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 V.13 No.33 | August 12 - 18, 2004 

Music to Your Ears

Funkmeister and reportedly rehabilitated misogynist/crackhead Rick James died last Friday, Aug. 6, at his California home of what were still being called at press time, “natural causes.” Given the 56-year-old's history of drug abuse and fast living, however, the likelihood of the coroner's report not undergoing any revisions before all is said and done seems pretty slim. So as not to sound like a completely insensitive asshole, James' 1981 hit “Super Freak” is my favorite song to perform at bowling alley karaoke. ... The bad news is that Santa Fe's premier bluegrass trio, Mary & Mars have broken up. The good news is that former M&M mandolinist/vocalist Sharon Gilchrist will appear Sunday, Aug. 15, at the Adobe Bar in the Taos Inn with Chipper Thompson from 7 to 10 p.m. as part of Zoukfest 2004. Call (505) 751-3512 or e-mail rwlandes@taosnet.com for more information. ... With the recent demise of several local clubs, it warms my ever-blackening heart to report news of a new club slated to open in Burque next month geared especially for the under-21 set. The Light Club (2518 Eubank NE) is scheduled to open Saturday, Sept. 18, at 7 p.m., and the third Saturday of every month thereafter. The drug- and alcohol-free club will feature live DJs, exceptional laser and light shows, an Internet café, video arcade featuring Xbox, Playstation 2 and GameCube play and plenty of food, snacks, soft drinks and coffee. Opening night DJs include Santa Fe's Flobug spinning techno and electro, along with Albuquerque DJs Sebastian (hard techno) and Bowra (tech trance). For more details, contact DJ Lorraine at 298-5636.

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Blue Note

A Monk's Dream

Thelonious Monk Monk 'Round the World (Hyena/Monk)

Just less than a year ago, legendary jazz producer Joel Dorn joined forces with T.S. Monk, the only son of peerless pianist Thelonious Monk, to embark on an incredible and most satisfying journey: to present to the public—for the first time in most cases—“lost,” out-of-print and otherwise unheralded recordings featuring the elder Monk, including bootlegs and other intimacies. Their first release together was Monk in Paris: Live at the Olympia, a wondrous single-strand concert affair.

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Music Magnified

Soulfly

with Il Niño

Wednesday, Aug. 18; Sunshine Theater (all ages, 8 p.m.): Prophecy is not my favorite Soulfly album, but no one can deny that Max Cavalera continues to push the boundaries of metal as hard and as relentlessly as any other artist in the game. Cavalera, who established himself as a powerful musical force with Sepultura before creating Soulfly, is an expert in harnessing the spiritual thunder of tribal music and Latin influences, and shackling them to knee-weakening metal arrangements. The results are complex—classic thrash giving way to hardcore, tinged with everything from flamenco and Moroccan aesthetics to, in the case of Prophecy, Serbian folk music. But regardless of the different sounds he chooses to use in a given song, Cavalera always makes a point of pouring down your throat in molten form. You always know what you're going to get from Soulfly—stunning unpredictability.

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Music Magnified

The Graze

with The Bellmont and Tanuki

Sunday, Aug. 15; Atomic Cantina (21 and over, 9 p.m.): Not to be confused with Philly-based alt.rockers Graze, The Graze is Seattle songwriter and Rosyvelt member Louis O'Callaghan's solo project. His debut, Iowa Anvil (J-shirt Records) is one of the most promising indie rock releases since Neutral Milk Hotel's In the Aeroplane Over the Sea and one of the most inspired since Wilco's Yankee Hotel Foxtrot. Whether or not O'Callaghan will make his Albuquerque appearance with a band in-tow (as on the record) or as a lone gunman isn't made clear by the press release, but it's not of much consequence, either. O'Callaghan's songs speak for themselves and are likely to send chills crawling up your spine regardless of personnel or instrumentation. Between the Nirvana-like smolder of his melodies and Modest Mouse-like guitar figures, O'Callaghan—who counts among his influences The Shins—is primed to pick up right where Elliott Smith left off.

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Sonic Reducer

David Byrne Grown Backwards (Nonesuch)

For a record that's being roundly heralded as his most brilliant work yet, David Byrne sounds, well, supremely bored on Grown Backwards. Even more string-heavy than Look Into the Eyeball, there are some gorgeous moments here and the sort of genius-level lyricism we've come to expect. The problem is his handling of the material. Instead of inspired-if-morose delivery a la Magnetic Fields' Stephen Merritt, we're left with a sort of “Hmm, maybe I'll record something today ... after morning tea” tone that, with a few notable exceptions (“Dialog Box,” “Tiny Apocalypse”), does little to convince us to keep listening to him.

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T-Rextasy
Andrew Piccone

EVENT HORIZON (Thursday, Mar 23)

Surf In Burt's

T-Rextasy • garage, punk • Mount Ivy • space rock • Emma Lee Toyoda

Surf-style, fuzzed out and formidably feminist pop-punkers T-Rextasy make an appearance in Albuquerque, at the new home of all things fearsome and fashionable, Burt's Tiki Lounge, on Thursday, March 23. The New York City band—singer Lyris Faron, guitarists Lena Abraham and Vera Kahn, under the rhythmic influences of bassist Annie Fidoten and drummer Ebun Nazon-Power—is known for its arch approach to the genre, generating pure pop nuggets like last year's “Gap Yr Boiz” to deconstruct and decimate a culture they find to be placid and painstakingly pointless. They'll be joined on stage by space rock quartet Mount Ivy and self-described “Seattle-based sadgirlrock” adherents Emma Lee Toyoda. Hmm, the more I think about it while considering this show, the more I imagine that rocanrol is still alive and has a chance against the forces of the future. Find out for yourself if all of that fashion-future-forward stuff is la neta by jaunting on over to Burt's for this 21+ gig, where its always free to go in and have a listen to what will most certainly be.
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EVENT HORIZON (Saturday, Mar 25)

Kurt Travis Will Save Your Soul

Kurt Travis • alternative rock • Eidola • Amarrionette

I love Kurt Travis ... I said it! I don't regret it, either! (Well, I actually hardly know the man—i.e. not at all—I just love his music.) I know you won't regret seeing him at The Co-Op alongside the phenomenal bands Eidola and Amarrionette this Saturday, March 25, for only $10. Travis was the lead clean vocalist for notable post-hardcore bands Dance Gavin Dance and A Lot Like Birds. He has expanded his act as a solo musician producing the dazzlingly lovely EPs Wha Happen? (2012), Kurt Travis (2013), Everything Is Beautiful (2014) and the Kurt Travis/Paul Travis Split (2016). Travis creates an acoustic, atmospheric pop sound combined with wailing, lonesome bluegrass-esque vocals. In the newest split EP that he made with his brother, the two have created a delicate mix of Americana, pop and indie rock which is sure to translate well into this incredible performer's repertoire. Be sure not to miss this all-ages show, doors open at 7pm.
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Jenna Dunlap
Amanda Kirk

EVENT HORIZON (Saturday, Mar 25)

Local Rocks

Jenna Dunlap • singer-songwriter • Keith Sanchez & the Moon Thieves • folk

I read a recent review that said Jenna Dunlap's debut recording was “sweet,” with “wistful vocals.” Nothing could be further from the truth. Dunlap—who was recorded by Cinder Cone Media's wizard of an engineer Howard Wulkan for her first studio outing, Out of My Head—is dynamic and thoughtful, with a rumbling, tumbling vocal nuance and muscular musical style that is equal parts Sheryl Crow and Regina Spektor, mixed in with the sometimes plaintive but always hopeful observations of youth transitioning into adulthood. Her voice resonates and she has a great finger-picking style too, knowingly finding chords and arrangements that complement her intense and intelligent vocal treatments. Jenna Dunlap will be having a free CD release party for Out of My Head on Saturday, March 25, so you can hear all of that for yourself and thereby help discourage the use of meaningless musical phrases like "sweet" and "wistful" while supporting the awesome thing—called local music—itself. Keith Sanchez & the Moon Theives will provide folk-appropriate support.
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