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Prism Bitch

Music Review

Prism Bitch Destroys Sister

Regional rockers from Boise and Santa also kill it

Alibi music correspondent Adam Wood returns for a summer of music!
 Alibi V.19 No.15 • April 15-21, 2010 
The Ettes’ Poni, Coco and Jem

Music to Your Ears

Girls Are Mad

I didn’t go to the show when The Ettes played at a free bar Downtown early last year. The Nashville-based band wasn’t on my radar anyhow, so I felt no regret about missing it ... until a week later when I finally opened the 12-inch record that a friend, knowing I would like it, had bought for me at the show as a souvenir. Bright yellow in color, the LP—2008’s London-recorded Look At Life Again Soon—contained 11 distortion-heavy, ’70s glam-tinged tracks of female-fronted rock and roll. Since then, that record—now a prized possession—has received heavy rotation by me at home and in public drinking establishments.

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Omar Sosa stresses the importance of having fun.
Yannick Perrin

Spotlight

A Joyful Ceremony

Pianist Omar Sosa’s Afreecanos Quartet communes with the spirits

Cuban pianist, marimbist and composer Omar Sosa plays up and down the tree of music, sounding its deepest African roots and the greenest buds in its ever-spreading canopy. Every note summons listeners to a joyful ceremony of communion.

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Rare UV Transmission paraphernalia
Captain America

Dirt City Archives

Having a Ball

The psych-pop of UV Transmission

Have you ever walked into a bar intimidated by the row of hogs and Harleys parked out front? Wondered about the reception you’d get from the bikers partying down inside? It wasn’t quite that way with the dozen Vespa, Lambretta and Velocette knockoffs lining the sidewalk in front of the Fabulous Dingo Bar (now Burt’s Tiki Lounge) when UV Transmission was headlining. Rather than wielding chains and wearing leathers, these riders sported one-button blazers, Cuban heel boots and M65 parkas with the Royal Air Force insignia on the back. The crowd was there not to pogo or mosh (thankfully!) but to dance.

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[click to enlarge]

Flyer on the Wall

Sublime Sonics

The scary little people hidden in the trees want to you know that Monday, April 19, sees performances of animal-sound music and different forms of drone by Infinite Body, EARN, Lab Rat and Postcommodity. The show begins at 8 p.m. at Thundermind Corrective, and for $5 you might find out what “intense loud doom drone” means. (Jessica Cassyle Carr)

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Sonic Reducer

Ben Goldberg Go Home · Rufus Reid Out Front · Tin Hat Foreign Legion

Ben Goldberg packs a lot of music in his clarinet case—including jazz, Ashkenazi roots music and chamber music. His latest combo features musicians with unfettered imaginations willing to roam the entire musical landscape: Ron Miles (cornet, G trumpet), Charlie Hunter (seven-string guitar) and Scott Amendola (drums). Together, they create something approaching a jazzy, groove-based klezmer blues—or maybe it’s just Southern rock all growed up and moved to the big city. The 10 Goldberg compositions (with help from brother Ethan on one) move smoothly from lyrical composed passages to disciplined but adventurous improvisations. Hunter is clearly the oddest and most indispensable part of the combo, supplying a fierce rawness in the upper registers and coherent bass lines simultaneously. The four live tracks add special piquancy to this tasty brew.

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Image via Pixabay

EVENT HORIZON ()

Eternal Recurrence

Holly Rebelle's High School Reunion • Tito Bonito • Mr. Valdez • Mustang Monroe • burlesque, boylesque, variety

That nightmare, again: You're in biology class, trying not to nod off while the teacher drones, and suddenly you notice everyone's gaze focus squarely on you. You're naked, it's test day and you forgot to study. But that's not what's freaking you out. No—it's the plastic jelly bracelets, stirrup pants and side ponytails that cause you to sit up in bed, heart thumping like a '90s boom bap beat. This Saturday, May 26, your dreams are becoming a dayglo-blooded reality at Holly Rebelle's High School Reunion: A Burlesque Tribute to the '90s. The dreaded time machine takes off from the Launchpad at 8pm. Admission is $15 for adults over 21 (anyone younger probably wouldn't get it anyway).
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