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 May 27 - Jun 2, 2010 

Music News

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“The Local Edge” Is Back (Cue Wicked-Ass Guitar Solo)

“The Local Edge,” that venerable half-hour of New Mexico-grown rock on 104.1 FM The Edge, has a new overlord. Since May 2, the show has been hosted by Matt Orio, former drummer for Mechanism Of Eve, Ki and HalfGauge. Now Orio is calling for bands that make “all sorts of alternative / indie rock” to submit program fodder and postable flyers. To do so, e-mail orio1041@gmail.com or drop off music (labeled with attention to Orio) at the station—5411 Jefferson NE, Suite 100. For more on the show, or to see photos of bottle blondes with boob jobs in bikinis, go to 1047edgeradio.com. Listen to “The Local Edge” Sunday nights from 9:30 to 10 p.m.

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Roky Erikson on the cover of   True Love Cast Out All Evil

Aural Fixation

We Did Miss You, Roky Erickson

Okkervil River helps pioneer of psychedelic rock tell his stories

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After a decades-long saga of legal troubles, drug abuse and mental illness, Roky Erickson—frontman of The 13th Floor Elevators, the ’60s garage band often credited with inventing psychedelic rock—has released an album that is both redemptive and cathartic. True Love Cast Out All Evil is a selection of songs written by Erickson over his entire career, chronicling an emotional journey—from incarceration in a prison for the criminally insane to his self-imposed isolation in a squalid housing project, and beyond.

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Tommy Gearhart performs at Vernon’s Black Diamond Jazz Club.

Jazzed

A Nice Little Jazz Joint

But you gotta know the password

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Vernon’s Hidden Valley Steakhouse, a classy restaurant on North Fourth, has done very well pretending to be a speakeasy. Advertising has been low-key—what else would you expect from a speakeasy?—and you’ve got to know the password to get in. The windowless dining room looks and feels like a well-appointed back room in a Chicago basement, what with its elegantly polished black diamond plaster walls and period paraphernalia, and the speakeasy charade—complete with the “What’s the password?” routine—adds a little spice and corny fun to an evening out.

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Flyer on the Wall

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Hark!

With one hand raised against the sublime forces of the sonically mundane, the man in the lizard costume seems to say, “Give heed!” His other hand clasps the record of truth and free expression. Accompanying text beckons the stifled, the weary and the weird to engage in a banquet of 7-inch vinyl at Coalmind (1016 Coal SW) on Thursday, May 27, from 8 to 11 p.m. Hurrah, I say, not hhhrrmmph. (Jessica Cassyle Carr)

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Song Roulette

The Eastern Seaboard’s Brent Bagwell

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Brent Bagwell is the reeds player for The Eastern Seaboard, a free jazz trio encased in a no-wave package. Formed, appropriately, in Brooklyn during the early Aughts, the band has since dispersed to other locations and is touring the Wild West in support of its fifth full-length, released on the Italian label Black Saint. The trio plays at the Undermind Collective (1016 Coal SW) on Friday, May 28, at 8 p.m. Below you’ll find five random pieces of Bagwell’s nano’s repertoire.

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EVENT HORIZON ()

Why Not?

Why? • indie rock, alt.hip-hop, alt.rock, pop, folk • Go Dark • experimental

By August March
If you want a reminder—and not from Radiohead—that hip-hop is everywhere, even in the indie rock that millennials are sorta into (but only after they listen to every goddamn thing they can find by Kendrick Lamar) then trip, trip, trip on down to Sister on Monday, Feb. 19 at 8pm for a recital of sorts by Cincinnati alt-rappers cum indie rock stars, WHY? Founded by a dude named Yoni in the distant and unremembered aughts, WHY? has gained traction among rockish young audiences with their pop-nuanced mash-up of rocanrol and hip-hop. They got all kinda crazy rhythms, jams and flows going on betwixt rock references and may do some drugs; their latest effort is called Moh Lhean, after all. Additionally, the critics at Allmusic have judged their music as “quirky” which oughta count for something, amirite? They do have some pretty righteous tuneage, including works like “George Washington,” “White English” and “Into the Shadows of My Embrace.” Seriously, this one's worth the price of admission and if you're into skinny jeans and man buns, then damn, get out there, girl! The cover is $15 to $18, 21+.
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