Alibi V.14 No.29 • July 21-27, 2005 

Music to Your Ears

Attention: Because our precognitive powers and general omnipotence here at the Alibi is not yet well-honed, be advised that anyone with good local music news, information, photos, miscellaneous (anything!) should send the goods to cassyle@alibi.com for consideration. Also be advised that we make no promises. Deadlines are Thursday afternoon the week prior to the date of publication. More specifically, we would like local bands to send us flyers (as often as you like) for a new flyer-of-the-week section. Ideally flyers will have at least one of the following qualities: artistically adept, humorous, unusual or just strange. Deadlines are Thursday afternoon the week prior to the issue you'd like to appear in.

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Music Magnified

The Briggs

with The Derelicts, The Rum Fits and The Rowdy Boys

Wednesday, July 27; The Launchpad (all-ages): At its core, punk is a genre defined by adolescence. More specifically, it's defined by that radioactive existential meltdown that, like a clockwork time bomb, goes hand in hand with growing up. But it's been close to 30 years since bands like Sham 69 crawled out from the gutters of South London and spat up their first "Who am I? Who are you?" Now all the young dudes are old punks with car payments and maybe a few grandkids. And they are, for the most part, pretty pessimistic about the future of the genre. "Punk's dead," right? I hope to hell it's not! And it certainly won't be anytime soon if The Briggs have anything to say about it. Built by two young brothers from Los Angeles, The Briggs make smart street punk that's as loud as it is proud. Their latest EP, Leaving the Ways (Side One Dummy Records) oscillates between Oi anthems and hardcore throw downs—what you might expect from a band that shares a label with The Casualties, 7 Seconds and Flogging Molly. What you didn't see coming, though, was how these songs maintain all the familiarity of a pub sing-along without feeling rehashed. There's a fresh edge somewhere in there, although I can't quite put my finger on it. Whatever it is, it's in the grand old style and they do it well. Not bad for a band that's just four years young.

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Music Magnified

The Ebb and Flow

with FOMA and Babelshack

Tuesday, July 26; Burt's Tiki Lounge (21 and over): When I first heard San Francisco's The Ebb and Flow I thought, now here is a band that travels well. As in, I'd like to take this album on a long car trip, possibly at night, through the Arizona desert. Maybe it's because their first full-length album is called Time to Echolocate and depicts bats in flight on the front cover. After all, bats are nocturnal creatures that fly long distances through the desert. But I don't think it's as simple as all that. There's something far less tangible in there, and it keeps propelling me down the same phantom mental freeway. Take the first track off of Time to Echolocate, "Sonorous." It glides for nearly 10 minutes; first plodding, skipping then running, then on to a full gallop through a forest of moogs and organ, guitar, strings and jazzy drum change-ups. The band itself travels light, with only three members to split between two vocal parts and a tight, diverse instrumentation that somehow manages to sound simple and loose. It's like a trompe l'oeil of the ear. Which I guess makes sense in the whole bat-scheme of things, because that's exactly what sonar and echolocation is all about—using sound for sight. Give them a listen and see where it takes you.

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Sonic Reducer

Holopaw (Sub Pop)

In a tense and panicked mood last week, this album, with its powerful calming effects, saved me from giving myself an ulcer. Sweet and melodic, these Floridians create the perfect mood music that reminds me of something I can't quite put my finger on. Perhaps the confusion can be explained by the overall alt.country feel tinged with subtly weird '70s synth sounds. Or maybe it's the album art that, I don't know, just makes me think of Care Bears.

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Interview

The Briefs

The Alibi sat down at the computer last week and had a very compelling cyber-interview with former Albuquerquean Chris Brief of the Seattle band The Briefs.

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EVENT HORIZON ()

Fleece Navidad

Ugly Sweater Party • DJ Young Native • electronica, hip-hop

Don your finest ugly holiday sweater, or show up ready to purchase one this Thursday, Dec. 21, at Marble's Westside Tap Room. There are very few times during the calendar year where we can reasonably embrace bells, snowmen, glitter and bows on our clothing. Don't miss out on the Ugly Sweater Party of all things tacky—it's as easy as showing up at the bar off Unser anytime after 7pm. DJ Young Native will be playing all your favorite `80s and holiday tunes, and the whole shebang is free.
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Courtesy 1990s rave archives, 6AM Group

EVENT HORIZON ()

I scratched 'til I Bled

I Love the 90's • dance party

I love the '90s. Well, not as much as I love the '80s. Then there's the '70s to reckon with. I sorta remember the '60s, those were pretty exciting too, especially the end bits, after the summer of love, yo. But, if you're like me, music of the '90s is totally worth listening to over and over, particularly the grand cultural treasure trove of tuneage that came into being after the elfin guitar god from the north woods passed into enternity in April 1994. The music that was made to dance to back then, guess what? You can still dance to it; the stuff's been miraculously preserved in some kinda digital medium and you can shake you booty to exactly that on the evening Friday, Dec. 22. Prepare yourself for an aural onslaught featuring the likes of Tone-Loc, Mariah Carey, Brittney Spears and Vanilla Ice. They'll all be righteously represented at the I Love the '90s Video Music Dance Party happening Downtown at the Sunshine Theater, so dig out some Funky Cold Medina and leave your cell phone at home (because, they didn't like really have those until1998, amirite?) for a night of reflection on what the past 27 years have wrought. $10 for entry and 18+ to dance, 21+ to drink and dance.
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Photo on VisualHunt / Public Domain Dedication
, CC0 1.0 Universal (CC0 1.0)

EVENT HORIZON ()

Mix it up a little

MIXXD • Ana M • house, g-house, tech house, techno, UK garage, minimal • BadCats

MIXXD is a loosely organized yet totally groovy collective of electro-wizards, multiverse mixers and tuned-in turntableists. They occasionally get together in Albuquerque clubs in order to toss glittery music dust, cray incantations and heady, extravehicular space explorations via vinyl and tape into a world that absolutely needs rhythm in order to survive the mundane purity of everyday life. This iteration of a trance and/or dance inducing solution to your holiday tribulations, a bright bauble of a thing called NM LOVE MIX WINTER is available for consumption on Saturday, Dec. 23, and features the following DJs: BadCat (Jennifer Highfield Castro), Ana M (Ana Martinez), Liminal Spaces (Máté Fischer) and H.P. Dubcraft (Hank Padilla) at Sister. Being there will mean giving in to your highest holiday hankerings, so what the heck, live a little! Free before 10pm, $5 after 10pm. 21+.
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