Read up, before you pay $5 for a bucket of popcorn.
V.27 No.39 | 9/27/2018
Musical biopic sings a sad, romantic song
Blaze is lovingly handcrafted film that should appeal to those who just like to hear a sad, sad song once in a while.
V.27 No.38 | 9/20/2018
We The Animals
Coming-of-age drama paints impressionistic portrait of preteen life
We the Animals speaks to both the resiliency and the impressionability of youth, with raw performances from the actors and symbol-laden cinematography that weaves a primal world of earth, water, leaves and rain.
V.27 No.37 | 9/13/2018
The family that writes together fights together in A-list acting display
They say that, “behind every great man there is a great woman.” That axiom gets taken apart like a Swiss watch and examined under the loupe in the high-class literary drama/handcrafted Oscar bait The Wife.
V.27 No.36 | 9/6/2018
Teenage girl is having an art attack in theatrical indie
We’re all actors, Madeline's Madeline seems to imply, acting as ourselves.
V.27 No.35 | 8/30/2018
Far From the Tree
Documentary addresses the difficulty of “different” families
How do families deal with children who are very different from them? That’s the probing premise behind Rachel Dretzin’s honest and empathetic documentary Far From the Tree.
V.27 No.34 | 8/23/2018
New take on famed French tale of prison life can’t escape the past
Despite the inadvisability of taking another run at 1973’s highly regarded, Academy Award-nominated Papillon, someone has gone and done just that.
V.27 No.33 | 8/16/2018
Never Goin’ Back
Teenage stoner comedy lets the ladies do the dirty work for a change
Whether you find Never Goin’ Back a hilarious tribute to the wild shenanigans of youth or a depressing wake-up call about the horrors of the Millennial Generation may depend largely on your age group.
V.27 No.32 | 8/9/2018
Wait 20 minutes after eating to view this movie
The Meg is nature disaster monster movie fare at its biggest, loudest and silliest.
V.27 No.31 | 8/2/2018
Bo Burnham studies tweenage angst in writing-directing debut
Hilarious and painful and perfectly well-observed, Eighth Grade takes the tired “coming-of-age” indie dramedy genre and refreshes it for the iPhone age.
V.27 No.30 | 7/26/2018
Don’t Worry, He Won’t Get Far On Foot
True-life tale of alcoholism and cartoons is unexpectedly uplifting
Don't Worry, He Won't Get Far On Foot is a disarmingly empathetic biopic that surprises with its sincerity and its down-to-earth charm.
V.27 No.29 | 7/19/2018
Sorry To Bother You
Upward mobility gets weird in off-kilter comedy
Sorry to Bother You is not the work of a practiced, disciplined filmmaker. It’s the work of a manic, committed, wildly creative first-timer.
V.27 No.28 | 7/12/2018
Farming documentary hopes to influence food choices
Eating Animals spends its time talking about sustainable alternative solutions to factory farms, giving in to neither hardcore carnivores nor militant animal lovers.
V.27 No.26 | 6/28/2018
Courtesy of Film Movement
The Great Silence
Classic Italian Western is restored to its cold, dark glory
Sergio Corbucci's 1968 masterpiece The Great Silence has been digitally restored for its 50th anniversary and it's brutal, uncompromising and visually sweeping.
V.27 No.25 | 6/21/2018
Courtesy of The Orchard
Genre-bending crime thriller incorporates documentary techniques in its true(?)-life narrative
American Animals intercuts interview footage of the real-life people behind the story with scripted scenes of the actors portraying them, but subverts the docudrama trappings.
V.27 No.24 | 6/14/2018
This mountain is certainly high, but not very deep
Australian writer-director Jennifer Peedom’s rather bluntly titled Mountain could have easily expanded its title to Mountains: What Are They, and Why Are They So Popular?