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The Daily Word in ArtBar, Santa Muerte and fire danger

By Samantha Anne Carrillo [ Thu Jul 3 2014 10:41 AM ]
The Daily Word

Albuquerque Business First reports that ArtBar has been granted a temporary liquor license by the New Mexico Regulation and Licensing Division and can reopen, but organizer Julia Mandeville says organizers need to meet to decide whether or not to reopen the private, nonprofit bar.

Two Oklahoma residents convicted in Albuquerque will get a second trial thanks to Santa Muerte. Sort of.

APD Officer Daniel Carr is being investigated by Internal Affairs over allegations that he attempted to use his badge and power to get a date with an adult entertainer.

In the wake of radiation scandal, LANL confirms that 115 workers contracted by Energy Solutions are now unemployed because LANL isn't sending out waste.

New Mexico State Auditor Hector Balderas is demanding that Mayor Berry and his administration address the money problems stemming from mismanagement of City golf courses.

Religious leaders are calling for people to gather at the site of Albuquerque's latest fatal officer-involved shooting.

Tomorrow's the 4th of July. Please consider the potential for starting fires when planning your festivities. We're in a drought, remember? Check out this rad list of fireless fireworks from ABQ hackerspace Quelab.

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CC BY Danielle Madeley

news

Tying the Gordian Knot: Marriage equality amplifies affinity spectrum

By Samantha Anne Carrillo [ Wed May 7 2014 11:01 PM ]

I'm a relative newcomer to the world of marriage, but I already know a little: It's not a contract to be entered into lightly. The person you marry should be your must trusted confidant, your best friend, your most ardent fan and (sometimes) your harshest critic. But when it works, it's really lovely. And even when it doesn't work quite as well—especially in comparison to the reality-challenged world of the rom-com—it's still pretty great.

When I got married (to the absolute love of my life) in 2012, same-sex marriages weren't legally recognized by the state of New Mexico. As excited as I was to get married—and perhaps more importantly, to be married—it really harshed my nuptial buzz to know that so many of my friends were not allowed access to that right. Thankfully the realm of marriage equality in New Mexico has been reformed to respect the rights of all couples that populate this enchanted, difficult landscape.

In celebration of love and equality, Weekly Alibi is calling for essays (of less than 750 words) on the meaning of marriage equality and surviving the before-time ... when the marital rights of all citizens were not deemed equal. Email essays to letters@alibi.com, including "Pride 2014" in the subject line. We really want to hear your story. Some will be sad and some joyous, and we want to hear them all. Why? Because your stories—the trajectories of your lives—in the here and now are history-in-the-making. All our stories and all our loves were always equal ... The New Mexican political/legal system just had to come to its senses and recognize that.

If your choose to share your story—and we sincerely hope you will—we'll invite some of you to join us on our Chapel of Love-themed Pride 2014 float; we'll be near the front of the parade, right behind Equality New Mexico's company of already-married husbands, and wives. After the parade, we offer to usher you in to a group ceremony on Main Stage ... or not. Our choices about how and whether to get married have a lot of cultural, traditional and religious significance and implications. And we respect that. But there's no rule that you can't get married to the same person more than once. The personal is political, and we will be honored to bear witness to all those who wish to be united. In coordination with Albuquerque Pride, we've arranged for Metropolitan Community Church Pastor Rev. Judith L. Maynard to officiate the ceremony.

So write us at letters@alibi.com. And to everyone else, we'll see y'all at Pride. We'll be the ones waiting down by the chapel ... dressed in white.

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The Daily Word in V.23 No.18, environmental disaster and Baphomet

By Samantha Anne Carrillo [ Thu May 1 2014 1:14 PM ]
The Daily Word

In Alibi-centric news, let's hit the highlights of the latest ish of the alt.weekly with the mostest.

• Our revamped commenting system at alibi.com proffers letters and notable comments about APD, psychogeography and more.

• Test your NM news savvy with our weekly pop quiz, Crib Notes.

• More art-smart content than you can shake a spraycan at: "Orange Is the New Black" author Piper Kerman on the prison reform movement; deets on Albuquerque's new Poet Laureate, Jessica Helen Lopez; and Culture Shock.

• All the filmic news that High Desert teevee babies and cinephiles need, like a review of indie revenge drama Blue Ruin, Reel World, Idiot Box and Week in Sloth.

• The human responsible for our rad restaurant and culinary coverage, Ty Bannerman, was recently crowned Alibi Features Editor, too, and frankly, we couldn't have found a better candidate. In this week's gastronomic survey, find out why the steer stumbles and get caught up on the arrival of food truck season aka summer.

• And last, but certainly not least, let's chat about the sonic realm. Four Up delivers deets on avant jazz, noise, African blues-rock and nu-disco concerts while Music to Your Ears goes native Nuevo Mexicano and we micro-review new albums by Eels, Fear of Men and Pray for Brain.

New Mexico Mercury published a poignant Frontera NorteSur essay on latest APD fatality Mary Hawkes.

Who will pay for the Kirtland jet fuel disaster?

The Grey Lady notes that "Hundreds in Albuquerque Voice Distrust of the Police."

In what's-good-for-the-goose news, catch a sneak peek of the Satanic monument being built for Oklahoma's statehouse.

Film
"Fighting fire with fire ..."
All photos courtesy of Zentropa
"Fighting fire with fire ..."

Film

Nymphomaniac Vol. II: Pitch-dark existentialist fairy tale zigs feminist zag

By Samantha Anne Carrillo [ Sat Apr 26 2014 1:34 PM ]

Embattled Dutch auteur Lars von Trier's “Depression Trilogy”—Antichrist, Melancholia and now Nymphomaniac—culminates in a revelatory and arguably feminist existentialist fairy tale. Admittedly, it's more Grimms' than Aesop.

Antichrist is a magical realist horror show, and Melancholia is a Wagnerian sci-fi epic. Triptych finale Nymphomaniac is an existentialist torture “porn” double-feature. Released in two parts, Vol. I left the audience at terror-struck anticlimax as protagonist Joe fails to achieve orgasm. The psychodrama of Vol. II dances widdershins on a dark, twisty path paved by the sexploitation genre. Where Antichrist examined medieval witchcraft and the history of gynocide and Melancholia expertly manipulated ownership of knowledge and the imagination of disaster, Nymphomaniac explores patriarchy and stigmatized female desire.

With minimal introductory pomp, a soft-focus lens captures young Joe (Stacy Martin) mourning carnal summit. Again the viewer is voyeur to asexual nerd Seligman (Stellan Skarsgård) and present-day Joe (Charlotte Gainsbourg) and their sex-and-fly-fishing tête-à-tête. Joe recalls the inception of her lust—it involves levitation, spontaneous orgasm and the Whore of Babylon. Seligman's weakest digression ever, toward Jesus' transfiguration on the mount, Zeno's paradox of Achilles, and the divergence of essential doctrine of Eastern and Western Church doctrine inspires Chapter One's title.

“The Eastern Church and The Western Church (The Silent Duck)” explores the incongruity of monogamy with Jerôme (Shia LaBeouf)—and attendant pregnancy, domesticity and complex maternal emotions—with Joe's longing to be overfull. Contentment is transmuted, and Jerôme's reluctant consent to an open marriage sets the stage for unfamiliar and increasingly masochistic sex. Highlights include Joe's matchless revamp of fuck-me clothes, an entirely nonverbal encounter with two African fellows, and engaging the services of professional dom K (Jamie Bell). In escalating sessions with sadistic K, Joe's submissive alter ego “Fido” prizes dogged pursuit of the little death above all else. A campy demo of “the silent duck” segues into a hurled teacup, betraying sentimental anger, and the next passage is named for spectacular reflection.

“The Mirror” observes Joe compulsively, injuriously masturbating in an office bathroom and communicating (mostly with herself) in employer-mandated sex addict meetings. She earnestly tries to gain some control over her addiction and consequent self-mutilation. Working the steps means reducing exposure and removing incentive. After witnessing Joe's version of sex-proofing an apartment, you'll never see your bathroom sink or mirrors in quite the same way again. Joe's kilometer-wide stubborn streak rears up just shy of a month of sobriety. She rebels against the twelve-steppers, proclaiming her refusal to erase her own obscenity so the bourgeoisie can feel safe. A tea stain and irreverent references to the literature of Ian Fleming provide the cut-up lead-in to resolution in “The Gun.”

The workaday world isn't for her, and she meets L (Willem Dafoe), who initiates her into the unscrupulous world of “debt collection.” Her general facility with and knowledge of men and their desires and fears proves useful in the world of heavy handed persuasion to pay. L pragmatically inspires Joe to mentor an at-risk 15-year-old P (Mia Goth). In the world of extortion, parenting happens on a whole 'nother level. A mentee acts as a right hand, and as amoral L half-sneers, some might even do time for their surrogate advocate. Joe attends P's basketball games for three years and eventually wins her loyalty at the age of maturity.

Gainsbourg illuminates the role of outsider, a wholly sexual woman whose very existence stands in opposition to the patriarchy of both the Church and secular culture. Seligman delivers a fervent feminist polemic on how Joe's behavior would be perceived entirely differently were she a man: Vol. I's train games with BFF B (Sophie Kennedy Clark) and home invasion by a bitterly jealous spouse (Uma Thurman) would have fallen flat if Joe's chromosomal makeup offered so-called “reason” for aggression and infidelity.

Unabashedly demanding her sexual rights as a woman, Joe serves as a lightning rod for wounded souls in a largely puritanical world. Given his self-professed asexual nature and thus “unique” insight into Joe's story, Seligman declares his superior fitness to judge her goodness. But this is von Trier land. Yet another chance encounter with Jerome tells of the violent prelude to Seligman discovering her in the alley. The resounding, pitch-black ending renders a film marketed as a (black-and-) blue movie into a horse of a different color; and in doing so, it unmasks all its characters' true natures and the commonplace tedium of evil.

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news

The Daily Word in V.23 No.16, H&M and Neutral Milk Hotel

By Samantha Anne Carrillo [ Thu Apr 17 2014 11:56 AM ]
The Daily Word

The latest issue of your favorite alt.weekly—that's us, the Alibi—is chock-full of rad content. To wit, test your New Mexico news savvy with our weekly pop quiz, Crib Notes.

Read, critique and even comment on—as Facebook commenting is now live on alibi.com—an editorial, "Department Corrections," about the DOJ's findings in its investigation into APD, many unanswered questions and the future of our city.

Check out Alibi Film Editor Devin D. O'Leary's review of Jonathan Glazer's Under the Skin, you know, that experimental sci-fi flick starring Scarlett Johansson as a predatory alien siren.

Four Up delivers deets on Zimbabwean electric protest songs by Thomas Mapfumo & the Blacks Unlimited—this one's tonight!—and poptastic electro, pop-punk, alt.folk, and bilingual feminist hip-hop concerts. (Live music is one of the finest anodynes available.)

Genevieve Mueller reports on Albuquerque's growing, thriving improv scene in "Yes and ... Where Do We Go From Here?"

Gail Guengerich gets her French-American fusion on in "Ouvrez La Bouche."

In search of new tuneage? Read our micro reviews of new releases from NEEDTOBREATHE, The Tower and Todd Terje in Sonic Reducer.

From Nuevo Mexicano artist/architect William Lumpkins serigraphs and felt-tip pen drawings to bibliophile pr0n, an urban renewal keynote and hangs with famous authors in a Fe movie theater, stay art-smart with Culture Shock.

Are you getting your RDI of Pulitzer Prize-winning feature writing?

Hip Swedish fashion empire H&M is coming soon to Burque.

Catch the Neutral Milk Hotel reunion tour tonight in Burque.

Best of Burque

Best of Burque

Rock the Best of Burque Ballot

Vote for your fave _____ via our virtual polling booth

By Samantha Anne Carrillo [ Wed Mar 12 2014 6:23 PM ]

An annual Burqueño ritual arrives. Voting for Alibi’s Best of Burque reader’s poll is open, and this year’s electronic ballot awaits your exquisite, unparalleled taste in everything from politicians to art, from butchers to bars and beyond. To vote, sign up for an account at alibi.com; the signup process literally takes less than 60 seconds, and we won’t share your email address or send you anything you don’t request ... ever. Promise. So create an account, get thee to the ballot and vote! The deadline for finalizing your ballot—which you can totally start, save and return to, by the way—is Tuesday, March 18. Visit alibi.com/bobvote to get started.

love is the drug

love is the drug

Don’t Suffer in Silence: Send free Love Notes to the object(s) of your affection

By Samantha Anne Carrillo [ Fri Jan 31 2014 3:37 PM ]

In Woody Allen’s 1975 Russophile-lit satire Love and Death, Sonja (Diane Keaton) dispenses some of the best love advice ever captured on celluloid.

“To love is to suffer. To avoid suffering one must not love. But then one suffers from not loving. Therefore, to love is to suffer; not to love is to suffer; to suffer is to suffer. To be happy is to love. To be happy, then, is to suffer, but suffering makes one unhappy. Therefore, to be unhappy one must love or love to suffer or suffer from too much happiness.”

Sure, as that Nazareth song goes, love hurts, scars, wounds and mars. But the payoff that sometimes accompanies ardor, passion and devotion is pretty terrific. So, whether you’ve already locked down your sweetheart or not, send a sweet or sexy—and did I mention free?—Love Note to your beloved in the Alibi’s Valentine’s Day issue. Love Notes must be 14 words or less and be submitted by noon on Feb. 5 at alibi.com/lovenotes. Caveats: Don’t use your sweetie’s last name, but pet names and initials are cool. And while we’re well aware that haters gon‘ hate, these are Love Notes. It’s totally free, and creating a user account at alibi.com is a breeze. In the immortal words of Marvin Gaye, let’s get it on.

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news

The Daily Word in guns, ACA and retouching Lena Dunham

By Samantha Anne Carrillo [ Thu Jan 16 2014 11:40 AM ]
The Daily Word

Y'all are probably all aware of and experiencing the early stages of news fatigue over the Roswell school shooting, but it seems callous not to mention it. The particulars: one 12-year-old boy with a sawed-off shotgun, a very brave teacher, two students hospitalized (one stable, one critical) and a community suffering from disbelief, fear and, for many, PTSD. Our warmest thoughts are with you, Roswell.

New Mexican enrollment in insurance via healthcare.gov "soars" to 7,500 NM residents.

In Alibi-centric news: Dustyn Deerman wrangles with common resolutions in Make Changes, Not Resolutions; test your NM news savvy with our weekly pop quiz, Crib Notes; Spike Jonze got Joaquin Phoenix to fall in love with his operating system in Her; get your bass, hexabilly, hip-hop and free jazz-improv on with Four Up; comedian Bill Burr talks trust, evolution and fans in Walking the Line; and Gail Guengerich says Hello Adieux.

Alien Tap Room eyes Nob Hill.

Sea sponges can sneeze, y'all.

Jezebel is offering a $10,000 reward for Leibowitz' original, unretouched photos of "Girls" powerhouse Lena Dunham, shot for this month's Vogue.

Alibi Picks
Photo by Kyle Johnson

Alibi Picks

Seattalite of Love

By Samantha Anne Carrillo [ Tue Jan 14 2014 3:00 PM ]

Space Needle-adjacent garage and R&B-infused sextet Pickwick's tour hits Burque this week. Pickwick toured in support of household names Black Joe Lewis and Neko Case this past fall, but the soulful alt.rock six-piece gets top billing on this tour. The band self-released their debut full-length, Can't Talk Medicine, last March, and the 13 tracks produced—including Richard Swift cover “Lady Luck,” which features powerhouse Sharon Van Etten on vox—pay respect to '60s and '70s soul, funk and rock while maintaining an upbeat, you-can-dance-to-it vibe.

I know I've said this before, but you can tell a lot about a band by their web presence, and pickwickmusic.com even lays bare their original lyrics—which are pretty darn impressive. Scope the group's cover of The Primitives' “The Ostrich” at bit.ly/ostrichredux to get a sense of front man Galen Disston's impressive vocal range. Experience Pickwick and Canuck “death country/frontier rock” trio Elliott BROOD at Launchpad (618 Central SW) tomorrow night. This 21-and-over show revs up at 9:30pm, and admission is $8. Launchpad • Wed Jan 15 • 9:30pm • $8 • View on Alibi calendar

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The Daily Word in pit mining, DOJ probe and slaughterhouse slander

By Samantha Anne Carrillo [ Thu Jan 9 2014 10:01 AM ]
The Daily Word

In Alibi-centric news, our second issue of 2014 proffers: a Crib Notes websclusive; Odds & Ends; a review of the Coen Bros. latest, Inside Llewyn Davis; deets on three (metal+mariachi, Americana, bluegrass, EBM and no wave) concerts in Four Up; the November/2013 edition of Last Month in Music; an interview with acclaimed author Ruth Ozeki; and a review of Chopstix.

The New Mexico Water Quality Control Commission (WQCC) voted unanimously to reject a delay of revised copper pit mining rules.

ICYMI: This past weekend in Santa Fe, Cormac McCarthy's ex-wife, Jennifer McCarthy, surprised her current boyfriend by hiding a handgun in her vagina ... after a heated argument about extraterrestrial life.

A DOJ probe into Albuquerque's officer-involved shootings approaches its final stages.

Roswell horse slaughterhouse Valley Meat Co. announces its intent to sue NM Attorney General Gary King for slander, harassment, conspiracy and abuse of process.

After a "Sopranos"-esque traffic incident, Chris Christie celebrates dashed presidential hopes by apologizing and firing a key aide.

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