Raw posts and updates from our writers with info too timely or uncategorizable for print. What, we said something stupid? Chime in, buddy.
The Daily Word in hipsterism, #Ferguson and green burial
By Samantha Anne Carrillo [ Thu Aug 14 2014 10:31 AM ]
In Alibi-centric news:
If you're reading this, you may have already noticed our revamped website design. Please take a moment to revel in its glory.
Our Back to School Guide is on stands (and online, natch) now. Therein, your favorite alt.weekly—that's us!—provides a foolproof guide to becoming the uber-hipster of your dreams.
Features and food editor Ty Bannerman shares his Intro to Cool syllabus. From vinyl records to vintage threads to facial hair to books-with-a-history to local/organic eats and indie film, music and transportation, learn from the chicken-keeping, concertina-playing master of hep.
Music and news stringer August March proffers a survey of 10 local venues for your concert-going bucket list. Audit his Intro to Venues-ABQ 505 micro-course.
Foodist/freelance writer Nora Hickey leads a study session on Albuquerque's poetry, spoken word and storytelling scene in "The Literary Beat."
Author Mike Smith lectures on Burque's thriving micro-publishing culture in "Zine Scene 101."
Blogger and food freelancer Eric Castillo drops custard, paleta and fresh-squeezed juice knowledge in "Follow the Bells."
In national and local news:
If anyone can empathize with the outrage and protest against militarized police violence in Ferguson, Mo., it's Burqueñas y Burqueños. We stand in solidarity with you, #Ferguson.
Test your knowledge of last week's New Mexico news with the Alibi pop quiz, Crib Notes.
Green burial is where it's at, y'all.
Now Hear This, Vol. IV
By Samantha Anne Carrillo [ Sat Aug 2 2014 10:04 PM ]
You are about to enter another dimension. A dimension of A/V. This is the middle ground between mediocre and too-good-to-be-true, between something called "reggae" and the sound angels emit. You are traveling deep into the realm of rad tuneage. Next stop, Now Hear This!
On the local tip, swervegaze wizard REIGHNBEAU is premiering the boss music video for "Milk of Amnesia" at the Guild Cinema (3405 Central NE) on Wednesday, Aug. 6. One of the perks of the fourth estate is sneak peeks, and I can assure you that my REIGHNBEAU crush remains strong. The screening will be followed by a live performance and light show. The house lights dim at 10:20pm only to rebound with matchless radiance. For more deets and to RSVP for this free cinematic event, click here. Below, listen to or download REIGHNBEAU's "bootleg" of Angelo Badalamenti's "Twin Peaks" theme.
Chapter House is an enigmatic micro label whose catalog is hyperlinked to genres like "punk," "moccvsin gvze" and "stewgaze." The label's latest compilation features Four Corners-based and nuevomexicano artists. Ryan Dennison and DISCOTAYS are all-time favorites of mine, but I was unfamiliar with other acts showcased on the release. And while I didn't unearth the secret lives of those new-to-me bands, I did discover groups with names like Purple Cats in Slacks, Midnight Stew and The Fly that are ripe for inclusion in New Mexico's sonic cosmology. Stream Volume 3 below and nab some pay-what-you-will releases from the Chapter House Bandcamp.
This entry's final homespun miracle is the NSFW [coughfreethenipplecough] music video for the opening tracks from sleaze-thrash trio [H]ohm's Haroun Farm EP. The narrative begins with telegenic power-drummer Kris Kerby hitchiking, and it focuses on the band and alt.models from The Voodoo Dolls, including co-owner Jelly Honey. Produced by Solano Pictures, the photography and editing are professional-strength. The cast is easy on the eyes, but wild women and band members aren't the only characters. The Sandias are the real star of this production. If you've ever dreamed about rocking the Kiwanis Cabin, hit play below for vicarious wish fulfillment.
Now Hear This, Vol. III
By Samantha Anne Carrillo [ Sun Jul 13 2014 5:06 PM ]
Consumers of my dancing-about-architecture reportage are probably aware of my frequent use of the adjectival "blackety-black." It's really just an overly precious synonym for: atramentous, ebony, jet, obsidian, onyx, pitch, slate, sloe and the like. But thanks to British scientists at Surrey NanoSystems, there's now an honest-to-goodness blackety-black. It's called Vantablack (or super black), and it's record-breaking darkness absorbs all but .035 percent of light. It's so damn black that the human eye has difficulty discerning its dimensions. Like a freaking black hole. Its primary intended applications are terrestrial, space and air-borne optical instrumentation. But now hear this: The Little Black Dress will never be the same.
The Daily Mail reports that it's created using carbon nanotubes—"which are 10,000 thinner than human hair and so miniscule that light cannot get in but can pass into the gaps in between"—and if that isn't enough, it's 10 times stronger than steel and conducts heat seven-and-a-half times more effectively than copper. Yeah. Owing to my obsessive-compulsive nature, themes prove irresistably attractive, so here are my favorite songs that pay tribute to blackety-black, er, Vantablack. Share your favorite black-centric tracks in the comments, fellow darklings.
Samantha Anne Carrillo
Now Hear This, Vol. II
By Samantha Anne Carrillo [ Thu Jul 10 2014 5:43 PM ]
Are you properly caring for your inner goth? My years of rockin' an all-black wardrobe, a Wite-Out complexion and panda eyes may be over, but I take care to nourish my blackety-black heart and sonic sensibility. If you're feeling the urge to chainsmoke clove cigs, brood and write bad poetry, I recommend channeling that energy into a celebration of Dark Entries Records' fifth anniversary.
DJ Josh Cheon founded the label in July 2009 with the intention of releasing out-of-print and unreleased underground '80s treasures. Named for the first 7-inch released by goth icon Bauhaus, Dark Entries' focus is curation, preserving sound quality and respecting its artists' aural aesthetic . And, yes, the label's output is strictly vinyl.
Dark Entries' lifeblood is the excavation, quality reproduction and distribution of largely unknown pleasures, but it also showcases contemporary acts whose sound harkens back to the heyday of minimal synth, coldwave, dark wave, electro, Italo disco and post-punk. Highlights of the Dark Entries catalog include work by Dark Day, Jeff and Jane Hudson, Starter, Linea Aspera, Kitchen & the Plastic Spoons, Algebra Suicide, Los Microwaves, Patrick Cowley, Victrola, Lè Travo, Crash Course in Science, Lassigue Bendthaus, Cute Heels and Helen.
The Daily Word in ride-sharing rules, AR-15s and Steely Dan
By Samantha Anne Carrillo [ Thu Jul 10 2014 9:30 AM ]
In Alibi-centric news: We clarified our critical and satirical intentions in response to an anti-Ted Nugent missive. Perhaps more importantly, we published loads of excellent new content. If you're saving the print ish for weekend reading, scope highlights like
In other local media news, KRQE News 13 faces backlash from viewers for their description of undocumented immigrants as "illegal immigrants" who carry disease. KUNM reports on the City's new public records fee schedule.
The New Mexico Public Regulation Commission has directed its staff to revamp the rules that impact ride-sharing services like Lyft and Uber. And there was much rejoicing ...
North Valley residents express concern over a proposed waste transfer station.
Have you ever wondered whether sellers of New Mexico properties must disclose natural deaths, homicides or suicides that occurred on premises? The answer is no.
New Mexico lands on another list that's nothing to brag about, being among the top five states with the highest percentage of uninsured residents.
A public relations survey sez Albuquerque is the sixth-most attractive city to border state millennials, owing to its "ethnic, affordable and youthful" vibe.
KOB Eyewitness News 4 reports that APD is all set to purchase 350 AR-15 rifles from a local vendor.
People born on July 10 include Nikola Tesla, Marcel Proust, Tura Satana, Ronnie James Dio, Zoogz Rift and Sofía Vergara.
Zola Jesus' new track "Dangerous Days" is a modern-sounding electro-pop banger.
Now Hear This, Vol. I
By Samantha Anne Carrillo [ Sun Jul 6 2014 1:00 PM ]
Welcome to the first installment of "Now Hear This," a column to chronicle my obsessive-compulsive sonic studies, archaelogical and futurist alike. And while here with me, expect everything from old and alt.country to rocanrol to dark wave to Italo disco to queercore to punk to riot grrrl to noise to minimal synth and everywhere in between ... Except smooth jazz, (most) contemporary country and reggae. They just don't do it for me. As they say—who are they, anyway?—there's no accounting for taste.
I embrace that motto and am wholly dependent on my musical addiction to transcend the banality of everyday life. Don't get me wrong. I really dig my life. Getting to collaborate with and work alongside an uber-talented editorial staff and freelancers every day is, like, the dream. But sometimes you simply have to hear something new or unfamiliar that excites and challenges you. This column will serve as complement to my colleague Mark Lopez' wide-ranging Rooster Roundabout series.
My soundscape and its population, past and present, have benefited from the hive mind of many wonderful humans, ranging from my vinyl historian pal Mike Harper in Huntsville, Tex., who first exposed me to the music nerd bug;
to synth/post-punk/ industrial maven and Systems of Romance curator Frankie Teardrop, also of cold wave/post-punk band The Harrow;
to Dirt City denizen Derek Caterwaul, notably of KUNM Radio and Low Life at Blackbird Buvette, who remains one of my favorite DJs after more than a decade of listening to his Music to Soothe the Savage Beast and Overnight Freeform shows;
to Burqueña Tahnee Udero aka DJ Tahnee, whose massive knowledge base is supplanted by exquisite taste, and her solo project TAHNZZ garnered serious listmas praise in 2013;
to Mello Sanchez aka DJ Mello, an uber-talented DJ and pastry chef and one of my best friends;
to northerly neighbor Lorrie Edmonds, curator of I Will Not Return Your Records, which I can safely say is one of the best radio shows on the planet.
So this is a shout-out to all y'all strange, kindred music nerds, both the ones I know and the ones I haven't met yet.
The Daily Word in ArtBar, Santa Muerte and fire danger
By Samantha Anne Carrillo [ Thu Jul 3 2014 10:41 AM ]
Albuquerque Business First reports that ArtBar has been granted a temporary liquor license by the New Mexico Regulation and Licensing Division and can reopen, but organizer Julia Mandeville says organizers need to meet to decide whether or not to reopen the private, nonprofit bar.
Two Oklahoma residents convicted in Albuquerque will get a second trial thanks to Santa Muerte. Sort of.
APD Officer Daniel Carr is being investigated by Internal Affairs over allegations that he attempted to use his badge and power to get a date with an adult entertainer.
In the wake of radiation scandal, LANL confirms that 115 workers contracted by Energy Solutions are now unemployed because LANL isn't sending out waste.
New Mexico State Auditor Hector Balderas is demanding that Mayor Berry and his administration address the money problems stemming from mismanagement of City golf courses.
Religious leaders are calling for people to gather at the site of Albuquerque's latest fatal officer-involved shooting.
Tomorrow's the 4th of July. Please consider the potential for starting fires when planning your festivities. We're in a drought, remember? Check out this rad list of fireless fireworks from ABQ hackerspace Quelab.
CC BY Danielle Madeley
Tying the Gordian Knot: Marriage equality amplifies affinity spectrum
By Samantha Anne Carrillo [ Wed May 7 2014 11:01 PM ]
I'm a relative newcomer to the world of marriage, but I already know a little: It's not a contract to be entered into lightly. The person you marry should be your must trusted confidant, your best friend, your most ardent fan and (sometimes) your harshest critic. But when it works, it's really lovely. And even when it doesn't work quite as well—especially in comparison to the reality-challenged world of the rom-com—it's still pretty great.
When I got married (to the absolute love of my life) in 2012, same-sex marriages weren't legally recognized by the state of New Mexico. As excited as I was to get married—and perhaps more importantly, to be married—it really harshed my nuptial buzz to know that so many of my friends were not allowed access to that right. Thankfully the realm of marriage equality in New Mexico has been reformed to respect the rights of all couples that populate this enchanted, difficult landscape.
In celebration of love and equality, Weekly Alibi is calling for essays (of less than 750 words) on the meaning of marriage equality and surviving the before-time ... when the marital rights of all citizens were not deemed equal. Email essays to email@example.com, including "Pride 2014" in the subject line. We really want to hear your story. Some will be sad and some joyous, and we want to hear them all. Why? Because your stories—the trajectories of your lives—in the here and now are history-in-the-making. All our stories and all our loves were always equal ... The New Mexican political/legal system just had to come to its senses and recognize that.
If your choose to share your story—and we sincerely hope you will—we'll invite some of you to join us on our Chapel of Love-themed Pride 2014 float; we'll be near the front of the parade, right behind Equality New Mexico's company of already-married husbands, and wives. After the parade, we offer to usher you in to a group ceremony on Main Stage ... or not. Our choices about how and whether to get married have a lot of cultural, traditional and religious significance and implications. And we respect that. But there's no rule that you can't get married to the same person more than once. The personal is political, and we will be honored to bear witness to all those who wish to be united. In coordination with Albuquerque Pride, we've arranged for Metropolitan Community Church Pastor Rev. Judith L. Maynard to officiate the ceremony.
So write us at firstname.lastname@example.org. And to everyone else, we'll see y'all at Pride. We'll be the ones waiting down by the chapel ... dressed in white.
The Daily Word in V.23 No.18, environmental disaster and Baphomet
By Samantha Anne Carrillo [ Thu May 1 2014 1:14 PM ]
In Alibi-centric news, let's hit the highlights of the latest ish of the alt.weekly with the mostest.
• Our revamped commenting system at alibi.com proffers letters and notable comments about APD, psychogeography and more.
• Test your NM news savvy with our weekly pop quiz, Crib Notes.
• More art-smart content than you can shake a spraycan at: "Orange Is the New Black" author Piper Kerman on the prison reform movement; deets on Albuquerque's new Poet Laureate, Jessica Helen Lopez; and Culture Shock.
• The human responsible for our rad restaurant and culinary coverage, Ty Bannerman, was recently crowned Alibi Features Editor, too, and frankly, we couldn't have found a better candidate. In this week's gastronomic survey, find out why the steer stumbles and get caught up on the arrival of food truck season aka summer.
• And last, but certainly not least, let's chat about the sonic realm. Four Up delivers deets on avant jazz, noise, African blues-rock and nu-disco concerts while Music to Your Ears goes native Nuevo Mexicano and we micro-review new albums by Eels, Fear of Men and Pray for Brain.
New Mexico Mercury published a poignant Frontera NorteSur essay on latest APD fatality Mary Hawkes.
Who will pay for the Kirtland jet fuel disaster?
The Grey Lady notes that "Hundreds in Albuquerque Voice Distrust of the Police."
In what's-good-for-the-goose news, catch a sneak peek of the Satanic monument being built for Oklahoma's statehouse.
All photos courtesy of Zentropa
Nymphomaniac Vol. II: Pitch-dark existentialist fairy tale zigs feminist zag
By Samantha Anne Carrillo [ Sat Apr 26 2014 1:34 PM ]
Embattled Dutch auteur Lars von Trier's “Depression Trilogy”—Antichrist, Melancholia and now Nymphomaniac—culminates in a revelatory and arguably feminist existentialist fairy tale. Admittedly, it's more Grimms' than Aesop.
Antichrist is a magical realist horror show, and Melancholia is a Wagnerian sci-fi epic. Triptych finale Nymphomaniac is an existentialist torture “porn” double-feature. Released in two parts, Vol. I left the audience at terror-struck anticlimax as protagonist Joe fails to achieve orgasm. The psychodrama of Vol. II dances widdershins on a dark, twisty path paved by the sexploitation genre. Where Antichrist examined medieval witchcraft and the history of gynocide and Melancholia expertly manipulated ownership of knowledge and the imagination of disaster, Nymphomaniac explores patriarchy and stigmatized female desire.
With minimal introductory pomp, a soft-focus lens captures young Joe (Stacy Martin) mourning carnal summit. Again the viewer is voyeur to asexual nerd Seligman (Stellan Skarsgård) and present-day Joe (Charlotte Gainsbourg) and their sex-and-fly-fishing tête-à-tête. Joe recalls the inception of her lust—it involves levitation, spontaneous orgasm and the Whore of Babylon. Seligman's weakest digression ever, toward Jesus' transfiguration on the mount, Zeno's paradox of Achilles, and the divergence of essential doctrine of Eastern and Western Church doctrine inspires Chapter One's title.
“The Eastern Church and The Western Church (The Silent Duck)” explores the incongruity of monogamy with Jerôme (Shia LaBeouf)—and attendant pregnancy, domesticity and complex maternal emotions—with Joe's longing to be overfull. Contentment is transmuted, and Jerôme's reluctant consent to an open marriage sets the stage for unfamiliar and increasingly masochistic sex. Highlights include Joe's matchless revamp of fuck-me clothes, an entirely nonverbal encounter with two African fellows, and engaging the services of professional dom K (Jamie Bell). In escalating sessions with sadistic K, Joe's submissive alter ego “Fido” prizes dogged pursuit of the little death above all else. A campy demo of “the silent duck” segues into a hurled teacup, betraying sentimental anger, and the next passage is named for spectacular reflection.
“The Mirror” observes Joe compulsively, injuriously masturbating in an office bathroom and communicating (mostly with herself) in employer-mandated sex addict meetings. She earnestly tries to gain some control over her addiction and consequent self-mutilation. Working the steps means reducing exposure and removing incentive. After witnessing Joe's version of sex-proofing an apartment, you'll never see your bathroom sink or mirrors in quite the same way again. Joe's kilometer-wide stubborn streak rears up just shy of a month of sobriety. She rebels against the twelve-steppers, proclaiming her refusal to erase her own obscenity so the bourgeoisie can feel safe. A tea stain and irreverent references to the literature of Ian Fleming provide the cut-up lead-in to resolution in “The Gun.”
The workaday world isn't for her, and she meets L (Willem Dafoe), who initiates her into the unscrupulous world of “debt collection.” Her general facility with and knowledge of men and their desires and fears proves useful in the world of heavy handed persuasion to pay. L pragmatically inspires Joe to mentor an at-risk 15-year-old P (Mia Goth). In the world of extortion, parenting happens on a whole 'nother level. A mentee acts as a right hand, and as amoral L half-sneers, some might even do time for their surrogate advocate. Joe attends P's basketball games for three years and eventually wins her loyalty at the age of maturity.
Gainsbourg illuminates the role of outsider, a wholly sexual woman whose very existence stands in opposition to the patriarchy of both the Church and secular culture. Seligman delivers a fervent feminist polemic on how Joe's behavior would be perceived entirely differently were she a man: Vol. I's train games with BFF B (Sophie Kennedy Clark) and home invasion by a bitterly jealous spouse (Uma Thurman) would have fallen flat if Joe's chromosomal makeup offered so-called “reason” for aggression and infidelity.
Unabashedly demanding her sexual rights as a woman, Joe serves as a lightning rod for wounded souls in a largely puritanical world. Given his self-professed asexual nature and thus “unique” insight into Joe's story, Seligman declares his superior fitness to judge her goodness. But this is von Trier land. Yet another chance encounter with Jerome tells of the violent prelude to Seligman discovering her in the alley. The resounding, pitch-black ending renders a film marketed as a (black-and-) blue movie into a horse of a different color; and in doing so, it unmasks all its characters' true natures and the commonplace tedium of evil.
A Path Appears at KiMo Theatre
From the creators of Half the Sky, this film reveals the incredible adversity faced by millions of women and girls every day.
BARK! Pet Care with Den and Daisy at Juan Tabo Public Library
Acoustic DNA Band at Molly's BarMore Recommented Events ››