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Apr 16 - 22, 2009 

Music to Your Ears

By Laura Marrich

Scores of Scores

The New Mexico film industry's proverbial belt gets another notch punched in it this week, but it's not what you'll see that's making the state proud—it's what you'll hear. Albuquerque musician Tom Monahan composed the score for Fat Head, a nationally released docu-comedy starring, written and directed by Tom Naughton. The film is a direct challenge to Morgan Spurlock's 2004 Super Size Me (and, indirectly, an homage to Subway's "Jared" ad campaign). It follows Naughton as he eats nothing but fast food for 28 days and loses weight.

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Watt, front and center, with The Missingmen

Spotlight

Mike Watt

Ex-Minuteman ponders mortality while practicing an opera

By Dan Hinkel

Punk institution Mike Watt considered a lot of influences in designing his third rock opera: Walt Whitman, The Wizard of Oz, Watt’s own past recordings, “jackalopes and shit.”

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Loueke’s always on the lookout for inspiration.
Courtesey of Lionel Loueke

Jazzed

Lionel Loueke Trio

African-inflected guitar and telepathy

By Mel Minter

Blending simple, beautiful African melodies with forward-looking harmonies, a deep groove and an unusually percussive repertoire of vocalizations, guitarist Lionel Loueke has quickly captured the imagination of jazz audiences. He’s also won the respect of some of its biggest heavyweights, including Terence Blanchard, Herbie Hancock and Wayne Shorter.

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Flyer on the Wall

Gypsy, Be Good

Sleestaks, Dead On Point Five, Bat Wings for Lab Rats (featuring Rob of Holiday Sail) and Dynamite Kegs (from Cruces) rock the Launchpad on Thursday, April 16. The Gypsy Queens, a lady gang of inked Good Samaritans, will make a special appearance to raise awareness for Walk MS, coming up on Saturday, April 18, at Tiguex Park. The show is 21+, cover TBA. (Laura Marrich)

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Sonic Reducer

Yeah Yeah Yeahs It's Blitz! · The Thermals Now We Can See · Death Cab For Cutie "The Open Door EP"

The band that helped bring New York rock back from the dead has decided it wants to make new wave disco jams. It’s Blitz! proves the Yeah Yeah Yeahs can take a daring leap and land safely on the other side. The new format still carries the same high energy and adolescent volatility that characterizes the band’s previous two releases, but this record trades buzz guitar for synthesizer. Many groups change their stripes, but the result doesn’t pan out. Others keep their one trick going until fans eventually grow tired. The successful reinvention is the ultimate trick. It’s Blitz! pulls it off with grace. (SM)

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Courtesy of Reighnbeau

EVENT HORIZON (Thursday, Jun 29)

You don't need rain to see this rainbow

Reighnbeau • indietronica • Sazoram • electronic • Austin Morrell • rock

By Adam Wood
I have always been astounded by the potential of sound; for millennia, sounds have been pieced together in inventive ways, entrancing audiences and shaping emotion through music. Music to me is a thing of magic, constantly transforming into something new in the hands of those with the ability to harness that magic. Albuquerque native Bryce Hample, better known as the mastermind behind the surreal vibrations of Reighnbeau, is truly one of those wizards, an electro-maestro with a brilliant capability for intricately layering sounds where one would least expect, but where they truly belong. This Thursday, June 29, Reighnbeau will be transforming Sister into a dreamlike world of glinting shoegaze and celestial ambience, adorned by Hample’s remarkable capabilities for visual art and mesmerizing performance even as he concocts the magic of music before our eyes. Featuring opening performances from Sazoram and Austin Morrell, the cosmic stage will be set at 9pm. Be sure to get your tickets at the presale price of $5 before they go up at the door.
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