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LowLife Vids'n'Vinyl
LowLife Vids'n'Vinyl
Boxtoberfest 2015
Boxtoberfest 2015
 V.15 No.45 | November 9 - 15, 2006 

Music to Your Ears

A Film About the Pixies--The Guild Cinema is opening up its theater this week to a documentary called loudQUIETloud. In it, we get an all-access pass to the Pixies’ 2004 reunion tour through Canada, Europe and the United States. Most importantly, we get a look at what we've long suspected the Pixies are really like: A dysfunctional family of carnies. Step right up!

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Flyer on the Wall

Ovary Action

"Queer Performativity" takes on a whole new meaning as singing acrobats, emcees, burlesque performers and all-around badass girls present the Femme-O-Lition Derby, a queer cabaret with local performers. See this week's "Lucky 7" for locations, show times and prices. (LM)

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Gail Salmo

Show Up!


with +/-

I can’t help but feel bad for Irving. For every new sound or sweater-clad opus au courant, there are a thousand great precursory bands commanding our acknowledgement as the groundbreaking antecedents. Nothing is ever really new. Being an indie band ain’t what it used to be.

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Bruce Cockburn

Show Off!

Bruce Cockburn

You’ve come a long way, baby

Canadian singer-songwriter Bruce Cockburn has always had a penchant for the topical. The “big” issues--war, God, life and death--take center stage in his work, as much now as ever in his 30-odd-year career.

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Courtesy of Dervish



Irish sextet brings a little piece of Sligo to everyone

Nicknames have a way of sticking. Barbra Streisand is known to her devoted fans a Babs. Dwayne Johnson kicks butt on the movie screen and in the WWE ring as The Rock. President Bush lovingly embraces his possibly self-declared nickname, Dubya.

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Sonic Reducer

Christian McBride, Javon Jackson, Jimmy Cobb, Cedar Walton New York Time · Kenny Garrett Beyond the Wall · Branford Marsalis Quartet Braggtown

Even as you’re listening to track 1 for the first time, you’re looking forward to hearing this hybrid SACD/CD again. As satisfying as it is accessible, this collection of originals and two standards brings together four like-minded virtuosos whose common trademark is unforced elegance and eloquent understatement. Everything flows through the session’s single microphone (no overdubs, no multitracking) as easily as springwater flows downhill. The easygoing cymbal-driven swing of drummer Cobb, the rhythmic punch of bassist McBride, the spidery harmonies of pianist Walton and the plangent tone of saxophonist Jackson come together in one of the year’s best recordings.

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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