The Cine in Construcción film series at the National Hispanic Cultural Center’s Bank of America Theatre concludes this Thursday, Oct. 30, with the Argentine film Pueblo Chico. The film takes us to a lonely seaside town where nothing ever seems to change. One day, a group of foreign investors arrives, promising sweeping progress. The longtime mayor opposes these capitalists, touching off a war between tradition and modernity. The screening gets underway at 7 p.m. As always, the film is in Spanish with English subtitles and is free to the public.
Be afraid. Be very afraid. This year, Halloween and Election Day will fall within the same five-day period. A coincidence? Actually, yes. But let’s pretend it’s some dark act of symmetry designed by a cruel and mocking universe to taunt us. Behind one of these doors lies a beautiful maiden. Behind an other lies a hungry tiger. Choose well, America. The entire future of our country depends on it. No pressure or anything.
As an actor, Clint Eastwood specialized in the granite-faced cowboy, the clench-jawed cop. It comes as no surprise, then, to find his directorial career marked by a stoic sort of classicism (Unforgiven, The Bridges of Madison County, Mystic River, Million Dollar Baby, Flags of Our Fathers). His latest, the period drama Changeling, continues the trend, offering an emotional tale of kidnapping, murder and rampant corruption as seen from a detached, exquisitely composed distance.
Sure, you could go out to a club on Halloween night, get drunk, hit on some girl in a sexy kitty outfit and then drive home looped on Bacardi. But I wouldn’t suggest it. Odds are you’ll get pulled over by APD and sent to the BAT Mobile. Trust me, you do not want to spend a weekend in jail dressed as a pirate.