Alibi V.19 No.1 • Jan 7-13, 2010 ››
Top Ten Country Songs Of The Decade
“Oh, Changalang, Y'all" by the Changalang Gang
"Corndogs" by the Nashville Bullies
"Ain't No We In We Need A Dirt Bike" by Amanda
"You Coulda at Least Told Mama" by Crybaby Keith
"And Your Blouse, M'Lady?" by Brant Cobbler
"Google My Horse" by Todd Globb
"Go-Kart for Bobby" by Yearn Heart
"Frozen Dogwater Boogie" by the Keggers
DJ Rob Swift Cuts it up, symphony style
What Ludwig Beethoven is to a piano, DJ Rob Swift is to a set of turntables. The award-winning DJ’s career spans more than two decades. Raised in Queens during what many refer to as the golden age of hip-hop, Swift was exposed to graffiti writing, break-dancing, MC-ing and DJ-ing in their rawest forms.
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Flyer on the Wall
Babe on a Hot Checkered Floor
Nothing wrong with a little emo babe-age every now and then, no sir. Although, personally I’m quite a bit more excited about the black-and-white checkered floor. On Tuesday, Jan. 12, Diverside, In The End, TransfRictioN and Red Letter F bring the metal (and possibly a little gangsta clown punk) to the Launchpad beginning at 9:30 p.m.—doors open at 8 p.m. Cover charge is $4. This 21-and-over show is not for the young’ins. (Jessica Cassyle Carr)
Decade in Music
Top 10 Indie Rock Songs of the Decade
To some, indie rock is an aesthetic, something between Sonic Youth and Pavement that’s only played by people with mop-tops, ringer T-shirts and cans of Pabst atop their amplifiers. Others might take the genre literally as music recorded and performed by musicians not affiliated with major labels. Whatever your definition, here are 10 tracks from the past 10 years that continue to amaze.
Courtesy of the Artist
Crystal Castles • electropunk, synth pop, witch house
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Courtesy of the Artist
The English Beat • ska
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later,” the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here at the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.