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Freedom of Expression

Cooper-Moore
Cooper-Moore

Cooper-Moore vigorously exercises his right to free expression, whether he's storytelling, pushing the jazz envelope at the piano, or expanding the realm of the folkloric by inventing, building and playing his own musical instruments. He and Albuquerque's own Jeremy Barnes—one-half of A Hawk & A Hacksaw—first met a few years ago in Chicago, and ever since, they've been plotting to explore their musical universes together. They'll do it tonight at 7:30 p.m. at UNM's ARTS Lab with Cooper-Moore on piano and his own original instruments and Barnes on drums and other instruments—"It's going to be accordion-free," Barnes says. The show reprises outside of Albuquerque on Saturday at the Santa Fe Complex (8 p.m.) and Sunday at the El Rito Library (3 p.m.). Donations will be accepted for the Albuquerque show. Call 730-3814. (Mel Minter)

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    Saxophonist Miguel Zenón Finds a New Balance between the Ordered and the Unexpected

    Acclaimed quartet takes new roads to great jazz

    Miguel Zenón
    Miguel Zenón

    The young alto saxophonist Miguel Zenón brings the mathematical rigor and certainty of an engineer, which he nearly was, to his jazz compositions and performances, which are also informed with searing emotional intensity, technical mastery, and a Caribbean spice that recalls his native Puerto Rico. The winner of numerous accolades—including both a Guggenheim Foundation fellowship and a MacArthur Grant in 2008—Zenón has been in great demand, playing with a jazz Who’s Who (David Sanchez, Danilo Perez, Charlie Haden, Steve Coleman, and Branford Marsalis, among others), composing and performing as a founding member of the SF Jazz Collective, and leading his own accomplished quartet.

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