Alibi V.14 No.15 • April 14-20, 2005 
Gwyneth Doland

Music to Your Ears

It's been a tough scene for our blues guys and gals ever since Club Rhythm & Blues closed its doors for good, taking one of the best open mics in town right along with them. But if there's a silver lining to be found here, it's that artists like Michael Holt are strengthening their own scene from the roots up. Holt and his Hollywood Holt Band host a new weekly open mic just for blues and R&B performers at Ned's Downtown. The Wednesday night showcase is a step up from traditional blues jams, with a nice stage, a full sound setup and professional live mixing. Holt says his motivation springs from when he first cut his blues teeth at open mics under the tutelage of Darin Goldston, front man of the Memphis P. Tails. “They say you've got to give it away if you want to keep it, and this is my way of giving it back.”

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Blue Note

Piano Man

By the time he'd reached the ripe old age of 23, Connecticut-bred pianist Kevin Hays had already toured for a year with the Harper Brothers, worked with Joshua Redman and Benny Golson to name but a few, and waxed his first record as a leader, El Matador (Evidence). Considering that most of us spend the period of our "professional" lives between college graduation and the age of 25 spinning in the wind, Hays' comparative beeline toward the pinnacle of post-bop piano craft stands as an even more miraculous feat. And just wait until you hear him play.

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Music Magnified

The Slow Signal Fade

Wednesday, April 20; UNM Sub Mall (all ages, noon): The Slow Signal Fade's exotic and dark vocals are what make them stand out from the pack. The Los Angeles-based group formed in 2002 and in a short amount of time have managed to craft a polished sound and, from what I've heard, a stellar stage performance.

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Music Magnified

Dead Meadow

with Jennifer Gentle, The Outcrowd and Jealous Gods

Wednesday, April 20; Launchpad, 21 and over, 10 p.m.)

Paisley's not dead, it's just discreetly tucked under jackets. This isn't your childhood paisley (Prince) or your dad's (Blues Magoos), but a night of four distinctly different takes on modern psychedelic music.

Dead Meadow is cold funk, a grim and smoky version of the psychedelic experience 20 minutes before it turned narcotic. The flowers aren't still in anyone's hair at this point, although they're just as colorful in the mind.

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Sonic Reducer

Brooke Valentine Chain Letter (Virgin)

She's only 19 and she's co-written her debut CD, Chain Letter. About half of the CD sounds like any number of female R&B/pop artists on the market, but Valentine takes a few risks and rises above the countless others with some mesmerizing and distinguishing hits. Songs like "I Want U Dead" and "Blah Blah Blah" have distinctive beats, while the music is hauntingly aggressive, not blatant slap-you-in-the-face hip hop. And Valentine seems even stronger when accompanied by rappers such as the late Dirt McGirt, Lil' Jon, Big Boi and others. Valentine threads her way from lust to love to hate, and leaves a trail of men battered and beaten behind.

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via Pixabay

EVENT HORIZON (Friday, Jun 23)

Pits and Pints

Moonshine Blind • rock • Hillbilly Homicide • Some Kind of Nightmare • Dirty Brown Jug Band • country, bluegrass

If you've had a ruff week, cozy up to the bar at Launchpad, and then settle in for Rockin for Pitties, a night of music to benefit Babes and Bullies, everybody's favorite local pit bull rescue organization. On tap for the night are sets from Moonshine Blind, Hillbilly Homicide, Some Kind of Nightmare and Dirty Brown Jug Band…
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EVENT HORIZON (Friday, Jun 23)

Face Your Fears

Technophobia • dark electronic • Austin Morrell • Mala in Se • Monogamy

The new wave of popular music has tended toward the electronic side of the musical spectrum, with EDM’s massive drops slowly dominating airwaves and the music festival circuit. Typically, it seems, this electronic movement has grown to be popularly identified with glow sticks, diffraction glasses and inexcusably appropriated Native American headdresses. This Friday, June 23, however, Technophobia and their brooding strain of dark electronic music will grace Burt’s TIki Lounge with an important reminder of the vast realm posed by electronic music for everyone, not just half naked-teenagers slathered in glitter…
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EVENT HORIZON (Sunday, Jun 25)

Like a Puppet on a String

Quintron & Miss Pussycat • noise, rock

The summer heat is draining. The news is depressing. Listening to the radio is usually draining and depressing. Step away from it all and rejuvenate yourself this Sunday, June 25, at Sister with a wacky, energetic performance from Quintron and Miss Pussycat, who promise an unparalleled experience complete with outrageous costumes, complex puppet shows, explosions and “Swamp-Tech” dance music imbued with the psychedelic spirit of New Orleans…
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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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