The People Before Profit film and lecture series returns to the Albuquerque Center for Peace and Justice (202 Harvard SE) Thursday, Sept. 6. The Academy Award-nominated film My Country, My Country will be screened at 7 p.m. This eye-opening documentary explores the January 2005 Iraqi elections through the eyes of one seemingly ordinary Sunni doctor who decided to run for office. It’s a rare look at life inside occupied Iraq and a real testament to this vague concept we call democracy. The guest speaker will be Bob Anderson from Stop the War Machine. Admission is free, but donations are accepted.
Old-school horror flick brings back blood-and-boobs filmmaking
From its utilitarian title onward, Hatchet is an unapologetic throwback to the cheapjack slasher films of the ’80s. Beta Barns and VHS Vaults from coast to coast were once filled with the likes of Terror Train, The Funhouse, Slaughterhouse, Slaughter High, Return to Horror High, Graduation Day, Prom Night, Hell Night, The Burning, The Prowler, The Mutilator, Maniac, Madman, Humongous, Nail Gun Massacre, Slumber Party Massacre, Sleepaway Camp, Cheerleader Camp, My Bloody Valentine, New Year’s Evil, Mother’s Day, Happy Birthday to Me and countless (literally) others. For those already burned out (and rightfully so) on the cynical torture porn of the aughts, the idea of a horror film filled with copious boobs, loads of cornball comedy and piles of rubber entrails sounds like a breath of fresh air.
3:10 to Yuma
Western remake heads down familiar trail
Based on a rip-snortin’ Elmore Leonard short story and originally shot in 1957 with Glenn Ford and Van Heflin, 3:10 to Yuma is the latest movie to get loaded aboard the Hollywood-remake train. At least this one goes first class with a quality director (James Mangold, hot off Oscar winner Walk the Line) and an A-list cast (Christian Bale and Russell Crowe topping it off). The only major drawback is the unavoidable fact that it’s a Western—a genre that’s more or less been in a coma since the late ’50s.
The Week in SlothHighlights from around the dial. Except no one has dials anymore.