Alibi V.17 No.33 • Aug 14-20, 2008 

Flyer on the Wall

Twofer Tuesday

Doesn’t Kill Spiders and Frostbite share a bill at Misty’s Hideaway (Eubank and Constitution NE, 21+) this Tuesday, Aug. 19, for $5. There will be mermaids. (LM)

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Sonic Reducer

Death Vessel Nothing is Precious Enough for Us · Jamey Johnson That Lonesome Song · Trapt Only Through The Pain...

Contrary to what you might assume given its moniker, Death Vessel is actually quite cheery. Acoustic folk set to a slow gallop and held together by the pitter-patter of guitar strings is a wee bit eerie but hardly the stuff of nightmares. Lead singer Joel Thibodeau's falsetto beckons you, and there's something quaint and old-timey about the band's approach. Perhaps it's the frequent influx of banjo, mandolin and lap steel, which are put to use without overpowering the mostly quiet aesthetic. Relaxing, but not at all bland, Nothing is Precious Enough for Us is a luminous and altogether charming record that acknowledges melancholy without letting it win. (SM)

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Marc Foman cradles a baby blue Mustang in one of his shop's soundproof lesson rooms.
Tina Larkin

On the Scene

Survival of the Friendliest

Marc’s Guitar Center celebrates 30 years of selling "the world’s most popular instrument"

As soon as you step in the door at Marc's Guitar Center, you're greeted by a long wall of electric beauties.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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