Zacatecas?
With a name like Glitter Dick, a band isn’t likely to get much commercial airplay. However, as Albuquerque’s newest glam-trash group, Glitter Dick is on everyone’s lips. Figuratively speaking, of course.
It took tens of thousands of votes from our readers to determine the things that reign supreme in Burque. Read about why you adore Lynette, what nightlife spots take top honors and why Mayor Berry is both the most loved and hated politico in the Duke City.
City documents massive collection of public works with mobile app
By Blake Driver
You’re waiting for your hair appointment at a Downtown salon, and as usual, you’re staring at your iPhone. You open the Museum Without Walls application you just downloaded and hit the “search using current location” button. A list of nearby works of public art pops up, and your heart flutters.
Meta play evokes savagery in Adobe’s Is Life Worth Living?
By Christie Chisholm
The sleepy Irish town of Inish suddenly bursts with the grotesque. Where hotel clerks and housewives once salivated at the thought of a scandal for the simple fact that they had never witnessed one, the streets are rampaged with suicide pacts, attempted murder and the unearthing of old wounds.
Visually quirky French drama finds love, humor and drama in a child’s battle for life
By Devin D. O’Leary
A young mother holds her son’s hand as he’s fed into an MRI machine. The camera zooms in on her eye. As the mournful orb begins to fill the screen, the image is intercut with shots of a loud house party. The mother, even younger, hangs out in a crowded living room—a beer in her hand, raucous punk rock blaring around her. You wouldn’t think a despondent drama about a terminally ill child would be an excuse to make with the visual razzle-dazzle. But writer-director-actress Valérie Donzelli takes a number of unexpected paths with her involving feature, Declaration of War.
It must be hard filling 24 hours a day, seven days a week with a particular type of programming. Which is probably why Syfy Channel hardly has any science fiction on it anymore. And when you try your damnedest to stick to a limited topic, you’re bound to come up with some pretty odd iterations on the theme. Which is why, I suspect, “Sweet Genius” exists on the Food Network.
Green the Scene: A Practical Guide to Sustainable Film Production is a three-hour workshop designed to teach filmmakers how to shoot a movie without harming the environment. Everything from energy management to environmentally friendly set construction will be discussed in this practical “how to” session. The free class is being taught by Holly Roach, a local location manager and founder of Green Production Resource, and Lauren Selman of Reel Green Media. Combined, these ladies have worked on more than 20 “green” films. Their workshop will be held at the Center for Progress and Justice in Santa Fe (1420 Cerrillos) on Saturday, April 7, from 1 to 4 p.m. Space is limited. To sign up, email email@example.com.
As Tiny Victim, Justin Mitschelen employs a keyboard, effects rack, oscillator, drum machine and three reverb tanks. Mitschelen hesitates to categorize his output. “It really spans a lot of styles,” he says.
On Saturday, April 7, the 2bers shares its fourth studio album, DIG, with the world, but it’s not merely a release party. The hip-hop duo—BlesInfinite (Luke Hale) and Eph’Sharpe (Collin Troy)—has been a Burque mainstay since its creation in 1999. With DIG the songwriters/MCs/producers wanted to mark the occasion with something beyond the typical celebratory function.
The “farm to table” movement—or “field to fork,” or “farm to plate,” and so on—has been gaining traction in every corner of the country, and Albuquerque’s newest member of this growing club didn’t mince words when deciding on its name. After a long winter of teasing us via its Facebook page, Farm & Table finally opened on Fourth Street between Paseo and Alameda. The setting is gorgeous, inside and out. The food walks the walk and is reasonably priced for what you get. And the chef, Ka’ainoa Ravey, is a freaking genius.
Across the Midwest, New England and Canada, high-temperature records are being broken by the thousands—3,125 between March 12 and 18 alone. Meteorologists are scrambling to find anything comparable to weather that has been dubbed “summer in March.” Two days before the official end of winter, temperatures of 94° were recorded in South Dakota.
We have just passed the anniversary of the Fukushima cataclysm, but in its aftermath, the issues it raises about nuclear safety have only drawn minor attention from national press and the energy czars who set U.S. policy.
Although only around for a year and a half in its original 1964 permutation, The Skatalites is an institution. Its musicians formed the backbone of ska, as well as offshoots rocksteady and reggae, and developed many of the playing styles associated with the genres.
The Alibi’s Spring Social takes place Friday, March 30 at Launchpad with performances by Roo (post rock), Tall Boys (ABQ Boys Choir on stilts), Hyperland (cosmic electro), Tropical Girls (lo-fi beach synth) and DJ Mello (psych-n-soul).
A dynamic show—Post War Germany (indie rock) and beatboxers Zack Freeman and Saywut?!—comes to pass on Friday, March 30, at 512 Yale SE, brought to you by Synchro Studio. This all-ages show begins at 8 p.m. Admission is $5. (Jessica Cassyle Carr)
Apparently, there is a place in France where the naked ladies dance
By Devin D. O’Leary
What do mental institutions, schools, hospitals, law enforcement, military training, the court system, social security, legislature, public housing, sports, the arts and erotic entertainment have in common? Well, one could reasonably argue that they’re fundamental cultural institutions endemic to nearly every society on Earth. Or you could just say that they’re all subjects that have attracted the attention of prolific documentary filmmaker Frederick Wiseman. Since his notorious (if rarely seen) 1967 documentary Titicut Follies, the law-professor-turned-filmmaker has become America’s most passionately dispassionate observer of basic social constructions.
Television is a vast wasteland filled with discarded husks of sitcoms, endless reality shows and the occasional oasis of entertainment. It’s a lot of territory to cover. As a result, I can’t always be there on the ground floor to alert people about the coolest, hippest shows about to premiere. I have, for example, only recently discovered the joy and wonder that is Cartoon Network’s “Adventure Time.” I’d browsed the occasional episode since its debut in 2010 and found it interesting enough—but I recently hit some sort of critical mass and am now a rabid, proselytizing fan.
The about-to-shoot local indie horror feature Encased is looking to fill a couple of lead roles. First up is “Daisy,” a mid-20s Caucasian female with tattoos and piercings (described as a “Fairuza Balk American History X” look). Next up is “Xavier,” a mid-20s male Japanese rocker, also with tattoos and piercings (described as a “Gackt” look for you J-pop fans out there). Both roles are paid and will be covered under SAG ultra-low contracts. If you think you fit the bill, send a résumé and headshots to firstname.lastname@example.org. According to the producers, SkyeView Productions, Encased will be a horror/slasher film about four college students battling an ancient Japanese demon trapped in an old video game. The film will begin production in the summer and is expected to release Halloween 2013. The film will employ approximately 35 New Mexican crew members along with 16 principal roles. In the meantime, you can scope out the film’s Facebook page.
At a conference in Las Vegas, Nev., a few weeks ago, I snuck off to the city’s fabulous Chinatown at every opportunity. Intrigued by all the “tofu houses” I saw, I assumed there were a lot of vegetarians in town. But no, the presence of tofu does not mean the absence of meat. Soon tofu (also spelled soon dubu) is a spicy Korean soup loaded with curdles of extra-silky tofu and meat—and often a raw egg that quickly cooks in the steaming bowl.