Music to Your Ears
By Laura Marrich
Home, Sweet Home
The stock market is contracting so fast you can almost hear it snap. But there's an upside to tight times. They remind us that wealth isn't how much we own, it's valuing what we have. And the most fortunate people are rich in friends, neighbors, family, community.
We Should Be Dead
But we disagree
By Simon McCormack
When asked whether his band will conquer America, Stephen Purcell only musters a halfhearted “Yeah, we’re gonna take it over,” before breaking into nervous laughter.
Courtesy of davidsanchezmusic.com
Jazz With an Accent
Saxophonist David Sánchez
By Mel Minter
From the opening notes on his latest CD—the Grammy-nominated Cultural Survival—saxophonist David Sánchez captures your attention with a sound as compact, muscular and lithe as a panther.
Flyer on the Wall
At Your Servus
Can’t wait for Friday? Shake off those weekday blues at Blackbird Buvette’s (509 Central NW) Lipp Servus dance party, held every Thursday night with rotating DJs and deep cuts galore. Free, 21+. (Laura Marrich)
Living Things Habeas Corpus · Joshua James The Sun Is Always Brighter · The Bran Flakes I Have Hands
If Living Things led a revolution, it would do it wearing a leather jacket. The steady jabs of towering guitar and anarchistic rants come wrapped in effortless cool. It’s a shame the band’s so fed up with capitalism, because this brand of slick cock-rock is perfect for a sports car commercial. Living Things can’t quite rein in the slow ballad, but it rarely strays from fast-striking riot starters. The St. Louis four-piece jams its modus operandi down your throat until you choke it down, and that proves a supremely effective delivery method. (SM)
courtesy of the artist
Myra Melford’s Snowy Egret • piano, jazz, composer
By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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