Music to Your Ears
By Laura Marrich and Jessica Cassyle Carr
More Music for Katrina—A whole slew of New Mexico arts and music organizations have banded together for another benefit concert in the name of Hurricane Katrina's victims. Titled "Chicory and Chile," the show will feature a huge variety of performances from 7 to 10:30 p.m. at the historic KiMo Theatre this Friday, Oct. 7. Admission is free, but any donations you can afford will go on to benefit three very worthy causes: The American Red Cross, Gulf Coast Musicians and the Humane Society of the United States. Performers include Bayou Seco, Priscilla Baca y Candelaria, Christian Orellana, Jenny Bird, classical composer Rahim Al Haj, Tony Rio & Voodoo Chili, Danny Solis and the 2005 National Poetry Slam Championship Team, Bonnie Bluhm and Alisa Valdes-Rodriguez, author of The Dirty Girl's Social Club. For more information, log on to abqmusic.com.
with Alchemical Burn, Cobra//group and AGL
By Jessica Cassyle Carr
Thursday, Oct. 6; Wherehouse, (all-ages), $5: Noise musicians Raven Chacon (composer, founder of the local experimental improv collective Cobra//group and a former Albuquerque resident) and Bob Bellerue (Los Angeles "noise artist"), also known as Halfnormal, will visit Albuquerque this week on their West Coast Noise Tour. Halfnormal and others in the field create a type of music that is both aural and physical, as well as detrimental to your hearing, with a myriad of homemade instruments like theremin guitars and gutted pianos (and some moogs, I'm guessing). Being old pals (sort of), me and Raven recently had a ding-a-ling of a chitty chat.
By Neelam Mehta
The year was 1975 and somewhere in Ipswich, England, four guys with nothing better to do decided to make some music, never knowing they would eventually make musical history as the longest-surviving punk band out there.
with Prurient, Alchemical Burn and Manhole
By Simon McCormack
Sunday, Oct. 9; the Launchpad (21-and-over), $7: If you ever find yourself lying in bed, unable to get up and worried that you'll spend the entire day under the covers, grab your CD player remote and put on Wolf Eyes' Burned Mind. After a few moments, your new thought process should be something like: "I can't lay here all day. I've got to get up and stab someone in the throat!" Using homemade instruments/noise-producing contraptions, Wolf Eyes works in the medium of textural sound to produce tangible feelings of pain, anxiety and impending doom. As tense as the record makes you feel, there is something strangely cathartic about listening to 70 minutes of continually pulsating racket. This isn't music to get the party started. (Unless your party revolves around ritual suicide.) It's a demonic sermon or perhaps a sadistic wake-up call. The Ann Arbor trio was fortunate to be recognized by leading independent label Sub Pop as more than just adroit noisesters. Wolf Eyes has somehow managed to combine musical extremism with something that even rock purists can get wound up about. I start to tense up when I think about what a live Wolf Eyes show might be like; even listening to Burned Mind on low volume can make me break into a sweat. A few things are for certain; it will be loud, grating and a true sight to behold.
By Simon McCormack
DirtHeadz DirtHeadz Presents: The Movement (Dirthead Productions)
They may never receive the heavy rotation of hip-hop heavyweights like Jay Z or Kanye West, but the Dirtheadz' latest release is about as commercially viable as underground hip-hop can get. The Movement has the high-pitched hooks and unflinching swagger that characterizes so much of popular rap today. But the record amounts to more than music for the masses. The track "No Names With Names" in particular merits critical as well as widespread approbation for its combination of immediate likability and salient flows. Give Kanye's Late Registration a break and check out what the Dirtheadz have to offer.
Flyer on the Wall
Sunday, Oct. 9, Sol Arts
Latin surf/jazz combo Rio Duende will perform alongside a vintage cartoon screening at 7 p.m. $5 gets you in, popcorn included. (LM)
Rock Outside the Box Volume 2
Nate Smith gets his pie manhandled in the name of local music
By Laura Marrich and Jessica Cassyle Carr
It's been more than two years since the Rock Outside the Box compilation ripped 14 up-and-comers from the streets of downtown Albuquerque and crammed them into one precocious little jewel case. The album was organized by Feels Like Sunday guitarist Nate Smith. He says he did it to "promote unity in the scene." At the time of its release, our own Michael Henningsen said, "Not since Socyermom's Ouch! compilation has a collection of songs by local bands struck such a bright glimmer of hope."
Danksgiving 2015 • Mondo Vibrations • Dre Z • Pocket Full Of Dub
By Maggie Grimason
Work up some post-Thanksgiving munchies or dance off your food guilt this week at Danksgiving 2015. Captaining the musically mind-expanding adventure will be the blazing reggae-rock of Mondo Vibrations. The talented pack of Burquenos is well-known in the downtown circuit of music venues and consists of Kenny Cernius (vocals/guitar), Shea Longi (bass), Kevin Sanchez (drums), James Sanchez (percussion), Mike Gerdes (guitar/synths) and Rick “Smirie” Gonzales (vocals/guitar/keys/melodica). Also on deck for the night will be the chill melodies of Dre Z, the stylings of Burque Sol and Pocket Full of Dub, to boot. Take your Friday night to a higher level for just $5 at Launchpad, where things will get lit at 9pm.
courtesy of the artist
Vampires Everywhere! • rock • Consider Me Dead • Set to Stun
By August March
Metalcore masters Vampires Everywhere! will be rising from their decrepit coffins for a gig at The Co-Op on Tuesday, Dec. 1. The project of Michael Orlando, VE! are proponents of a sick sound that craftily combines aspects of goth, industrial and horror punk into a smotheringly propulsive sonic experience that can be freaky and frightening or acutely alluring depending on the internal chemical composition of each of their millions of stunned listeners. Check out the video for “Drug of Choice” for further evidence of the outfit's crepuscular commitments. Arizona electro-popsters Consider Me Dead and “post-sci-fi hardcore” trio Set To Stun (from El Lay of course) open. This all ages show at an alcohol- and drug-free venue costs $13 and begins at 6pm.
Leftover Soul • vinyl soul dance party at Sister
Richmond Jazz Quartet at Corrales Bistro Brewery
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