Indie Christ—On Friday, Jan. 17, at 7 p.m., the Christ Unity Church will screen filmmaker Kell Kearns' documentary The Consciousness of the Christ: Reclaiming Jesus for a New Humanity. The film “tells the life of Jesus from the perspective of the divine Humanity and human potential he came to initiate.” Mystic scholar Andrew Harvey, bestselling author Marianne Williamson and “Mother of Holistic Medicine” Gladys McGarey are among those interviewed in the film. Kearns himself will be on hand for a Q&A. Admission is $10 in advance or $12 at the door. Tickets are available at Christ Unity (9800 Candelaria NE) or at Treasure House Books (2012 South Plaza NW)
Offbeat buddy comedy has a lethal sense of humor
“A hitman and a salesman walk into a bar ...” That's the setup for the delightfully unexpected breakout film from writer/director Richard Shepard--who gave us the solid but little-seen 1999 thriller Oxygen.
Woody Allen trades NYC for London and scores big
For the last decade or two, Woody Allen has become like an increasingly superstitious sketch artist unwilling to give up his “lucky” pencil. Time and again, he traces out the same old portraits with the tiny remaining nub of his overused charcoal. Despite transitory flashes of brilliance (parts of Sweet and Lowdown, a few jokes from Mighty Aphrodite), Woody's post-'80s output has been far more miss than hit. In the aftermath of failed experiments like Everyone Says I Love You, Deconstructing Harry and Melinda and Melinda, it was a toss-up question whether or not Allen would ever get out of his New York City rut. But, at the ripe old age of 70, Allen seems to have broken his losing streak with his freshest film since 1989's Crimes and Misdemeanors.
Broadcast buzz from around the dial
Why Not?—I'll tell you why not: Because it sucks. ABC has given an unusually quick hook to Heather Graham's new sitcom “Emily's Reasons Why Not,” yanking the show off the air after only one episode. The show debuted Jan. 9 (along with John Stamos' “Jake in Progress”) to a bad-but-not-abysmal 6.2 million viewers. But, with the threat of FOX's “24” looming, NBC decided to cut its losses (as well as John Stamos' “Jake in Progress”). “Creatively, the show did not get to where it needed to,” ABC programming chief Steve McPherson told reporters at the Television Critics Association press tour, in a surprising bit of candor. “All of us tried really hard--producers, network, studio--but it just never got on track.” In other words: It sucked; moving on ...
The Week in SlothHighlights from around the dial. Except no one has dials anymore.