Jan 29 - Feb 4, 2009 

Culture Shock

By Erin Adair-Hodges

S.W.A.K.

Sinatra may have sung “Love is a Many-Splendored Thing,” but I tend to think Nazareth had it right with its classic version of “Love Hurts.” Where do you fall on the love-spectrum? Has it brought you untold happiness, moments of ecstasy, or has it repeatedly re-enacted the scene from Alien, with you as John Hurt and your heart and everything you believe in as the alien? The world needs to know. Share with us here at the Alibi by entering our sixth annual Valentine's Day Card Contest. Send in your entry, measuring no larger than 8 ½-by-11, by Feb. 2, to our offices at 2118 Central SE, Suite 151, Albuquerque, N.M. 87106. Our cracker-jack staff of experts will assess your work and divy up the bounty that is your birthright, fair artist. But hurry. One entry per person, please.

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Gustave Baumann, hand-carved mixed-media marionettes, circa 1930s. Collection of the New Mexico Museum of Art. Gift of Jane Baumann.

Gallery Preview

The World by a String

New Mexico Museum of Art presents Pulling Strings: The Marionettes and Art of Gustave Baumann

By Erin Adair-Hodges

Marionettes are strange things. The most complex type of puppet, they are carved from wood, jointed and controlled by a “manipulator” who works the strings from above the marionette's head. The movements of marionettes are otherworldly; never purely realistic, they evoke the sense that nothing is completely within one's control. A master manipulator takes years to develop his or her skill, as does the craftsman who carves the forms. Gustave Baumann was both.

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Author Interview

Liberals Drink Here

The Nation: Guide to the Nation

By Erin Adair-Hodges

The Nation: Guide to the Nation

The Nation: Guide to the Nation

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