Music to Your Ears
By Michael Henningsen
While the name “Friday Night Debut” is something of a mystery, the special show scheduled Friday night, Feb. 20, at Puccini's Golden West Saloon should be one hell of a local rock event. The bill features Once Misguided, an acoustic set by Mosquito to Moscow, Soular and Breaker 19. ... Speaking of Breaker 19, someone please inform guitarist and radio blowhole Michael Moxey that his band will also be performing on Saturday, Feb. 21, at the Atomic Cantina with simple. and a hack bluegrass band consisting of several members of the Alibi staff. Bring veggies to throw. ... There's still time to break your bank account and attend the 16th Annual International Folk Alliance Conference in San Diego, Calif., Feb. 26-29. It'll cost you roughly $500, but if folk music is your thing, this is certainly the event for you. Visit www.folk.org for more information. ... Or, for an additional $50 and a rock fetish, you can check out South By Southwest in Austin, Texas, March 17-21. Somewhere in the neighborhood of 700 bands from all over the world will perform during the five-day event, including our very own 12 Step Rebels and Fivehundred (a.k.a. Mr. Spectacular). Try www.sxsw.com for information. ... Weekly Alibi is proud to sponsor phenomenal French guitar master Pierre Bensusan on Saturday, Feb. 28, at the Outpost Performance Space. A full preview of the concert will appear in next week's issue, but there's a good chance it'll be sold out by then, so get your tickets now at the Book Stop in Nob Hill (268-8898) or at the Outpost (268-0044).
By Michael Henningsen
Cassandra Wilson Graces the Outpost
For the past decade or so, vocalist extraordinary Cassandra Wilson has become most widely known for her "popification" of jazz—gently blurring the chalky line that separates pop from jazz until it blends with the colors on both sides, creating countless ghostly hues with a peerless contra-alto voice and supreme melodic sensibilities. And it's inside that no-man's land that Wilson seems most comfortable, flirting with funk, soul, jazz, pop and blues until she finds just the right combination for each song.
On Glamoured, her new Blue Note release, Wilson strips away the horns, pianos and orchestrations that marked some of her previous releases in favor of groove-oriented instrumentation, and the organic combo of guitars, upright bass and percussion—and the occasional harmonica and banjo—serves both her original material and eclectic selection of covers extraordinarily well. In Wilson's hands, Willie Nelson's "Crazy," Bob Dylan's "Lay Lady Lay" and Abbey Lincoln's "Throw It Away" emerge from the trappings of timelessness as rekindled souls. But it's Wilson's original compositions that transcend, from the Latin essence of "Heaven Knows" to the blues-inflected "On This Train."
By Michael Henningsen
The Red Thread Tension Pins (Badman)
Jason Lakis' (a.k.a. The Red Thread) debut was built on understated alt.country pop numbers that flirted with the broad, windswept soundscape tendencies of bands like Lanterna and the folk-heartedness of the Idahos and Haydens of the music world. Tension Pins doesn't stray far from that elegant formula, but Lakis nonetheless sounds more confident, more in-the-moment and startlingly more relevant with regard to both lyrical content and compositional skill. These 11 songs harbor a dreamlike quality that enables the vilified notions of soft rock to coalesce with indie aesthetics and inklings of countrified pop. Incredible songwriting and unpretentious instrumental prowess. Killer.
Castle • metal • Shoggoth • metal • SuperGiant • stoner rock • Jagged Mouth • metal
By Megan Reneau
Aleister Crowley nor George W. Bush will be around (maybe) but prepare to sharpen your horns and do some bidding for some badass folks that definitely aren't involved in the occult—the doom metal trio Castle enchants locals at the Launchpad this Saturday, March 4, with the doors to the underworld opening at 8pm. Joining the '70s heavy metal-esque group will be Burque inhabitants Shoggoth, SuperGiant and Jagged Mouth. Only vessels 21+ for this $8 show allowed.
Gaby Fuentes • Regulus • Tear Pressure • indie pop, punk
By August March
An up and coming local band I have been enjoying listening to is named Tear Pressure. I found out about them when I was wandering the local college campus and saw a flyer for a show they were doing at some apartment complex up on Copper in the Heights, yo. That was a decent show with an excellent barbeque and I felt like Tear Pressure was going to appear on the scene within the year. Now of course, they are playing their dirty and delicious, slithery and subtle no wave at Burt's Tiki Lounge on Monday, March 6, and as usual at Burt's there is no goddamn cover charge. Ever. I hear some daring lo-fi pop credentials being built on tunes from the band's latest recording, the Chill Ass EP—songs like “Quaaludes” and “All Moms Are Weirdos” that build intensity as they roll through cray melodic and stylistic changes. They'll be opening for math mastermind and CRTTRZ guitarist Gabriel Angel Fuentes and Austin indie taco-rockers Regulus, so be there.
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