Music to Your Ears
By Amy Dalness
SXSW Rock 'n' Report—No one is sleeping in Austin right now, not even your grandma. The South by Southwest music festival and conference is going full force, and one lucky Alibi reader is reporting about it. Lucille King is the proud, press-pass carrying Rock 'n' Report contest winner, armed with a reporter's notebook and a March 23 deadline to produce some damn good copy. Lucille and her two friends, Aja and Margaret, road tripped it to Austin for their virgin SXSW experience, and we'll get all the gritty details. For daily, late-breaking information from the trenches of SXSW, check out our blog at alibi.com. It'll be the next best thing to being there yourself. Next time, just write the freakin' 500-word essay, won't ya?
Flyer on the Wall
Local psych-rockers Death Valley Days take codeine bong hits for breakfast. Heaaaavy. See this week's "Sonic Reducer" for Hypatia Lake's deal. March 19 at Atomic Cantina. A great Sunday show, and a free one at that. (LM)
with Cul De Sac, Circle and Aurora Covert
By Jim Phillips
Sunday, March 19, Launchpad (21-and-over); $8:
Q: What does a kinky dance party sound like when the expensive designer drugs really, really kick in? A: An Albatross.
Celebrated for their explosive, one-minute, synthesizer-soaked songs and their tendency to encourage impromptu audience participation in their live shows, An Albatross are a stirring thing to behold. Their We Are the Lazer Viking LP clocks in at a mere eight minutes and 20 seconds, but don't rush to judgment. With an odd habit of attempting to add words and phrases to popular language ("The Bear Warp" and "Aural Liberation," for example) and an even odder habit of distilling four minutes of already-lunatic rock into 60 seconds of utter abandon, everything about these guys is designed to rescue pop culture from the ho-hum condition that it's in. One visit to see An Albatross will have you convinced they are succeeding. Eddie Gieda, lead singer and self-proclaimed "Psychedelevangelist" puts on an impulsive, athletic performance that will have you questioning reality. (And afterwards, he's likely to come and visit you in your booth to talk about music, love and what it's really like to be a Lazer Viking these days.)
Go on—be a part of An Albatross' cultural revolution. Tickets are available at Natural Sound and www.virtuous.com.
Colonel Knowledge and the Lickity Splits
By Captain America
As a genre, doo-wop has been the least-mined for contemporary inspiration, overshadowed by the wealth of '50s R&B gold.
with Redgun Radar
By Jessica Cassyle Carr
Friday, March 17, Launchpad (21-and-over); $12: I should preface this by saying that the idea of individual entitlement by birth, whether it be money, fame or artistic talent, is somewhat nauseating. That said, pursuing a career in music as the spawn of a great musician must be a complex position to be in. Some obviously do use nepotistic avenues to gain commercial success (Lisa Marie Presley, Jakob Dylan). Some hide their parentage (Nora Jones, daughter of Ravi Shankar). Others are legitimately talented (Natalie Cole, Hank Williams Jr.). The latter is true of the son of outlaw country legends Waylon Jennings and Jessi Colter, who after years of rocking in L.A. with his band Stargunn, decided to get back to his roots and become the outlaw he was born to be.
Our Music Showcase is Better Than Yours!
The Second Annual New Mexico Music Showcase at SXSW
By Amy Dalness
Texas and New Mexico have what one could call a sibling rivalry. We New Mexicans give our Texan friends a hard time for being from the Lone Star state, and they jest back by asking us how we learned to speak English so well. Well, big-bro Texas, we really do love ya and that's why we're coming over to crash your party.
Hypatia Lake And We Shall Call Him Joseph · Pistolita Oliver Under the Moon · The Foxymorons Hesitation Eyes
By Simon McCormack
Hypatia Lake's previous release was a concept album about the fictional town from which the band draws its name. ... And We Shall Call Him Joseph focuses on the experiences of a particular resident of the town, Joseph Bigsby, who ends up starting a riot in the town's candy store where he works. Expansive, engaging and richly textured, Joseph is a splendidly complex LP that is consistent without becoming predictable. Lance Watkins' vocals and the Mercury Pop-, M83- and even Pink Floyd-evoking melodies create an atmosphere that reeks of depressingly stagnant suburbia. The whole package is bizarrely alluring.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hop. He's has worked with Flying Lotus, Kendrick Lamar and Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short, significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folklore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ol' music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before its 2017 iteration comes around on June 3, 2017. Tickets are $5.
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