“Yankee Doodle Dandy,” perhaps the sassiest of all classic patriotic American tunes, is thought to have been written in mid-18th-century Europe, possibly during the Seven Years’ War. Though its exact origin is unclear, the song was a British invention and was used to deride American Colonists and their ragtag army. The most recognizable verse (there are nearly 200) is not seen in this sheet music: “Yankee Doodle went to town / Upon a little pony / Stuck a feather in his cap / And called it Macaroni"—nonsense on the surface, this verse is actually a snobby insult to pastoral Colonial fashion (a Macaroni was a traveled, upper-class European who wore extravagant wigs). In the American tradition of taking things that don’t belong to us, “Yankee Doodle Dandy” was reclaimed by the disheveled patriots and became a source of Colonial pride. And, as we all know, in the end the garishly dressed Americans defeated the pretentious and dimwitted red coats whose flamboyant uniforms made them easy targets. U.S.A.! (Jessica Cassyle Carr)
Power pop turns folkie—a chat with Peter Case
By Jessica Cassyle Carr
In 1975 Jack Lee, Paul Collins and Peter Case formed the short-lived but influential power pop group The Nerves. Most notably, the band is responsible for the classic track "Hanging on the Telephone," later made famous by Blondie. The group also had a hand in founding the West Coast punk scene—but just as the cultural explosion got its footing in L.A., The Nerves split in 1978. Collins and Case formed The Breakaways, and Lee went solo. Case went on to find success as the frontman for The Plimsouls, but by the mid-’80s that band dissolved and Case returned to his solo roots.
Flyer on the Wall
“Listen, Bob, I don’t have time to talk about the memo—I’m up to my flank in plastic army men right now.” A combination of discount wallpaper, highly effective business practices and possibly the artist’s bad acid trip make this an intriguing work of photo montage. More intriguing is the idiosyncratic show it notes— Grand Canyon, Shoulder Voices and The Booty Green—at Atomic Cantina (315 Gold SW) on Saturday, July 3, beginning at around 10 p.m. The show is free for the 21-and-over crowd. (Jessica Cassyle Carr)
Piñata Protest Plethora · Panda Riot Far and Near · Matt Perrine & Sunflower City Bayou Road Suite
Mixing punk with Mexican border music is nothing new. Joe “King” Carrasco hit it big on the frat-boy circuit with nuevo wave-o Tex-Mex party songs that ultimately tasted like watery horchata. Tired of Black Flag copycats but not the energy, San Antonio native Álvaro del Norte reclaimed the corridos he rejected as a child to study under Texas accordion maestro Juan Tejeda. Now his band, Piñata Protest, serves a steaming pot of caldo de res with beefy punk riffs and greasy accordion marrow—the tastiest Norteño/rock recipe to date. Be sure you save your last bit of tortilla to wipe the bowl clean. (CA)
Rugby is a Drag • Truly Scrumptious Coxx
By Robin Babb
This Saturday, Jan. 21, drag your ass to Sidewinders by 9pm for the fundraiser, Rubgy is a Drag, presented by Brujos Rugby and Casa Q. That’s right, the strapping young Brujos Rugby Team players will be performing in drag for a one-night-only event with guest MC Truly Scrumptious Coxx—you don’t want to miss this one. Remember to bring singles to shower upon your favorite performers. Funds go towards The Brujos and Casa Q, the only safe transitional house for LGBTQ+ youths in New Mexico. Tickets are $10. Ages 21+.
Courtesy Epic Records
Chevelle • alternative • Black Map • Dinosaur Pile-Up • rock
By August March
Chevelle, an indie band from the Midwest, portrays their hard sound—expressed with exasperated vocals, a muscular rhythms and chunky guitar riffs that repeatedly drift off into tangential melodies—as an artful thing, comparable to '90s peers like Tool. And they do sound like Tool—if their latest single “Door to Door Cannibals” is any indication—when that band was at its peak at the end of the last millennium. Whether this particular vernacular is still credible in a rocanrol world that is rapidly evolving away from rocanrol remains to be seen, yet Chevelle does provide solid affirmation that such beefy sounds are still commercially, if not aesthetically viable. Currently a familial unit comprised of brothers Pete and Sam Loeffler as well as their brother-in-law Dean Bernardini, Chevelle continues to use themes of darkness and domination to draw radio-friendly audiences worldwide. Burqueños can get a taste of their rockingly reserved rampage when the trio visit our town on Tuesday, Jan. 24. Black Map and Dinosaur Pile-Up open this 13+ show at the El Rey that costs between $25-$45.
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