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 V.14 No.41 | October 13 - 19, 2005 

Music to Your Ears

The Hot Spot—Have you noticed a white plastic banner that says "The Hot Spot" draped over the Ned's Downtown sign? As of yet, it's pretty much the only indication that the bar has changed hands to new owners, but I've been told that some other (and more noticeable) changes are in the works. I spoke with the Hot Spot's VIP services director last week, and he assured me that "The Ned's spirit isn't gone, it's just changed." He said the bar's focus will shift to an ultra-lounge club with a mix of live and deejayed music, VIP seating and European bottle service (you get a full bottle of booze, plus a selection of mixers for one flat fee). He also said that he wants to do "label scouting nights," where local bands can arrange to perform in front of record label executives from some big-name companies. But maybe he was just blowing smoke up my ass on that one ... it's hard to tell. More on that later.

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Show Up!

Tanuki CD Release Party

Serious tunes to make you laugh

Bassist Chris Frain says a Tanuki is a type of "raccoon-dog" found in Japan and in parts of Northeast Asia. Frain's band Tanuki is an instrumental, psuedo-improv power trio with no interest in writing pop songs. "If we tried to write instrumental pop we'd probably be horrible at it," Frain explains. What they are good at, however, is making music that's a little odd, somewhat mischievous and, at times, pretty darn hilarious.

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Flyer on the Wall

Warm Up the Deathray, Agnes

Help Tanuki release their debut CD on Oct. 14 along with The Bellmont, Captain Standish, and Acids & Bases. 9 p.m. at the Launchpad. $5. Legal adults only. (LM)

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Music Magnified

The Gore Gore Girls

Thursday, Oct. 13; Burt's Tiki Lounge (21-and-over): Detroit doesn't really exist any more. It's a ghost town. Go Downtown sometime and you'll see what I mean. There are no people—just row after row of decaying tract housing, auto part graveyards and factories that produce, well, nothing. But as the American auto industry sputters, shudders and shimmies into a coma, it childrens are emerging out of the vapors at night; taking that same, sad dance and making it their own. Making it alive.

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Music Magnified

Low Skies

with Bob Collum and The Welfare Mothers, and Captain Bringdown and the Buzzkillers

Wednesday, Oct. 19; Atomic Cantina (21-and-over): The last time Low Skies (not Los Guys) played in Albuquerque, the show was a solitary performance by singer/guitarist Chris Salveter. It is rumored that the band fell apart on the road, leaving Salveter to finish the tour alone. Whether or not this is true, and perhaps it was just a metaphor for the weary bleakness of Low Skies, they/he was excellent as a one-man band.

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Sonic Reducer

Mark Eitzel Candy Ass (Cooking Vinyl)

Former American Music Club front man releases his first new album in four years: I call it "creepy" and "amazing." Others call it "sadcore." The album was created mostly by electronic apparati, and results in strange music beds and soundscapes (though Eitzel was able to collaborate with Calexico on one of the tracks). Strange and successful combinations like this one (singer/songwriter and electronica here) are hard to come by. Plus, how can you argue with songs titled "My Pet Rat St. Michael" and lines like "I play him Mariah Carey so there's butterflies and rainbows in the air?"

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Chevelle
Courtesy Epic Records

EVENT HORIZON (Tuesday, Jan 24)

Not Just Red

Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock

Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
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Courtesy of Mono/Poly Facebook Page

EVENT HORIZON (Thursday, Jan 26)

Open Your Lungs, Wash Your Countenance, Exercise Your Eyes and Soften Your Temper

Mono/Poly • electronic, experimental, alternative hip-hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave

Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch-hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
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Squash Blossom Boys
Photo by Wes Naman

EVENT HORIZON (Friday, Jan 27)

Go Like the River

Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk

The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.  
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