Are you properly caring for your inner goth? My years of rockin' an all-black wardrobe, a Wite-Out complexion and panda eyes may be over, but I take care to nourish my blackety-black heart and sonic sensibility. If you're feeling the urge to chainsmoke clove cigs, brood and write bad poetry, I recommend channeling that energy into a celebration of Dark Entries Records' fifth anniversary.
Stream a mix Cheon brewed up for Dark Entries' fifth anniversary above.
DJ Josh Cheon founded the label in July 2009 with the intention of releasing out-of-print and unreleased underground '80s treasures. Named for the first 7-inch released by goth icon Bauhaus, Dark Entries' focus is curation, preserving sound quality and respecting its artists' aural aesthetic . And, yes, the label's output is strictly vinyl.
Preview Dark Entries' reissue of '80s Italo disco group Helen's early maxi singles as a four-song EP.
Dark Entries' lifeblood is the excavation, quality reproduction and distribution of largely unknown pleasures, but it also showcases contemporary acts whose sound harkens back to the heyday of minimal synth, coldwave, dark wave, electro, Italo disco and post-punk. Highlights of the Dark Entries catalog include work by Dark Day, Jeff and Jane Hudson, Starter, Linea Aspera, Kitchen & the Plastic Spoons, Algebra Suicide, Los Microwaves, Patrick Cowley, Victrola, Lè Travo, Crash Course in Science, Lassigue Bendthaus, Cute Heels and Helen.
Sample the debut LP by Cute Heels, the solo project of Belgian artist and Black Leather Records manager Victor Lenis.
In Alibi-centric news: We clarified our critical and satirical intentions in response to an anti-Ted Nugent missive. Perhaps more importantly, we published loads of excellent new content. If you're saving the print ish for weekend reading, scope highlights like
It's no secret music is an audible experience. The instruments strumming, banging and wailing along with each other, creating a wall of sound that is trance-inducing and magical. But if you head to Laser Mania at the New Mexico Museum of Natural History and Science (1801 Mountain NW), you can experience music in a visual context, with laser lights choreographed to accompany the music of such noted groups as Led Zeppelin, The Beatles and Pink Floyd. I'm opting for that last one. Can you imagine “Comfortably Numb” by laser light? I'm sure that's the way it's meant it to be heard.
The colorful celebration starts tomorrow and Saturday, July 12, at 7pm both nights. To hear some Zeppelin and Beatles tunes with the presence of harmonic hues, attend on Friday. But Saturday is all about Pink Floyd's otherworldly notes as “colors poetically express each timeless track.” Tickets for these shows are $6 for adults and $5 for museum members and seniors. Oh, and there are also some family Laser Mania shows not set to rock music. Those will be going from July 12-17. Check nmnaturalhistory.org for details. New Mexico Museum of Natural History and Science • Fri Jul 11 • 7pm • $5-$6 • View on Alibi calendar
"The girl I find who wants to talk about quantum theory in a bar is the one I want to marry." –Brandon Boyd | Reply or see more “I Saw You” ads at alibi.com/personals.
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I came into your bar late at night with my friend. I wanted to sit inside and chat with you but my friend insisted on being outside. I think we made numerous exchanges in eye contact. Regrettably due to my shyness I was unable to directly leave you my number. Are you up for a round at the batting cage sometime? View ad
You were at the back corner of Marble's patio with "not your boyfriend" and two others. You smelled like a flower and said Copenhagen is cute. "Not your boyfriend" Nick got you out of there. You've been my imaginary girlfriend since then. View ad
Ned’s friday june 27th
You were leaving Ned's. I was going in. You smiled. I think I said hi and then you were gone. Can I have a do over? View ad
Zola Jesus' new track "Dangerous Days" is a modern-sounding electro-pop banger.
Welcome to the first installment of "Now Hear This," a column to chronicle my obsessive-compulsive sonic studies, archaelogical and futurist alike. And while here with me, expect everything from old and alt.country to rocanrol to dark wave to Italo disco to queercore to punk to riot grrrl to noise to minimal synth and everywhere in between ... Except smooth jazz, (most) contemporary country and reggae. They just don't do it for me. As they say—who are they, anyway?—there's no accounting for taste.
The other day Mark asked what my favorite Steely Dan song is. It's "Your Gold Teeth." Steely Dan's Jamalot tour hits Legends Theater on Wednesday, July 16, y'all. Check out i28 for all the deets.
I embrace that motto and am wholly dependent on my musical addiction to transcend the banality of everyday life. Don't get me wrong. I really dig my life. Getting to collaborate with and work alongside an uber-talented editorial staff and freelancers every day is, like, the dream. But sometimes you simply have to hear something new or unfamiliar that excites and challenges you. This column will serve as complement to my colleague Mark Lopez' wide-ranging Rooster Roundabout series.
Mike put Iris Dement's "Let the Mystery Be" on a mixtape, and it was love at first listen.
My soundscape and its population, past and present, have benefited from the hive mind of many wonderful humans, ranging from my vinyl historian pal Mike Harper in Huntsville, Tex., who first exposed me to the music nerd bug;
I might never have heard Starter's "Victim" if not for Frankie. And that, my friends, would be a tragedy.
to synth/post-punk/ industrial maven and Systems of Romance curator Frankie Teardrop, also of cold wave/post-punk band The Harrow;
On one of the first Caterwaul radio shows I heard, I was comforted to recognize a fellow Culturcide fan.
to Dirt City denizen Derek Caterwaul, notably of KUNM Radio and Low Life at Blackbird Buvette, who remains one of my favorite DJs after more than a decade of listening to his Music to Soothe the Savage Beast and Overnight Freeform shows;
Listen to TAHNZZ' "Her Strange Dwellings" above.
to Burqueña Tahnee Udero aka DJ Tahnee, whose massive knowledge base is supplanted by exquisite taste, and her solo project TAHNZZ garnered serious listmas praise in 2013;
Stream DJ Mello's "Sprinkles," a nonpareil mix of funk, jazz, R&B and soul, above.
to Mello Sanchez aka DJ Mello, an uber-talented DJ and pastry chef and one of my best friends;
Singer/songwriter John Gorka delivered two highly spirited sets at the Summer Nights series at the BioPark (903 10th Street SW) on Thursday, June 19. The Minnesota-based veteran touring artist wowed longtime fans and won over countless Albuquerque music lovers who were new to his signature mix of deep and clever vocals, guitar and comedic storytelling.
Gorka opened with originals from his latest release, The Bright Side of Down, and continued to sample the collection to great effect throughout the evening. Gorka is nothing if not precise, personal and universal, sometimes all in the same lyric. This ability combined with masterful musicianship across genres including folk, blues, pop, rock, bluegrass and rockabilly makes him a worthy companion for an evening ... or a lifetime. This reviewer has seen him in concert over 20 times. Many of those performances have been in festival settings, as Gorka is a highly sought-after act on the vital, enduring national folk fest circuit. At the BioPark concert, he joked about visiting Scandinavia, a hotbed of singer/songwriter and folk fandom.
Gorka's catalog is extensive, and he plumbed its depths in concert. Selections included chestnuts like “I Saw a Stranger with Your Hair,” “I’m From New Jersey,” “Branching Out” and “Love is Our Cross to Bear.” The modern-day Renaissance man wove requests and selective orchestrated sing-alongs to engage the receptive crowd on the lawn that beautiful night. Many in the audience were obviously longtime followers. And they, along with the newcomers, were rewarded with a varied and holistic representation of the showman’s talent.
In stark contrast to the awkward egotism displayed by Marc Cohn the week prior at Zoo Music, Gorka paid our fair city a compliment during the second set. He praised the enthusiastic audience, noting that he wished all his shows could be like this, in “this corner of paradise.” The key to delivering such a line lies in simplicity and sincerity, and Gorka radiated both.
John Gorka is a deft master of the folk trifecta: penetrating lyrics, unparalleled musicianship and compelling storytelling. When he opened and finished his tunes at the BioPark, he wasn't greeted with mere applause: We’re talking yelps, yoo-hoo's, squeals of joy and all-around exuberant acknowledgment of this well-traveled troubadour.