Music to Your Ears
By Michael Henningsen
I never thought I'd think or write this, but former Toadies' and current Burden Brothers' frontman Todd (a.k.a “Vaden”) Lewis is a prima donna, crybaby, wannabe-rockstar prick. Upset because his band received three, not four, cases of Miller Lite (despite the fact that three cases were contractually agreed upon) and a bartender at the Launchpad who didn't instantly recognize him (who the fuck do you think you are, Sting?) attempted to do his job and charge $5 for a shot, Lewis extracted his revenge by insulting the Launchpad management and staff from the stage. Nice work ... for a 14-year-old. Anyway, I urge you not to buy the Burden Brothers' debut release, even though it rocks. If you really want it, I'll be happy to oblige all requests to burn copies of the disc. ... In “back From the Dead” news, the original Starsky has reformed, featuring guitarist/singer Jason Ward, bassist Wade XXX and drummer Chris Partain. The reformed Starsky will debut Friday, Aug. 13 at the Launchpad and are on-tap for Weekly Alibi Fall Crawl 2004 on Saturday, Aug. 28. And they will probably sound nothing like Pavement. ... In “Gone But Not Forgotten” news, former Drift frontman and one the best rock singers Albuquerque has ever seen, Marty York, is back on the scene with a new band. York and Black Cowboy will debut at Club Rhythm & Blues on Wednesday, Aug. 25.
By Michael Henningsen
Hot August Nights
Young Lion Chris Potter Stars at Outpost Productions' 2004 Raffle Drawing Fundraiser
It's hard to believe, considering the phenomenal level of talent Outpost Productions brings to Albuquerque—99.9 percent of the top jazz talent in the world—that the organization only conducts one fundraising event each year. It's truly one of those rare cases of getting way more than you pay for.
This year's headliner, though not yet a household name, is well on his way to graduating from Young Liondom into the elite class of saxophonists occupied by Dexter Gordon, John Coltrane, Charlie Parker and others synonymous with jazz music's sexiest brass instrument. As evidenced on his latest recording, Lift: Live at the Village Vanguard (Universal), Potter has established himself as one of the most important creative voices in the jazz world. Having cut his teeth as a sideman with Red Rodney, the Mingus Big Band and other notables, Potter has become increasingly more comfortable and powerful as a leader. Better than half the compositions on Lift are of Potter's own creation, but there's a seamless quality between his original works and tunes by Bill Stewart, Ned Washington and Mingus that speaks volumes to the 33-year-old's stature among his peers.
By Michael Henningsen
The Hives Tyrannosaurus Hives (Interscope)
Why Sweden's Hives keep getting compared to The Ramones by critics far and wide is beyond me. For one thing, The Ramones were at least half-serious about what they were doing, whereas The Hives have chosen a path that's 98.6 percent schtick. And that's fine, just as long as they intend their second album to be their last. It takes 30 minutes to get through the dozen songs included here and far less time to forget what you just heard. The collection of tunes isn't bad, but it's sure as hell no Rocket to Russia. Here today, gone tomorrow.
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
Joan Armatrading • soul, pop, guitar at Lensic Performing Arts Center
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