Talking at Ground Zero
Documentarian Chris Metzler on Everyday Sunshine: The Story of Fishbone
After completing his award-winning 2004 documentary Plagues and Pleasure on the Salton Sea, San Francisco-based director Chris Metzler went out on tour, roadshowing the film, meeting audiences and doing Q & As. He passed through Albuquerque, stopping briefly at the Guild Cinema. He’ll be back again this weekend with his new film, Everyday Sunshine: The Story of Fishbone. The film chronicles the tumultuous, multidecade life of funk/punk/ska pioneer Fishbone—starting at the roots of L.A.’s punk rock scene, traveling through the ups and downs of success, and heading straight into the weirder realms of cult brainwashing, attempted kidnapping and theremin worship. The Alibi took the opportunity to chat with Metzler about the madcap, music-based documentary before his arrival in New Mexico.
The dead and dying shows of 2011
The 2011-2012 season has hit its midway point. Shows are taking a break for the holidays and will be back with new episodes in late January or early February. Some of them anyway. A few have already gone off to that great television channel in the sky. While the fall 2011 season wasn’t exceptionally bloody, there were a handful of high-profile network casualties.
Bullet Needs Background
There will be a major casting call this Sunday, Dec. 11, for the “post Civil War Western” Silver Bullet (which I think we can all agree is the worst fake working title they could possibly have come up with for Disney’s remake of The Lone Ranger). The casting call will take place from 9 a.m. to 4 p.m. at Far Horizon Studio (300 Washington SE, suite 304). Casting director Elizabeth Gabel (Cowboys & Aliens, Terminator Salvation, No Country For Old Men, Paul) will conduct the day-long search. Producers are looking for “Native Americans, Asians, Anglos and Hispanics of all ages, as well as expert horse riders to appear in non-speaking roles.” The production is also on the hunt for “men with facial hair and for trapeze and circus artists.” (I’m thinking if you’re a hairy trapeze artist, you’re in like Flynn.) These are all paid positions. The film, which stars Johnny Depp and Armie Hammer, will begin shooting in the Albuquerque / Santa Fe area in February.
The Week in SlothHighlights from around the dial. Except no one has dials anymore.