John Rangel and the Solar Trio
The ears have it
By Mel Minter
A jazz musician’s most important asset lies on either side of his or her head. As trumpeter Bobby Shew said a couple of weeks ago at a concert at The Cooperage, “You can’t play this music if you don’t listen.”
Lowlights Album Release
An electronic chat with Dameon Lee about Further/Free festivities
By Jessica Cassyle Carr
Alt.country and Western is one of the most honest genres to emerge from America within the past couple of decades. As popular country music continues to dissolve into the shimmering, surface froth of “just pop,” the alternative remains immersed in vast landscapes, organic production and sincere articulations. The listener gets a traditional kind of music rounded out with a modern vibe.
Flyer on the Wall
Citizens of Earth: The spaceship known as Leeches of Lore flies into Burt’s Tiki Lounge (313 Gold SW) this week, pounding high hats and Mai Tais while shredding the clothing right off your body. The Spittin’ Cobras (which contains members of ’80s psycho-sexual punkers The Dwarves and German industrial band KMFDM) joins the intergalactic mission along with Black Guys. The rock invasion, which shall only be beheld by those over 21 years of age, can be sighted free of charge Downtown near the tenth hour on Tuesday, Dec. 8. (Jessica Cassyle Carr)
[url]http://www.lechatlunatique.com[/url]Le Chat Lunatique[xurl] Under the Covers, Vol. 1 · Nirvana Bleach: Deluxe Edition
Muni Kulasinghe’s howling vocals, his violin skittering across the music like beads of water on a hot skillet. John Sandlin’s ax felling bar after bar of music with ferocious dexterity. Jared Putnam’s slaphappy bass and slyly sweet vocals. Drummer Fernando Garavito’s irresistibly low-down grooves. It’s all here on six covers the group has perfected over the last few years on the bandstand. The many high points include the churchy baroque intro to “House of the Rising Sun,” which then descends into fevered desperation, Sandlin’s solo on “Belleville Rendez-Vous” drunkenly dancing across a fence top, and the deliriously locked-in groove between Putnam and Garavito on “Minnie the Moocher.” “Frère Jacques,” “Straight Up” and “La Mer” round out the collection, each with its own ear-opening moments of inspired lunacy. While paying close attention to every tiny detail—the dabs of echo on “Jacques,” the perfectly timed cat’s yowl on “Belleville”—Le Chat plays with a demonic abandon that makes you suspect they’re having even more fun that we are. (MM) CD release on Saturday, Dec. 5 at El Rey Theater!
By Jessica Cassyle Carr
Mildred McGillicutty (nom de screen of a local blogger) is a keeper of books, collector of velvet matador paintings and murderer of goldfish. She is also a closeted lover of Joni Mitchell, and she was very relieved that none of the sweet, soprano songwriter’s ’60s swill tainted her randomly shuffled playlist found below.
Neon Tommy/Katie Buenneke
Hozier • blues, indie, soul
By Cerridwen Stucky
You probably remember that in January a song filled the radio that made you say amen more than you had since going to church with your family as a child. Hozier’s “Take Me To Church” was in the top 100 singles in the U.S. for three weeks. His soft acoustic style paired with sorrowful crooning seemed to be just what the United States wanted and soon he started his countrywide tour. His show at Sandia Resort & Casino will be his smallest venue played. If you are in the mood for some romanticized angst or upbeat songs about awful things then this is the show for you.
Mikel Cee Karlsson
José González • indie, folk • Riothorse Royale
By Megan Reneau
Heads up—an angel named José González drops down from heaven and lands at Sunshine Theater on Monday, Oct. 12. González's voice is heavenly and when combined with his soothing classical guitar melodies, causes elation of the senses and profound introversive relaxation (totally how angels should make you feel, from what I understand). González lives up to the hype, continually getting amazing album and concert reviews. He'll likely play music from his long-awaited album (seven years we've been waiting), Vestiges & Claws. Opening for González is Riothorse Royale. The duo create beautiful, kindred harmonies. For $22, this show is a promising break from everyday life and a much welcome ending to a Monday evening.
Warren Vaché Quartet • jazz at Outpost Performance Space
Le Chat Lunatique • dirty jazz at Balloon Fiesta Park
Mic Club 32 • Talksick w/ DJ Shatter • Courtney Hampton • Suede School • Doer • Nuthin 2 Lose at LaunchpadMore Recommended Events ››