Music to Your Ears
The city's proposed teen music center is in danger
By Laura Marrich
The city's plan to establish an all-ages, teen-run music center was set in motion with the purchase of the Ice House building last year. But it's hit a snag. Without a show of your support at two upcoming meetings, the proposed center may be cut out from the funding it needs to get off the ground.
Flyer on the Wall
Poor Man’s Ferrari
By Jenny Gamble
There once was a car that was cheap, the fastest car on the street. You could own it if you were poor and couldn’t afford more, but still … the car could never be beat. And thus, the “Poor Man’s Ferrari” became a classic machine worth more than 10 times its original listing price.
“I'm trying to be the greatest there's ever been.”
By Marisa Demarco
Brother Ali speaks quietly, his thick East Coast accent eloquent and thoughtful. When we speak, he's in Boston in the middle of a two-month tour. Lots of musicians bitch about being on the road, but Ali loves it—except for missing his new wife and 6-year-old son. He's a serious guy who's had to sacrifice and scrap his way to fame, riding a heap of critical praise for his first big success with the Rhymesayers label, Shadows on the Sun.
David Binney and Edward Simon Océanos · Morrie Louden Time Piece · Wayne Escoffery Veneration
By Mel Minter
The musical approaches of pianist Edward Simon and altoist David Binney seem, on the surface, fairly disparate. Binney favors fire, speed and dynamism. Simon tends toward water, patience and understatement. Different paths, but the two longtime associates both find their ways to beautiful music, here with bassist Scott Colley, drummer Brian Blade and a host of guests (notably vocalist Luciana Souza and guitarist Adam Rogers). From the uncomplicated profundity of Simon’s “Govinda” to Colley’s intense but delicate “Amnesia” to Binney’s dreamy “We Dream Oceans,” Océanos offers a deeply musical and satisfying passage over the open water of original jazz.
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
Warren Vaché Quartet • jazz at Outpost Performance Space
Joe & Vicki Price • blues at Zinc Wine Bar & Bistro
Faith, Hope and Jazz at Monte Vista Fire StationMore Recommended Events ››