Alibi Bucks

 Nov 26 - Dec 2, 2009 
Jeff Drew


Musica Pandeladondaria

Riding a musical pegasus

By Nick Brown

First of all, I want to apologize for writing a technical article that's admittedly directed toward professional musicians. I've been playing excellent music for what many people say seems like an eternity.

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Marquis de Sade

Music Editorial

Letter of Rejection

Dear Albuquerque Goth Scene,

We need to talk. I know it’s hard for you to tell how I'm feeling sometimes. I know you've grown used to pretty much constant stylized moodiness. But that's just the problem—you're self-absorbed and I'm tired of waiting for you to change. This is a very one-sided relationship. You never think of my wants or needs. You always listen to the same generic four-on-the-floor music ... and I know you do it in a sad attempt to attract impressionable 18 year-old girls.

I need change and variety in my life. I want to have good conversations and be introduced to new things and ideas. But your idea of change is resurrecting the 300-year-old corpse of the Marquis de Sade once a month. It's not fresh and subversive; it’s the same old chips, dips, chains and whips. You talk about the same old topics ... dungeons and dragons, and that VNV Nation concert you went to six years ago. You repeat the same stale party ideas when you feel the need to spice things up.

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Flyer on the Wall


This year give thanks for black vinyl pants, blue Manic Panic, German expressionism, legalized absinthe and Peter Murphy. Retro’s (1410 Wyoming NE), typically thought of as a mod affair, goes unpop tonight with DJ Sparquis and DJ Twig playing tracks culled from a variety of Gothic subgenres. This dark, 21-and-over holiday event is free. (Jessica Cassyle Carr)

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Sonic Reducer

Young Edward Tall Tales · Beach House Teen Dream · David Bowie Space Oddity (40th Anniversary Edition)

The first collection of originals recorded by Albuquerque’s own mutant bluegrass quartet, Young Edward—Robert Brettelle (guitar), Michael Polera (violin), Danny Garcia (bass), former Alibi editor Steven Robert Allen (banjo), everyone on vocals—won’t often astonish you, but it will make you real happy you stopped by. As insightful as they are quirky, the tunes conjure a world of sinners, losers, drunks, holy rollers and stinky-footed lovers—not to mention Albert Einstein—summoned by close, low-key harmonies, nice hooks, a feel for the blues and a terrifically offhanded live recording by Fast Heart Mart. Polera’s violin offers some particularly tasty work, from sweet to tart. (MM)

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Music Playlist

Song Roulette

Anodyne jukebox-keeper Ross Source

By Jessica Cassyle Carr

Ross Source is Anodyne’s jack-of-all-trades. He’s steward of the Downtown bar’s diverse boozes and beers, caretaker of its inviting flora, manager of music, and an ideal person to play this game. Source is responsible for what was once, and what will soon be again, the best jukebox in Albuquerque. Below are random, shuffled selections from his vast music library.

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Neon Tommy/Katie Buenneke

EVENT HORIZON (Friday, Oct 9)

Can I Get a Hallelujah?

Hozier • blues, indie, soul

By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted…
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Mikel Cee Karlsson

EVENT HORIZON (Monday, Oct 12)

El Angel de la Musica

José González • indie, folk • Riothorse Royale

By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses…
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courtesy of the artist

EVENT HORIZON (Friday, Oct 16)

Snowy Egret Has Landed

Myra Melford’s Snowy Egret • piano, jazz, composer

By August March
Pianist Myra Melford, a Guggenheim fellow who specializes in cross-genre, postmodern musical deconstruction, performs with her ensemble Snowy Egret at Outpost Performance Space on Friday, Oct. 16. Basing her work in a plethora of quintessential artistic experiences that encompasses everyone and everything from Rumi to Japanese Butoh and Meso-American Indigenous traditions, Melford brings a deft touch to her dream-like musical explorations. She’ll be in the company of instrumentalists Ron Miles on trumpet, guitarist Liberty Ellman, bassist Stomu Takeishi and drummer Tyshawn Sorey. Together they’ll perform work both translucent and opaque as they transport listeners to a world without sonic boundaries. Tickets range from $15-20 for this transcendent trip.
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