Weekly Alibi Fetish Events is creating a wonderland for your hedonistic delight this January. Our Carnal Carnevale party will be held at a secret location within the Duke City, and we'll all be celebrating behind a mask. Dancing, kinky demonstrations, the finest cocktails, sensual exhibitions and so much more await!
During hectic election seasons when they’re likely slammed with questions, the voice on the other end of the line is always ready to help us out. Maybe that doesn’t seem exceptional, but trust us: Prompt, accurate info is not the norm among governmental agencies.
Though we’re not crazy about the Municipal Bond Question that gives $50 million to the mega Paseo construction project, the Alibi supports almost all of the other bonds on the ballot. Bond Questions A, B and C allow for improvements to senior citizen facilities, libraries and higher education improvements.
Among the books often labeled unfilmable is David Mitchell’s 2004 sci-fi hexaptych Cloud Atlas. Somebody finally decided to wrestle that tiger, though, and the results are structurally (if not always emotionally) miraculous—a $100 million genre-hopping art house blockbuster in search of a sympathetic audience.
Louie’s Rock-N-Reels, Albuquerque’s longtime purveyor of awesome movie memorabilia, suffered a break-in late last month. Owner Louie Torres says several of his most prized items disappeared during the burglary. This is lousy news and not just because it takes money from the pockets of a hardworking local businessman. It also deprives Albuquerque’s movie fans of the opportunity to purchase their own piece of movie history.
Every fall, casual viewers and industry insiders alike engage in a little game. They try to guess which of the new TV shows is so bad or so badly placed (or both) that it will be the first to get canceled. If, for fall 2012, you put your money on CBS’ “Jersey Shore”-meets-“Ally McBeal” show “Made in Jersey,” then consider yourself an ace prognosticator. Less than four weeks into the new season, CBS executives gave the low-rated Friday night show the ax.
The premise may sound familiar as our real presidential election approaches, but this piece written by David Mamet is so absurd and pointless that it fails to connect to anything bearing resemblance to reality.
The intersection sees 300 percent more accidents with pedestrians than the rest of the city, equivalent to the San Mateo and Montgomery intersection. That is just startling for an area that rightfully prides itself on a mellow pace of life.
Indie drama about infidelity hits like a cold shower
By Devin D. O’Leary
After testing the writing-directing waters with her delicate 2006 Alzheimer’s drama Away From Her, Sarah Polley pauses to contemplates the gulf between love and desire in the complicated romantic ménage à trois Take This Waltz.
Santa Fe-based ambient music composer Michael Stearns will be on hand to introduce screenings of the film Samsara on Friday, Oct. 19, at Albuquerque’s Guild Cinema. The film is a major collaboration between Stearns and director Ron Fricke.
Sometimes it pays to watch the credits. I wouldn’t have given ABC’s new musical drama “Nashville” much of a glance if I hadn’t paid attention to who’s behind the camera. The show is created by Callie Khouri, who won herself an Academy Award for a little movie called Thelma & Louise.
Once again, the Alibi is proud to present the absolute best restaurants this city has to offer, as voted on by you, our readers. Whether you’re a longtime Burqueño looking to see whether your favorite spots have been rewarded for what they do best, or a new arrival trying to get your bearings in a town with so many great food options, this guide is indispensable for anyone with an appetite. A hearty congratulations to all the winners!
If you think combining “Melrose Place” with “American Horror Story” sounds like a great idea, then you’re not very creative. You are, however, creative enough to be a programming executive at ABC. The network’s new series “666 Park Avenue,” is far more soapy than scary—but it does manage to meld two not terribly compatible genres into a rather rickety hour-long melodrama.