Queen: The Ultimate Illustrated History of the Crown Kings of Rock
If there is but one truth within the annals of rock 'n' roll, it is this: Queen is awesome. Voyageur Press understands this truth. The publisher released a handful of excellent coffee table titles this year, including one on The Velvet Underground and another on Neil Diamond (very cleverly named Neil Diamond Is Forever), and has now added to its catalog an extensive volume that chronicles Queen's mighty quintessence. With the help of hundreds of photos, record covers and other ephemera, rock journalist Phil Sutcliffe recounts Queen's story from a tiny twinkle in Freddie Mercury, Brian May, Roger Taylor and John Deacon's eyes, to arena-rocking audiences throughout the '70s and '80s, to Mercury's death of AIDS in 1991, to present. The book is supplemented by guest writers on topics like the band's equipment and effects, and how it persists with only two remaining original members. There's also commentary—Slash on Brian May, Rob Halford on Freddie Mercury, et cetera. Even comics about the band are included. It's a worthy package of Queen's regal, majestic, glamourous glory.
Dirt City Archives
Land of the Lost
By Captain America
Scared of Chaka is responsible for me cutting off my hippie hair.
Flyer on the Wall
Could this be the coming of ska’s fourth wave? To find out, put on your bowler and finely tailored pants on Saturday, Dec. 12, and skank down to Amped Performance Center (4200 Lomas NE). The $5, all-ages show begins at 7 p.m. and includes the jams of Drop Steady Rockers, The Blue Hornets and Martial Law. (Jessica Cassyle Carr)
Bernadette Seacrest and Her Provocateurs The Filthy South Sessions · Phish Festival 8 (10/31/09) · Felt Felt 3: A Tribute to Rosie Perez
With a voice that promises everything, including maybe 20 years in the pen, vocalist/co-producer Bernadette Seacrest conjures a noir underbelly of a world on The Filthy South Sessions, with help from co-producers Charles Williams (guitars), who wrote all 12 tunes, Kris Dale (double bass, pedal steel) and guests. Williams’ steamy tangos, blues and rumbas don’t so much tell stories as sideswipe them (“I love you, but put down that gun”). “Babylon” recalls Leonard Cohen’s lyrical enigmas, and Seacrest delivers it with a seductive, Billie Holiday–esque plangency. Clearly, Seacrest knows what’s what and, deliciously, she’s in no hurry to explain it. (MM)
Launchpad’s Luis Mota
By Jessica Cassyle Carr
As talent-buyer and manager for not one, not two, but three venues—Launchpad, Low Spirits and Sunshine Theater—Luis Mota is constantly surrounded by music and/or music-related things. Below are the first five shuffled tracks that were floating around his music library.
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx…
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool…
Courtesy of Mono/Poly Facebook Page
Mono/Poly • electronic, experimental, alternative hip hop, glitch • Tsuruda • trap, grime, dubstep • 1960sfe • chill wave
By Megan Reneau
Charles E. Dickerson, aka, Mono/Poly will be breaking down beats hard at Sister Bar, on Thursday, Jan. 26. Mono/Poly is known for adroit techniques playing everything from ambient break beats to glitch hip-hop. He's has worked with Flying Lotus, Kendrick Lamar, Thundercat, and has tracks set to be released with Erykah Badu, Kali Uchis and Kamasi Washington—just by that short significant list, you can tell he's fucking superb at what he does. Joining Mono/Poly will be Tsuruda, who excellently blends trap, hip-hop and house sounds, as well as local heavyweight DJ, 1960sfe (formerly known as 1960 Sci Fi Era), who creates beautiful chill wave beats. The 21+ show begins at 9pm and is $8.
Photo by Wes Naman
Silver String Band • Americana, blues • Squash Blossom Boys • bluegrass, folk
By August March
The Albuquerque Folk Festival has ebbed and flowed over the years, presumably in a fashion similar to the mythically winding rivers often rhapsodized about in American folk lore, literature and music. The ascension of the late, great Gary Libman to the presidency of the festival's board of directors provided structure and growth that has practically guaranteed the source of all the good ole music will never run dry. Still, given the economic realities in our great nation and the costs of producing such a successful regional music fest, a benefit concert is often in order, to keep things flowing, as it were. With that metaphor in mind, check out the concert featuring two of Burque's authentic Americana units, the Silver String Band and The Squash Blossom Boys when they perform on Friday, Jan. 27. A portion of the proceeds from this 21+ holy hootenanny beginning at 9pm will benefit the festival before it's 2017 iteration comes around on June 3, 2017. Tickets are $5.
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Rugby is a Drag • Truly Scrumptious Coxx at Sidewinders
Chris Dracup Trio • blues, reggae, soul at Andaluz
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