A Long Line in the Sand
Mexican perspectives on Mexican immigration to the U.S.
Of all people, New Mexicans should understand that borders aren't simply about physical boundaries of land and territory; they're also about people and cultures that can shift and change. In the past few weeks, massive pro-immigrant rallies have forced the U.S. to publicly address the growing cultural and economic contributions of peoples from countries south of our border.
Estela stands beside her washer and dryer and tells a group of American students the story of her family. Her cinderblock home hugs the side of a ravine in Cuernavaca, Mexico. The group sits in one room of the tiny home, under a corrugated plastic roof. Four beds, a couch, a refrigerator, a small stove, boxes, a TV and a stereo crowd the upper level of the room. Estela stands on the level below. Behind a curtain is a bathroom with a barrel of water for pouring down the toilet. On the walls are two guitars, a tennis racquet, a plastic NFL clock and a crucifix with a white Jesus.
Ofelia Laureano was born in a rural village in the state of Puebla where her parents were farmers. The family was poor, and her parents had trouble supporting all their children. Every day, the family ate tortillas and beans. Ofelia took care of the younger children while her siblings worked in the field.
The Art of the Short at Sol Acting Academy
A workshop for screenwriters with renowned New Mexico screenwriter and UNM professor Matthew McDuffie.
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