The deadline for the Alibi's 16th annual Haiku Contest is near. Submit your haiku via e-mail to firstname.lastname@example.org or snail mail to Alibi's Haiku Contest, 2118 Central SE, PMB 151, Albuquerque, N.M. 87106. Get them in by Friday, Aug. 22, at 5 p.m. for your chance to win crazy cool prizes and see your haiku in print on Sept. 4. Each poet may submit two haiku per category, and each haiku must follow the 17-syllable format, broken into lines of 5-7-5. Here are the categories as a reminder; now get ku-ing:
Decoding Design: Understanding and Using Symbols in Visual Communication
This abundantly illustrated book connects the basic shapes found in nature with effective graphic design. Its interdisciplinary approach reveals the patterns of nature and their powerful symbolic messages. The book also includes some deconstruction of symbolism embedded in familiar corporate logos.
Rabbit Hole at the Adobe Theater
We never see the tragic event at the heart of this story. But as much as David Lindsay-Abaire's Rabbit Hole is about senseless loss, it reveals how coping with loss' bewildering emptiness brings us together.
Over the Hill-ogram
The force is with Bubonicon
Bubonicon, Albuquerque's first and only sci-fi and fantasy convention, enters its quadragenarian phase this year. Despite a little future shock, the hobbyist gathering established back in the days of moon landings, acid tests, free love and rotary phones just won't burn out. The annual convention draws about 500 science-fiction, fantasy and horror enthusiasts rarin’ to meet authors, try cereals named after movies or dress up like a Sith Lord. As the convention co-chair, Craig Chrissinger was able to share some nonfiction about the event. (Oh, and for its 40th anniversary, give Bubonicon a ruby.)
Skulls and Sickles: The Visual Rhetoric of Death in ASARO's Woodblock Prints at UNM Zimmerman Library
When the regional Mexican government violently put down a peaceful teacher’s strike in Oaxaca de Juárez in 2006, the brutality of the police inspired a group of artists in the community to form themselves into a collective called the Assembly of Revolutionary Artists of Oaxaca (ASARO) to protest the bloodshed. Two current exhibits in Albuquerque showcase their work. One exhibit at the National Hispanic Cultural Center was curated by the University Libraries and Learning Sciences Curator of Latin American and Iberian Collections Suzanne Schadl and her graduate student Michael de la Rosa. One at the Herzstein Gallery on the second floor of Zimmerman Library on the UNM campus was curated by graduate student Megan Jirón. She writes “Unlike the European or Anglo-American perspective, Mexico’s inhabitants embrace death. They confront it with a sense of playfulness, defiance and acceptance.”
Reg Loving Contemporary Landscapes at Sumner & Dene
Above the East China Sea at BookworksMore Recommented Events ››