When Alibi film editor Devin D. O’Leary (yup, that’s me) isn’t busy writing about movies or talking about movies on “KASA-2 Style” or hosting Midnight Movies at the Guild Cinema, he occasionally finds time to actually make them. Recently he (that is to say “I”) wrote and produced the horror-comedy Rotgut. Shot right here in Albuquerque with a local cast and crew, the film is finally getting its long-awaited World Premiere. The low-budget gala event will take place this Friday and Saturday, April 18 and 19, at the Guild Cinema (3405 Central NE) starting at 10:30pm. Tickets are $8 general admission and $6 students. The cast and crew will be there to participate in a post-film Q&A/meet-and-greet. To give you a little taste of what demented entertainment you’re in for, check out the trailer above.
UPDATE 4/18/14, 4:35pm - According to OM's Facebook page, this performance is unfortunately CANCELED.
Local heavy metal legend Al Cisneros brings his dark, droning psych-rock collaboration with Emil Amos, an eldritch thing called OM, to the stage at Sister (407 Central NW) tomorrow night. Cisneros, of influential doom band Sleep, and Amos—who also drums in PDX post-rock outfit Grails and conjures soundscapes with Alex Hall in Lilacs & Champagne—are well known in both these parts and the metal universe for generating sounds that are massive, entrancing and louder than goddamned hell.
OM takes its moniker from the Hindu concept for the sound the universe makes; if that descriptor is anywhere near the ensemble’s musical truth, then this world’s vast emptiness is a triumphantly noisy affair that careens between chaos and transcendence. Robert Lowe's contributions to the band’s latest release, Advaitic Songs, and touring efforts add a shimmery crunch to OM’s cosmically unpronounceable, sonically arcane journey. But why read words that attempt to describe something all-at-once too simple and complicated to make words out of ... when you can take the trip yourself for 10 bucks. Opening act Watter—featuring Britt Walford of Slint and Grails' Zak Riles—takes the stage at 10pm, and this show is 21-plus. Sister • Sat Apr 19 • 10pm • $10 • 21+ • View on Alibi calendar
Do you get misty for those halcyon days of 1982, when you were a giant space wasp hell-bent on picking your way through the enemy’s defenses and destroying their cannon before it destroyed you? Even if you weren’t born yet, the game Yars’ Revenge kindles this need within you.
Luckily, tomorrow night, the Tannex is hosting a Yars’ Revenge event. Swing by 1417 Fourth Street SW after 8pm. For $5 you get to manhandle the joysticks of two Atari Flashback systems in any of 64 classic games, including Asteroids, Centipede, Pitfall!, Breakout and possibly the single most embarrassing video game of all time, Video Checkers. (Kidding, of course; E.T. the Extra-Terrestrial has that “honor.”)
Live electronica completes the evening, courtesy of local acts Huron Valley Listening Club, Lenn Cicada and Meta Vaux. While waiting your turn to settle that 30-year Galaga grudge match with your sister, you can fight over who has to be P2 next time, or plan a field trip to the Atari landfill excavation we hear is launching in Alamogordo on April 26. Tannex • Sat Apr 19 • 8pm • $5 • ALL-AGES! • View on Alibi calendar
A week ago, the NCAA Division I basketball tournament reached its apex. And the University of Connecticut won. Nope, not the men's game, which was fantastic, sure, but the women's game. It was truly historic, and not just according to the wonks at 538, the newly minted sports blog from famed statistician Nate Silver. While there have been undefeated teams ostensibly playing for a national championship before—in college football at least—that's never been the case in basketball.
Many say the latest victory for the UConn women represents an endorsement of their coach, Geno Auriemma. With long-time rival Pat Summitt retired, it seems as though almost no one can stand in the way of the Huskies and their long-running records. Notre Dame fought valiantly for their place as the spoiler, and maybe if they'd had Natalie Achonwa or Ace playing alongside her senior teammates, things could have gone differently.
There's no shame in losing to this UConn team, but there are definitely columnists who have wondered if all those Husky wins piling up are leading to Geno and Co. fatigue. While Mechelle Voepel argues that UConn's winning ways are good for women's basketball overall, there's definitely room for disagreement. Kate Fagan reasons that games are better when they're truly competitive and if Notre Dame represents the best team that UConn had to face, things are getting into a bad place. The bottom line: We need a multitude of better teams, not just UConn.
The takeaway a week later, with almost no one talking about the women's game, despite the WNBA Draft already occurring, is that NCAA Division I basketball is still all about the men's game. March Madness, to most people, means men's games exclusively. Even if—or rather, when—two undefeated teams play, something that has never happened in the sport before, there's very little attention for the women. Something needs to change.
The latest issue of your favorite alt.weekly—that's us, the Alibi—is chock-full of rad content. To wit, test your New Mexico news savvy with our weekly pop quiz, Crib Notes.
Read, critique and even comment on—as Facebook commenting is now live on alibi.com—an editorial, "Department Corrections," about the DOJ's findings in its investigation into APD, many unanswered questions and the future of our city.
Four Up delivers deets on Zimbabwean electric protest songs by Thomas Mapfumo & the Blacks Unlimited—this one's tonight!—and poptastic electro, pop-punk, alt.folk, and bilingual feminist hip-hop concerts. (Live music is one of the finest anodynes available.)
In search of new tuneage? Read our micro reviews of new releases from NEEDTOBREATHE, The Tower and Todd Terje in Sonic Reducer.
From Nuevo Mexicano artist/architect William Lumpkins serigraphs and felt-tip pen drawings to bibliophile pr0n, an urban renewal keynote and hangs with famous authors in a Fe movie theater, stay art-smart with Culture Shock.
For many the lo-fi, folk-rock “movement” of the late-'90s begins and ends with Neutral Milk Hotel. Originally formed in Ruston, La. by singer/guitarist Jeff Mangum as a recording project, it wasn’t until the 1996 release of On Avery Island that Neutral Milk Hotel became a full-fledged band. The budding foursome relocated to New York, where they would finish their short-lived career with an exhaustive tour for sophomore release In the Aeroplane Over the Sea way back in 1998. Think Sebadoh-meets-Guided by Voices. Critically acclaimed yet largely ignored by the mainstream record-buying public, the album eventually became something of a legend in its own time.
Fast-forward 16 years, and NMH has become the progenitor of such roundly lauded bands as Arcade Fire, Bon Iver and Franz Ferdinand, and their music has been covered by Brand New, The Dresden Dolls and The Mountain Goats. After a lengthy hiatus, Neutral Milk Hotel has finally reunited to embark on a reunion tour featuring the lineup from their seminal release, In the Aeroplane. This show is for old and new fans alike—yes, even indie-folk has made a strong comeback in recent years—and In the Aeroplane is, for many, still the defining release of the genre’s first wave, seamlessly blending folk, rock, psychedelic and shoegaze into one succinct package. Neutral Milk Hotel's all-ages concert at Kiva Auditorium (401 Second Street NW) tomorrow night is a must-see. The show happens at 7:30pm; tickets start at $36, and lo-fi indie-pop group Elf Power opens. Kiva Auditorium, Albuquerque Convention Center • Thu Apr 17 • 7:30pm • $36-$51 • ALL-AGES! • View on Alibi calendar