Alibi Bucks

 Apr 16 - 22, 2009 

Music to Your Ears

By Laura Marrich

Scores of Scores

The New Mexico film industry's proverbial belt gets another notch punched in it this week, but it's not what you'll see that's making the state proud—it's what you'll hear. Albuquerque musician Tom Monahan composed the score for Fat Head, a nationally released docu-comedy starring, written and directed by Tom Naughton. The film is a direct challenge to Morgan Spurlock's 2004 Super Size Me (and, indirectly, an homage to Subway's "Jared" ad campaign). It follows Naughton as he eats nothing but fast food for 28 days and loses weight.

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Watt, front and center, with The Missingmen


Mike Watt

Ex-Minuteman ponders mortality while practicing an opera

By Dan Hinkel

Punk institution Mike Watt considered a lot of influences in designing his third rock opera: Walt Whitman, The Wizard of Oz, Watt’s own past recordings, “jackalopes and shit.”

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Loueke’s always on the lookout for inspiration.
Courtesey of Lionel Loueke


Lionel Loueke Trio

African-inflected guitar and telepathy

By Mel Minter

Blending simple, beautiful African melodies with forward-looking harmonies, a deep groove and an unusually percussive repertoire of vocalizations, guitarist Lionel Loueke has quickly captured the imagination of jazz audiences. He’s also won the respect of some of its biggest heavyweights, including Terence Blanchard, Herbie Hancock and Wayne Shorter.

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Flyer on the Wall

Gypsy, Be Good

Sleestaks, Dead On Point Five, Bat Wings for Lab Rats (featuring Rob of Holiday Sail) and Dynamite Kegs (from Cruces) rock the Launchpad on Thursday, April 16. The Gypsy Queens, a lady gang of inked Good Samaritans, will make a special appearance to raise awareness for Walk MS, coming up on Saturday, April 18, at Tiguex Park. The show is 21+, cover TBA. (Laura Marrich)

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Sonic Reducer

Yeah Yeah Yeahs It's Blitz! · The Thermals Now We Can See · Death Cab For Cutie "The Open Door EP"

The band that helped bring New York rock back from the dead has decided it wants to make new wave disco jams. It’s Blitz! proves the Yeah Yeah Yeahs can take a daring leap and land safely on the other side. The new format still carries the same high energy and adolescent volatility that characterizes the band’s previous two releases, but this record trades buzz guitar for synthesizer. Many groups change their stripes, but the result doesn’t pan out. Others keep their one trick going until fans eventually grow tired. The successful reinvention is the ultimate trick. It’s Blitz! pulls it off with grace. (SM)

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Kelly O.

EVENT HORIZON (Friday, Dec 4)

I Tawt I Heard a Puddytat

Tacocat • post post punk pop • Red Light Cameras

By Robin Babb
Everything about Tacocat is candy-coated. Technicolor-dyed hair, surfy guitar vibes and unabashed riot grrl revivalism combine in this energetic quartet from Seattle to make some of the best pop-punk tunes you’ve heard since you became okay with listening to pop-punk again. It’s good music for gleefully burning pictures of your ex. With punchy but sweet vocals and catchy choruses that you’ll be humming for days, their latest album NVM is worthy of heavy rotation. Their second LP (and first on the Hardly Art label), NVM features beefed-up production but the same garage-y, DIY sound from their earlier EPs, Woman’s Day and Take Me to Your Dealer. Stand-out tracks are “Crimson Wave” (which is about exactly what you think it’s about) and “Psychedelic Quinceñera,” a ballad about a girl who would rather forego the regular quinceñera formalities on her 15th birthday and get hella blitzed with her amigas instead. After exhausting the basement venues of Washington, Tacocat is heading inland on their winter tour with Sallie Ford. Red Light Cameras open. Pay your 10 bucks and get ready for the most colorful 21+ mosh pit of your life!
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