Music to Your Ears
By Jessica Cassyle Carr
SXSW season has arrived, and you know what that means: During the next couple of weeks a disproportionate number of touring bands will be making pit stops in Albuquerque on their way to and from Austin. Among the packs of troubadours is a little piece of old Albuquerque. Two thirds of Mighty Tiger, a dreamy rock band from Seattle, is comprised of one half of the late Oh, Ranger!—Boyd Reno and Luke Heath. Imbued with the Reno-and-Heath touch—sad guitar and cheeky lyrics placed in a squirming pop context—Mighty Tiger is ever-so-slightly reminicent of their earlier local projects, but with more mature, higher fidelity results. See Mighty Tiger perform live on Tuesday, March 16, at Low Spirits (2823 Second Street NW) with fellow Seattleite Grand Hallway, along with Albuquerque's Bellemah and The Giranimals. The show begins at 9 p.m. and $5 gets you in.
When Victorian dandyism and new media art collide
By Jessica Cassyle Carr
Describing the work of Alfred Darlington, known on stage as Daedelus, is no easy task. The experimental Los Angeles-based, Ninja Tune-backed electronic musician and producer inhabits realms of emerging technologies, oxymoronic juxtapositions and avant sound. A vanguard concerned with invention, he was among the first to use an instrument called a Monome box in live performance, all the while dressed like a 19th century sophisticate. Prior to his first performance in New Mexico, we questioned Darlington by means of electronic communiqué.
Southwest by Northwest
The Scrams, The Dirty Novels and Broken Water at Burt’s Tiki Lounge
By Captain America
How long has it been since a band has not only hit Burque but hit it over the head, taken it hapless prisoner in a trashed garage and subjected its collective ears to hip-swivel rock? Fifteen years and change I’d say, harking back to the lo-fi ruckus of The Drags when it was acceptable to not only rock but to roll. The Scrams haven’t forgotten that a band can maintain dance-worthy melody while playing as loose as a pair of two dollar shoes. No costumes, no front, no shtick but a pure adrenaline injection to your spinal cortex that dares your feet to stay still. You can see it happen live this Saturday on a triple-threat bill at Burt’s.
Flyer on the Wall
ABQ SWXØ Fest 2010
During the last half of this month, various underground entities will do their best to jointly exploit the talents of local lunatics and the wealth of weirdos traveling to Texas in an event known as Albuquerque Southwest by No Fest. Show info can be found at www.myspace.com/albuquerquediy.
Black Francis NonStopErotik · Pavement Quarantine the Past: The Best of Pavement · Blank Generation (film)
By Adam Perry
Like all of Black Francis’ solo career, NonStopErotik is stylistically all over the place. The album misleadingly starts with unexceptional alt. rock that harkens back to ’90s bands like the Toadies. Then it spans sexy Ween-esque synth ballads, bug-eyed surf noir and explosive rock that could only be called sweet noise. “We all got wheels to take ourselves away ... come on wheels, take this boy away,” the gigantic-voiced Francis sings on “Wheels.” You sometimes get to wondering what the legendary Pixies frontman’s personal life is like, spending sleepless nights recording this debaucherous long-play in Brooklyn, L.A. and London. In the album’s press release, Francis wrote “I want to be all inside you ... sucking at the only thing that matters”; NonStopErotik gets my vote of approval, but don’t blame me if you feel violated.
Dada Life Press Photo
Dada Life • electronic, house
By Joshua Lee
This is not a DJ duo from Sweden. Wait. No. Actually, it is. Sorry, I got carried away. Dada Life is one of the biggest DJ acts in the world. I don't really know what that entails, though, to be honest. It involves dancing, I think. And auto-tune. But I don't really care, because these guys are hilarious. Their logo is a champagne bottle flanked by two peeled bananas. They have press photos involving pastel suits and Sears family photo-style ambiguous cloudy backgrounds, and one showing member Stefan Engblom shoving an oversized piece of meat into member Olle Cornéer's straining face while giving words of encouragement. That's funny. And anyone that funny deserves a show of your support, which you will have a chance to display when they come to The Stage this Friday, Sept. 2, at 9pm. If you're over 21, purchase a $25-$35 ticket, get your ass down there and let these boys know how appreciative you are of their comic genius. Oh. And let them know you like their music (even if you're old and don't get it, like me).
Kid Dinosaur • indie rock • St. Petersburg • Cry Steve Cry • psychedelic, surf Americana • Sweet Nothin' • punk rock
By Desiree Garcia
Is a Burqueño actually a Burqueño if they don't support their local artists? If you're unsure, the band Kid Dinosaur will be headlining a show at the Launchpad this Friday, Sept. 2. Doors open at 8pm. It's a 21+ show, because what's a show without a little liquid courage (just for dancing, though)? It's only $5 to support these local indie rockers. Performances will also include St. Petersburg, Cry Steve Cry and Sweet Nothin'.
Courtesy of Watsky Instagram
Watsky • Witt Lowry • hip-hop • Daye Jack • rap • Chukwudi Hodge
By Renée Chavez
In search of rap that's about more than hoes and getting turnt at the club? Cruise over to Sunshine Theater on Saturday, Sept. 3, to experience WATSKY, Witt Lowry, Daye Jack and Chuckwudi Hodge. George Watsky is a spoken word artist, rapper, poet and author who has just released his newest studio album, x Infinity, and let me tell ya, he's rad. Don't believe me? Check out his performance as Shakespeare in “Epic Rap Battles of History,” the flaming-hot “Whoa Whoa Whoa” from All You Can Do, or the fact that he won the Brave New Voices National Poetry Slam in 2006. He tackles complex issues like school shootings, politics, immigration, social media and the bizarreness of the modern human experience with wit and a badass beat. Tickets are $20 for general admission to this all-ages show and doors open at 7pm.
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