Alibi V.17 No.1 • Jan 3-9, 2008 ››
Year in Music
Top 10 of 2007
After throwing them at the wall, these are the albums that stuck
Top 10 lists are intimidating. What if I miss something good? What if I don't agree with the critics? There's no way I could have heard every single disc last year. How can I be an authority?
Year in Music
Bottom 10 of 2007
Whether it was rock, pop or rap, it all sucked in ’07
10) Reel Big Fish
If it makes Reel Big Fish happy to cling to the dream of a third-wave ska revolution, then more power to them. Still, making ska for the sake of keeping the genre alive doesn't produce the best results. Even though their songs are still upbeat as ever, I can't help but think there were some tears shed behind the scenes for a genre that once was.
Pop music for artsy fuckers, inspired by robbery
After an ugly breakup and several robberies, Khaled Tabarra had a wealth of song-writing material.
De Novo Dahl Move Every Muscle, Make Every Sound
· Sia Some People Have Real Problems
· The Local Tourists Happy Birthday, Kyle
Party-pop is not easy to make and De Novo Dahl's new album proves it. Like its title suggests, Move Every Muscle, Make Every Sound tries to do too many things, attempting to combine bluegrass, alt.rock, electro, psychedelia and power-pop into a small, sugary dose of medicine that's too jagged to swallow. When the band meshes a couple of said genres instead of cramming them all in, there are some successful moments on the record. But too often, De Novo Dahl is in the midst of an identity crisis that a pop backdrop can't cope with. (SM)
Miss May I • Ice Nine Kills • metal • Capsize • alternative, melodic hardcore • Lorna Shore • emocore • Westwind
If you still haven't had your fill of melodic hardcore, emocore and/or emo with no chaser—and lord knows who hasn't; I still dream of Hawthorne Heights every night before jumping up from my La-Z-Boy recliner and toddling off to bed—then do yourself a solid and visit Albuquerque's home for rock…
Courtesy of the artist
TOKiMONSTA • electronic, hip-hop
Electronic experimentalist and heady hip-hop instrumentalist Jennifer Lee, better known as TOKiMONSTA, makes an appearance at the Historic El Rey Theater on Thursday, Sept. 28. An astral entity whose work with Project Blowed and Flying Lotus landed her squarely within the realm of El Lay’s underground hip-hop movement, Lee also happens to be a classically trained pianist. She is well known for deconstructing the work of luminaries like Justin Timberlake and Yacht through remixes that absolutely come apart in your head as the beat drops—sometimes delicately, sometimes like thunder, but always with a focus that speaks volumes about her musical prowess and wonky tendency to digress upon subtle rhythms and beatific bits of melody. $15 is all it will cost the average 18+ listener to engage in the elusive what-comes-next nature of West-Coast grooviness. The curtain rises on TokiMonsta at 9pm.
Courtesy of the artist
Sorry Guero! • American death groove • Moonshine Blind • rock, country • The Lords of Wilmoore • punk rock • Cobra Vs. Mongoose
Hard rock is a thing that occasionally raises it's grizzled, drug-addled head in this dusty desert. It's a damn good thing the dude can play the guitar like ringing a bell. It also helps that the thing can sing. If not for these two crowd-pleasing aspects, Dirty City denizens would have booted Hard rock and his ilk outta this town ages ago. If you still haven't been exposed to this phenomena, may I suggest you haul your hipster ass down to Launchpad on Saturday, Sept. 30, for the album release party hosted by Burque groove-metal stalwarts Sorry Guero! The entirety of the diamond tough, blue-jean-clad, head-banging subculture who worship hard rock will be there, solidly represented by bands like hillbilly-heshers Moonshine Blind and pure punk provocateurs such the Lords of Wilmoore (eh, I lived on that street too, as an undergrad) and Cobra vs. Mongoose. So be there or be obtuse; it's only ten bones, okay?