“The Local Edge” Is Back (Cue Wicked-Ass Guitar Solo)
“The Local Edge,” that venerable half-hour of New Mexico-grown rock on 104.1 FM The Edge, has a new overlord. Since May 2, the show has been hosted by Matt Orio, former drummer for Mechanism Of Eve, Ki and HalfGauge. Now Orio is calling for bands that make “all sorts of alternative / indie rock” to submit program fodder and postable flyers. To do so, e-mail firstname.lastname@example.org or drop off music (labeled with attention to Orio) at the station—5411 Jefferson NE, Suite 100. For more on the show, or to see photos of bottle blondes with boob jobs in bikinis, go to 1047edgeradio.com. Listen to “The Local Edge” Sunday nights from 9:30 to 10 p.m.
Okkervil River helps pioneer of psychedelic rock tell his stories
By Summer Olsson
After a decades-long saga of legal troubles, drug abuse and mental illness, Roky Erickson—frontman of The 13th Floor Elevators, the ’60s garage bandoften credited with inventing psychedelic rock—has released an album that is both redemptive and cathartic. True Love Cast Out All Evil is a selection of songs written by Erickson over his entire career,chronicling an emotional journey—from incarceration in a prison for the criminally insane to his self-imposed isolation in a squalid housing project, and beyond.
Vernon’s Hidden Valley Steakhouse, a classy restaurant on North Fourth, has done very well pretending to be a speakeasy. Advertising has been low-key—what else would you expect from a speakeasy?—and you’ve got to know the password to get in. The windowless dining room looks and feels like a well-appointed back room in a Chicago basement, what with its elegantly polished black diamond plaster walls and period paraphernalia, and the speakeasy charade—complete with the “What’s the password?” routine—adds a little spice and corny fun to an evening out.
With one hand raised against the sublime forces of the sonically mundane, the man in the lizard costume seems to say, “Give heed!” His other hand clasps the record of truth and free expression. Accompanying text beckons the stifled, the weary and the weird to engage in a banquet of 7-inch vinyl at Coalmind (1016 Coal SW) on Thursday, May 27, from 8 to 11 p.m. Hurrah, I say, not hhhrrmmph. (Jessica Cassyle Carr)
Brent Bagwell is the reeds player for The Eastern Seaboard, a free jazz trio encased in a no-wave package. Formed, appropriately, in Brooklyn during the early Aughts, the band has since dispersed to other locations and is touring the Wild West in support of its fifth full-length, released on the Italian label Black Saint. The trio plays at the Undermind Collective (1016 Coal SW) on Friday, May 28, at 8 p.m. Below you’ll find five random pieces of Bagwell’s nano’s repertoire.
Crystal Castles • electropunk, synth pop, witch house
By August March
Remember the thing called Witch House? How about darkwave? The constant bifurcation of artistic paths in the field of electronic music can be damnably confusing and irritating, as well as rewarding and helluva lot of fun too—as long as you pick the right band. When adherents of these sorts of genres aren't busy sorting their rainbow-colored toe socks and looking for tubes of Vick's Vaporub to snatch up at the local Walmart, then it's a pretty fair bet that they are listening to the likes of Crystal Castles, a duo of Canuck electro-arhats who've made their mark in the music world with a febrile and spooky glitchiness that has outlasted any names critics might apply in favor of an honestly, intimidatingly pure exploration of sounds that make humans dance and rejoice as they swirl around the very noisy and icy maelstrom of life and death. Ethan Kath and Edith Frances, AKA Crystal Castles, perform live in Burque on Thursday, Oct. 19. Viewed as an opportunity to joyfully and ferociously embrace the void, this ought to be a damn good show, but don't blame me if you can't remember your name afterwards.
Here's a brief on a band with three names, but unlike Eliot's bunch, these dudes are not a coterie of cats. At home across the pond, they're known as the Beat. In the land down under, kindly refer to them as the British Beat. Here in 'Merica, we call them the English Beat. But no matter what you call them, this estimable ensemble that still includes founder and guitarist Dave Wakeling—but not vocalist Ranking Roger—was partially responsible for the upsurge in popularity that two-tone ska saw on both sides of the Atlantic during the '80s and '90s. With a retinue of classic, upbeat jams like “Monkey Murders,” “Spar Wid Me” and “Save It for Later”, the band's touring the states again, impressing OG ska lovers as well as the next generation of horn-crazy youth with their combination of crazy stage antics and terrific tuneage. You can catch the outfit live here the the Duke City on Sunday, Oct. 22, at the Historic El Rey Theatre, but don't worry you don't need checkerboard pants or a smart little hat to enjoy this gig—just make sure those great big feet of yours are rested and ready to dance.