Music to Your Ears
By Laura Marrich
Old Main Feast Fest
It's been one hell of a year for The Old Main. After releasing its first album in November, Rod Lacy's project won Best New/Emerging Band in this year’s Best of Burque poll. Lacy also co-organized Rock the 9, the first all-Native rock showcase held over Gathering of Nations weekend at the Sunshine Theater [featured in the April 24-30 Alibi]. But for all his band's accomplished, Lacy must realize—wisely—that he couldn't have come this far without his fans.
When the Lights Go Out
cobra//group and friends release Brujas
By Simon McCormack
The concept is straightforward, if a bit unusual. For its latest release, Brujas, Albuquerque noise emitters cobra//group and countless other musicians recorded 10 hours of music in the dark. They went to a handful of abandoned buildings in Albuquerque and Corrales, turned out the lights and played. The group invited friends to participate in the sessions, but no one knows how many people showed up. People were allowed to enter quietly and leave whenever they wanted to.
Flyer on the Wall
A Star is Born
SuperGiant kicks off a very large array of West Coast shows in support of their first full-length album, Antares (order online at supergiantrock.com). HDR (heavy coed three-piece from Los Angeles) is along for the ride. Hometown support by Leeches of Lore (triumphant cosmic-metal duo) this Tuesday, May 20, at Burt’s Tiki Lounge (free, 21+). (LM)
Millencolin Machine 15 · The Roots Rising Down · Joan of Arc Boo Human
The last time you probably heard these guys was while playing Tony Hawk’s Pro Skater 2. But make no mistake, Millencolin has toured the world several times and has been dropping LPs since 1994. Machine 15 is crisp and well-produced, thanks to producer Lou Giordano (Taking Back Sunday, Plain White T’s). But the content within Machine 15 is redundant and overworked. The single “Detox” is filled with poppy harmonies, chord progressions and references to turning on the radio. This album is decent. It'd be great if it was released five years ago. (JH)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack Tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. We'll it's 2017 and such has indeed come to pass. The name of the band is Franks and Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the Seven Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Pip Ullemeyer, Hoss and Arpee Sampson III await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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