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 Sep 2 - 8, 2010 
John (Paul Hunton) and Robert (Peter Kierst) wax theatrical.

Performance Review

Damnit Mamet

Adobe’s A Life in the Theatre

By John Bear

A Life in the Theatre makes stage acting seem like writing: You throw your soul into the black and uncaring void until you go crazy. At least actors can see the audience, out there in the dark. A writer has to assume people are picking up the paper. Maybe I’m just being dramatic.

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An empty room in SITE Santa Fe is filled with overwhelming sound
Eric Swanson

Gallery Review

Deliquesce

SITE Santa Fe tries to extend its branches a little too far

By Patricia Sauthoff

I remember the exact moment I fell in love with moving image arts. It was September of 2002, somewhere on the upper spiral of New York City’s Guggenheim Museum. I entered a little room and there, projected on the wall, was Shirin Neshat’s “Passage,” an approximately 12-minute film depicting the funeral processions of Iranian men and women. I happened to walk into the screening room just at the beginning of the film and sat through it twice, unable to articulate what I had just seen and felt. Afterward, I wandered through the rest of the exhibition Moving Pictures in something of a daze.

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Culture Shock

Curtain Call

An all-you-can-sit-through buffet is on the menu for theater lovers this week with three plays opening around town. Let’s go through this in alphabetical order so it’s easier to remember. First, Crimes of the Heart, the Pulitzer Prize-winning story of three down-on-their-luck sisters who reunite as adults, plays at The Vortex (2004 1/2 Central SE). Crimes opens Friday, Sept. 3, and runs through Sunday, Sept. 26. Tickets for the Friday and Saturday (8 p.m.) and Sunday (6 p.m.) shows cost $15—except for Sunday, Sept. 5, which is pay-what-you-wish. Get ’em at vortexabq.org. Next, the search for an elusive whale takes the stage with Mother Road Theatre Company’s Moby Dick at The Filling Station (1024 Fourth Street SW). Thursday and Friday shows start at 8 p.m., Saturdays at 6 p.m. and Sundays at 2 p.m. Moby Dick runs from Friday, Sept. 3, to Sunday, Sept. 26. Tickets are $16 and are over at motherroad.org. Finally, an imaginary conversation between Picasso and Einstein is the setting for Auxiliary Dog’s Picasso at the Lapin Agile. This one also runs from Sept. 3 to Sept. 26, with 8 p.m. Friday and Saturday shows and 2 p.m. Sunday performances. Picasso will set you back $14 and you’ll have to call 254-7716 for tickets.

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Let’s Mess with Texas

Greater Tuna

By Adam Wood
Brennan Foster and Shawn Boyd play over 20 of Tuna, Texas', eccentric inhabitants from gun-clubbers to church ladies.
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Spirited Outpost

New Mexico Jazz Festival: Jane Bunnett & Maqueque

By Adam Wood
Multiple Juno Award winner, flutist, saxophonist and pianist, Jane Bunnett and her group comprising some of Cuba's most promising female musicians perform live.
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Jazz Pizazz

New Mexico Jazz Festival: César Bauvallet's Cuban Jazz Project

By Adam Wood
The renowned trombonist, percussionist, singer, composer, arranger and bandleader performs live.
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Not Just Rabbits in Top Hats

David Blaine

By Maggie Grimason
An unforgettable interactive experience that both shocks and amuses.
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Sharing Refuge

PhotoVoice

By Adam Wood
Refugee students discuss and showcase their personal histories through photography.
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April Hartford

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Holding Moments Still

Transgender: One Person’s Journey Opening Reception

By Maggie Grimason
Photographer April Hartford leads viewers into an immersive exploration of gender dissonance and transition portraying the inner psychological journey as much as the outer one. Runs through 10/7.
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