Alibi V.17 No.33 • Aug 14-20, 2008 ››
Death Vessel Nothing is Precious Enough for Us
· Jamey Johnson That Lonesome Song
· Trapt Only Through The Pain...
Contrary to what you might assume given its moniker, Death Vessel is actually quite cheery. Acoustic folk set to a slow gallop and held together by the pitter-patter of guitar strings is a wee bit eerie but hardly the stuff of nightmares. Lead singer Joel Thibodeau's falsetto beckons you, and there's something quaint and old-timey about the band's approach. Perhaps it's the frequent influx of banjo, mandolin and lap steel, which are put to use without overpowering the mostly quiet aesthetic. Relaxing, but not at all bland, Nothing is Precious Enough for Us is a luminous and altogether charming record that acknowledges melancholy without letting it win. (SM)
On the Scene
Survival of the Friendliest
Marc’s Guitar Center celebrates 30 years of selling "the world’s most popular instrument"
As soon as you step in the door at Marc's Guitar Center, you're greeted by a long wall of electric beauties.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.