Alibi V.14 No.31 • Aug 4-10, 2005 

Music to Your Ears

Stella Blue is closed, potentially forever. Nob Hill's premier dead-head bar and live music venue shut its doors a week ago for one reason or another. If you know anything about Stella's disappearance, drop me a line.

[ more >> ] [ permalink ]

Music Magnified

Dance Disaster Movement

with Kill Me Tomorrow, Veronica Lipgloss and the Evil Eyes, and Weapons of Mass Destruction

Monday, August 8; The Launchpad (21 and older): If the world were taken over by robots, and heaven knows it won't be long now, Dance Disaster Movement's assertively pulsating tracks would be prominently featured on the robots' iTunes party shuffle. Before that charming postapocalyptic scenario occurs, however, DDM has plenty to offer the ears of the human race as well. Somewhere between the Clash on a very bad acid trip and a break-beat fueled rave, DDM pumps out aggressively danceable music that would make even the most docile of crowds want to haphazardly flail their limbs about. Hey! Those could be your limbs if you stop by the Launchpad on Monday, when DDM plays a 21-and-over show. Joining DDM at the ’pad' is "noir wave" trio Kill Me Tomorrow. KMT is one of those bands that, much like a Jackson Pollock painting, draws criticism for not really being art. Upon a second, third or maybe fourth listen, however, a discerning ear will find that KMT's highly abrasive cacophony of effects pedals, drums, synthesized keyboards and various other disharmonious sounds can definitely be considered musical art. Heck, you can even dance to it, if you don't mind throwing your back out. KMT isn't just about fast-paced, murderous electronic rock, though. They can bring it down several notches on songs like "Liason" that have a much less chaotic and almost, dare I say, pop-ish feel. So go on and shake off those Monday blues. All I ask is you dance responsibly.

[ more >> ] [ permalink ]

Cassandra Iams

Music Magnified

Channing Cope

with Thee Fine Lines and Jealous Gods

Sunday, August 7; Atomic Cantina (21 and over): You might find yourself in a self-reflective haze after just a few seconds of Channing Cope's hauntingly soothing melodies. Even a short listen evokes a feeling of bemused calm that doesn't go away until well after the music ceases. Their songs would be fully sedative if not for sporadic, dissonant guitar notes added to more prevalent, subtle symbol crashes and otherwise understated guitar. In essence, the band is a less drone-happy stripped-down hybrid of Mogwai and The Shipping News. The San Diego trio, composed of bassist/vocalist Ali Deniz Ozkan, guitarist Kenny Schulte and drummer Chris Conner, has gained critical recognition for their EP Leaving the Ramp and their full-length release, 2004's Sugar in Our Blood. Both records reveal a band that shies away from complexity while narrowly avoiding high impact crescendos. Most of their songs are about five minutes long, which gives the band just enough time to develop depth without becoming tedious. You could sip your beer coolly and calmly all night long when Channing Cope plays the Atomic Cantina on Sunday, but don't be surprised to find a few tears at the bottom of your glass. Joining Channing Cope on Sunday are lo-fi garage rockers Thee Fine Lines. Their unapologetic, happy-go-lucky approach will provide a nice contrast to Channing Cope's laid-back tunes. Sit back, relax and nurse your wounds to Channing Cope, then slam a few beers and get rowdy as hell with Thee Fine Lines.

[ more >> ] [ permalink ]

Show Up!

The Suicide Machines

with Lost City Angels, Bullets to Broadway, and Travisty and the Screwups

Suicide Machines guitarist Dan Lukacinsky puts it right out there: "Punk isn't dangerous anymore, and it should always be dangerous to the government, to the establishment and to the powers that be."

[ more >> ] [ permalink ]

Spotlight

Romeo Goes To Hell: It's a Blast!

People, Rachel plays the damn guitar—not the bass

Oh, hell yeah, Romeo Goes to Hell is releasing their first album entitled Two Car Garage Rock. The Albuquerqueans who label (or are forced by people like me to label) their music as two-car garage rock, or punk by default, came into existence in late 2002 and contain a year-old line-up comprised of Levi Eleven on bass, Noelan Ramirez on drums, Josh King on keyboards, Rachel Luhan on guitar and world-class ladies man Rexx Ruthless (swoon) on guitar as well. Everyone sings.

[ more >> ] [ permalink ]

Sonic Reducer

Ya Ya Boom Project Pink Insides (Punkin Head Records)

Consider putting on Ya Ya Boom Project's Pink Insides before beginning any number of grueling tasks. Whether it's competing in a triathlon or pulling mysterious chunks of hair from your shower drain, Pink Insides will give you the burst of energy you need to complete your endeavor in no time. The record gets most of its mileage from Marisa Demarco's vibrato-heavy vocals that are two parts Gwen Stefani and one part Agent M from Tsunami Bomb. At its core, Pink Insides is a clunker-free album of immediately gratifying and resourceful pop music.

[ more >> ] [ permalink ]

Courtesy of Victory Records

EVENT HORIZON ()

Horton Hears a Fishbone While Strung Out

Reverend Horton Heat • rockabilly • Fishbone • Strung Out

Would you like to attend a “Psycho Strung Out Fish Fry?” Well, gentle readers, if such esoteric activities appeal to you, then please consider attending an awesome event with that very name at Burque's Sunshine Theater on Thursday, Sept. 21. In case you wanna know, the main participants in this far-out festival include legendary “county-fed punkabilly” roustabouts the Reverend Horton Heat, led by the charismatic and cray Jim Heath, the fellow credited with creating and cultivating the contemporary rockabilly sound on albums like Liquor in the Front and We Three Kings. Soulful ska scenesters Fishbone—whose 1994 epic effort Give a Monkey a Brain and He'll Swear He's the Center of the Universe is still on rotation at mi chante—plus OG Cali punk rockers Strung Out provide sonic support for this mad 13+ pre-fall fish party which begins at 7:30pm and costs but 22 clams.
calendar

EVENT HORIZON ()

Zomboy to the Rescue!

Zomboy • electronic • Trampa • Xilent

The Sunshine Theater continues to bring Burque the best in post-contemporary jams when they welcome electro wizards Zomboy, Trampa and Xilent to town on Friday, Sept. 22. Zomboy, you may recall (if you're young enough to do just that) is a British dubstep dude whose 2011 debut set the stage for an excellent entrada into electronica that includes bouncy and beatific recordings like 2014's The Outbreak. Supporting the bill are Trampa, another Brit beat master, known for his anomalously aggressive take on the same genre and Xilent, a Polish fellow who works magic with dubstep, electro-house and drum and bass. So, go on kids, grab your Vicks Vaporub, plastic pacifier and rainbow colored toe-socks and head downtown for a 7:30pm dance party that coincidentally signals the beginning of fall. For only $20-$25 and an ID that says you're 16+, you know you wanna.
calendar

EVENT HORIZON ()

The Cat's in the Cradle

Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind

If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock, Launchpad, on Monday, Sept. 25. That's when the Chaos Rising tour hits Dirt City. Featured performers include Miss May I, Ice Nine Kills, Capsize, Lorna Shore and Westwind. I'm goddamn sure this show will totally fucking rock, but I tell you what: check it out and afterwards send me a text with some cool stickers or GIFs attached to let me know for sure. This 13+ emo extravaganza costs the average teenager $15 and it all begins at 8pm.
calendar