Music to Your Ears
By Rachel Heisler
Punk's not dead. Punk's not dead. I can't say it enough. Icky & the Yuks, local purveyors of the old brand of punk rock that got the genre kicking decades ago, celebrate the release of their second CD, Same Shit, Different Day. The release party, which will be held at the Launchpad on Saturday, May 8, at 8 p.m., will also serve as a tour kickoff party (the tour will begin on May 12, and hit cities such as San Francisco, Long Beach, San Diego, Los Angeles and Phoenix). The evening will include performances by Albuquerque's best hard rock and punk bands—including Beefcake in Chains, Fivehundred, Black Maria, Dead on Point 5, The United, Coke is Better with Bourbon. CDs will cost $5, and a $5 cover will be charged at the door. Same Shit is faster and harder that the group's first CD, and includes some of the same songs—but now they're studio versions. Singer/screamer Richard Trott readily admits: "It's a great sounding record." For more Icky information, visit www.ickyandtheyuks.com. ... The First Annual New Mexico Music Festival will be held at EXPO New Mexico (New Mexico State Fairgrounds) on Saturday, May 8, Entertainment will be provided by musicians who reside in our great state: Robby "Jude," Street Scene, Crystal Renee, Mike & the Wild Bunch, Agua Negra, Juntos Unidos, Amber Anaya, Jerome Grant and many others. Tickets cost $15 a pair in advance and $10 each at the door. Children under 10 get in free. Tickets are available by calling J.R. "Juice" Padilla at 463-4314.
By Michael Henningsen
Cosy Sheridan Returns
As with artists of any medium, musicians are sometimes faced with critics who call their latest works "departures" and "evolutions." Most often, such words are used to convey shifts in sound, direction and perspective, and occasionally lead to exclamations that the work in question may in fact be the artist's "best to date." Usually, works that inspire such description are indeed remarkable, but the problem for critics is often one of being so thoroughly blind sided by a specific work that more analytical words simply don't come to the fore of their weird writers' brains. Such is the case, as you may have guessed, with Cosy Sheridan's latest release, The Pomegranate Seed.
with Morbid Angel, Satyricon and Premonitions of War
By Michael Henningsen
Friday, May 7; Sunshine Theater (all ages, 8 p.m.): Innovation has its downside. Just ask any of the three original members of death metal pioneers Suffocation. By the time the New York City band released their now classic EP, Despise the Sun, in 1998, the unique sound they had cultivated—a brutal mixture of speed metal, hardcore and classic metal—had in turn cultivated countless copycat bands. With the death metal scene becoming saturated by Suffocation sound-alikes and the genre itself seemingly nearing demise, the band that single-handedly created the New York death sound threw in the towel at the turn of the millennium.
By Michael Henningsen
By Divine Right Sweet Confusion (Linus/spinART)
By Divine Right are Canada's answer to Ohio's Guided By Voices, both in terms of having a former band member roster well into double digits and that kind of vaguely psychedelic power pop that can make you downright ecstatic. Jose Contreras, BDR's lone remaining founding member, writes with a Pollard-like grasp of imagery and Wayne Coyne's sense of slippery little melodies that work their way into your psyche and refuse to leave, leading you instead on a blissful ride through kaleidoscopic pop. Sweet Confusion is BDR's best effort to date. Buy it and fall instantly in love.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
Michael Howard • alt-folk, singer-songwriter at Zinc Wine Bar & BistroMore Recommended Events ››