Music to Your Ears
By Simon McCormack
We might be slightly embarrassed to admit it, but there are many of us out there who crank up the volume on the car radio when "Follow You Down" comes on The Peak. Yes, friends, the Blossoms we call Gin are coming to Albuquerque.
The Oktober People CD Release Show
After five years in the womb, the little baby has arrived
By Simon McCormack
Sean McCullough says he's sick of listening to his band's new album.
Albuquerque's The Oktober People spent five years writing songs then recording Explore The Sky Too. McCullough produced the album. "I've listened to it so many times that I don't ever want to hear it again," McCullough says with a chuckle. "I'm still really proud of it. I think people will notice that we really just put a lot of time into it."
Singer Nate Santa Maria says the band developed a personal relationship with each track. "I love those songs," he asserts. "They're our little babies."
Flyer on the Wall
Beefcake’s Last Bite
On Monday, May 25, Burque’s long-worshipped cult of raunchy rock will make its final boobie-jiggling, gravy-covered appearance. Steve Eiland and his demonic Beefcake in Chains will slip and slide all over the Launchpad stage for the last time with The Meatmen, Chapstik and Spin Dry Kittins. The concluding descent into madness starts at 9:30 p.m. 21+ only. Duh. (Laura Marrich)
The Maccabees Wall of Arms · Kendra Shank Mosaic · Japandroids Post-Nothing
The Maccabees, a five-piece from Brighton, England, has polished songwriting, slightly varying haircuts and gender-bending vocals that attract crowds. The band also occasionally takes the focus off its guitar, letting it quietly jangle while drums clatter and thump with coked-out enthusiasm. That provides the necessary amount of inventiveness for a commercial-friendly band to stand out. But when the "Wa-ow" wailing starts up, it's hard to stomach. The band oversaturates the already adorable aesthetic and turns everything into mush. The wailing doesn't ruin Wall of Arms, but it often makes enjoying it a challenge. (SM)
Courtesy of the Artist
Franks & Deans • punk rock, rock 'n' roll • Shrewd • Punctured Muffler • Silent Crush • metal
By August March
At some point during the progression of meta-ultra-postmodernism, it was only natural that a band covering Rat Pack tunes revisioned as rambling ska paeans or blisteringly buoyant punk anthems based on the imbibing and love-making habits of dudes like Frank Sinatra and Dean Martin would rise from the rocanrol cauldron. Well it's 2017 and such has indeed come to pass. The name of the band is Franks & Deans. They've succeeded by inflecting the sweepingly romantic, sometimes melancholy and nearly always self-referential ditties of these post-war, pre-rock vocal heroes with good-natured rhythms and danceable guitar leads—as well as an updated fashion sense that seems to borrow more from ZZ Top's summer style guide than from Robin and the 7 Hoods—that adds affable nuance to legendary, mid-century American popular music. Band members Rob DeTie, Mike "Pip" Ullemeyer, Hoss and Sampson await your indulgence at Low Spirits on Thursday, Feb. 23, and the admission price of $5 sure as heck beats dropping “Three Coins in the Fountain.”
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