Closet Celebration—Closet Cinema, Albuquerque's foremost promoter of gay and lesbian film and founder of the Southwest Gay and Lesbian Film Festival, will be hosting its first ever winter benefit on Wednesday, Jan. 19. The benefit will take place from 6:30 to 8:30 p.m. at Laru Ni Hati (3413 Central Ave. NE). There will be a Cuban buffet feast and a cash bar courtesy of Café Cubano. There will also be lots of great prize giveaways from assorted participating businesses. Following the party, there will be a screening of the Sundance Film Fest favorite Tarnation next door at the Guild Cinema. The film documents the tumultuous life of writer/director/actor Jonathan Caouette, from his emergence as a gay teenager to his later life caring for his schizophrenic mother. Tickets are $20 at the door, $15 for Closet Cinema members and free (!) if you become a new Closet Cinema member at the event. For more information on the fundraiser or the organization, log on to www.closetcinema.org. For more info on the film, check out www.i-saw-tarnation.com.
Boring, illogical horror flick takes the terms “static” and “fuzzy” to heart
White Noise has been billing itself as “the scariest movie of the year,” and I really can't argue. Since it was, in fact, the only movie to open the first week of January, White Noise also qualified as the “funniest,” “saddest” and “most erotic” film of 2005. Unfortunately, now that Racing Stripes, starring Frankie Muniz as a talking zebra, has hit theaters, White Noise has lost its footing as “scariest movie of the year.”
Low-key character study, finds Kevin Bacon walking the tightrope between good and evil
First-time filmmaker Nicole Kassell's screenplay for The Woodsman took first place in the 2001 Slamdance Film Festival screenplay competition. Slamdance is, of course, the bratty “alternative” cousin to the more genteel, upscale Sundance Film Festival. Oddly enough, the final filmed version of The Woodsman ended up nominated for the Grand Jury Prize at the 2004 Sundance Film Festival--which probably says more about the taming of Slamdance than it does about the edginess of Sundance.
“Tsunami Aid: A Concert of Hope” on NBC
Shortly before it raised its contribution to the Asian tsunami relief efforts from $35 million to $350 million (as if the first number had been the result of some silly misplaced decimal), the U.S. government insinuated that it didn't really need to contribute any money, since American citizens are so naturally generous and caring. I'm happy to report that is, in fact, the case, with private donations pouring in at a record rate. ... So, while you're at it, the federal government would really appreciate it if you'd take care of that whole social security debacle on your own as well.
The Week in SlothHighlights from around the dial. Except no one has dials anymore.