Music to Your Ears
By Laura Marrich
The King Is Dead, Long Live the King
Born Lester William Polsfuss in Waukesha, Wis., Les Paul had just turned 94 in June. He died on Thursday, Aug. 13, 2009.
Les Paul’s solid-body electric guitar started as the basement tinkering of a gifted musician. Where it led was rock and roll as we know it—and the foundation of innumerable permutations we haven’t gotten to yet. Even if you just look at the instrument and the ways its architect figured out how to play it—put aside, for a moment, the game-changing recording processes he pioneered like multitracking, overdub or delay—without Les Paul’s innovations in design and technique, the Book of Rock would have scant few pages and not much of an alphabet. The Edison of amplified music is gone. But because of Les Paul, rock and roll will never die.
The Grownup Noise
Being flipped off never felt so good
By Simon McCormack
When Boston's The Grownup Noise plays a show in Beantown, there's usually a solid turnout.
The fan base took about four years to fully cultivate. It began with family and friends, then strangers started taking notice. "When we first started, we would ask ourselves, Do they really like it, or are they just being nice?" singer and guitarist Paul Hansen recalls. "It's gotten to the point where a lot of them tend to be people we don't know. So, unless everyone's just being really nice, they actually like us."
Flyer on the Wall
Outsider insiders Occasional Detroit, The Scrams, The Hollow Lines, Dread and DJ Caterwaul raise a pluralist ruckus at 1kind Studios (1016 Coal SW, all-ages) on Friday, Aug. 21. 8:30 p.m. $6. (Laura Marrich)
Vaudeville Open Mic
By Devin D. O'Leary
Cabaret Audacity presents a Vaudeville Open Mic at Sidewinders Bar Cabaret Theater. This brand new monthly showcase will take place every third Wednesday of 2017. Dancers, singers, comedians, musicians, performance artists, jugglers, magicians, sideshow acts, burlesque performers and more are invited to hone their talents and debut brand new material on stage at VOM. Shows are hosted by Julian Addams-Wolf and other members of Cabaret Audacity, including Eddi Fication and Arcane. A suggested donation of $5 gets you in the door beginning at 7:30pm. This is a 21+ event.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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